How Is Obsession Shown In Frankenstein

Victor Frankenstein chooses to create this monster to help mankind transcend death, but also because he is so fascinated in the science department. On page 77 of the novel, Victor states “and make myself useful to my beings” (77), which backs up the fact that he does it for the good of humanity. At the very beginning of the novel he talks about his enthusiasm and fascination with science. Hence, it was the combination of Victor 's obsession with creating life and the many new discoveries taking place around him such as chemistry that made Victor suppose that he could use all the resources he did to construct his monster.

The question of whether or not Hamlet was insane is of a never-ending debate. Was he always crazy? Was he always faking it? Or was he somewhere in between? In this paper I will share three different views and provide my own interpretation of Hamlet’s sanity.

In the novel, Frankenstein, by Mary Shelley, the two main characters, Victor Frankenstein and his creature, both display a sense of moral ambiguity. Each character has committed both good and evil alike, and neither knew the consequences of what they had done. However, Victor Frankenstein is generally the morally ambiguous character by his treatment of his creation and his own imperious personality. He wanted to be able to help science by recreating life or bringing it back, but at the same time, he did not want to consider the consequences of doing so.

Knowledge has the capability to be used for both good and evil. In Mary Shelley’s Frankenstein, there is a consistent message throughout the novel showing the dangerous and destructive power that knowledge can have. Two key characters, Victor Frankenstein and his monster, are shaped through their obsessions with knowledge and the power and responsibility that it brings. Ultimately, Victor’s downfall is a result of his uncontrollable thirst for knowledge, and is brought about through the monster which is the embodiment of his obsession.

Victor and the Creature are both social outcasts. Since Victor is so intelligent and interested in science he often does not relate to other people and he does not have many friends. Since the monster cannot be around people without scaring them to death he tends to also act as an outcast around

The term victim describes anyone who suffers as a result of one or multiple unfortunate incidents. In Frankenstein, Mary Shelley portrays a number of different characters as potential victims, in particular: the creature, and Dr. Frankenstein. The similarities among the two in initial experiences create difficulty in labelling one as the true victim. However, as the story progresses, it is evident that the creature is able to overcome his fate of victimization by actively responding to his unsuccessful experiences. Whereas, Dr. Frankenstein suffers as a victim due to his cowardly reaction to his misfortunes. In the novel, Dr. Frankenstein is believed to be the true victim of the

Victor would stop at nothing to finish his project and became so obsessed that he was isolated from his family and friends. His way of collecting lifeless matter for his creation is unethical and morally wrong. Eventually, he is punished for his actions: “I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body.” (pg.56) Additionally, extreme devotion to the building of his creation caused Victor mental distress due to the fact that he neglected his own needs in order to work exclusively on the creature: “I had deprived myself of rest and health.” (Shelley 56). This is the reason that Victor did not realize he had gone too far until it was too late. Once victor brings the creature to life, he immediately realizes the hideousness of what he has done: “Now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.” (Shelley 56). Furthermore, Victor struggles to cope with his creation throughout the novel. The creature wants to take revenge on Victor for abandoning him and causes Victor grief by killing the people he cares about. When the creature kills, Victor feels responsible and guilty of the murders. He continually breaks down with each death by “his” hands, which makes him go mad. The task of creating a monster turned Victor into a monster

Victor’s passion about learning new things brought him to the creation of an ugly monster. He never gave up on what he wanted to know about. He spend hours doing research to bring life from death. He didn't not even think about any consequences about bringing something that is left back to life. He even spends time away from his family in order to accomplish the goal that he had for himself. All of this causes him to suffer because of the negative consequences that it brought him. Victor even said “Learn from me, if not by my precepts, at least by my example, how dangerous is the acquirement of knowledge”. He admits that he suffered from his relentless search of knowledge.

The deferment of death and the promotion of self-supremacy within Victor has backfired. The creature not only craved attention from Victor but also craved a female counterpart. After a further argument between Victor and the creature, Victor agrees to create a female creature. Stunned, and lost in his own doings, Victor asks himself if what he is doing is truly for the betterment of mankind. “Even if they were to leave Europe, and inhabit the deserts of the new world, yet one of the first results of those sympathies for which the daemon thirsted would be children, and a race of devils would be propagated upon the earth, who might make the very existence of the species of man a condition precarious and full of terror.” (119). While agreeing to create a female counterpart, Victor comes to his senses and ultimately realizes that his initial creation was wrongful. Victor realizes the level of insanity of his work and feels

This passage taken from Mary Shelley’s horror novel, Frankenstein, on page 66-67 describes the atmosphere and ponderings of Victor Frankenstein as he solitarily ascends to the summit of Montanvert. After feeling grievance and despair as he blames himself for the death of both his brother, William and his servant, Justine, Victor attempts to find solace in the majesty of nature to repair his emotional state. However, his descriptions of the environment are somewhat grim and bleak, contrasting the pleasant and peaceful mood that being in the natural world typically evokes. This scene causes him to question man’s desire for superiority against nature as it reflects upon himself. In this passage,

Victor Frankenstein turns away from his responsibilities by ignoring the existence of his creation. Throughout the novel, Victor is constantly running away from the monster and not giving him attention, which resulted in the monsters change of personalities. For example, in page 71 the creation said, “All men hate the wretched; how must I be hated, who am miserable beyond all living things! Yet you, my creator, detest and spurn me, thy creature, to whom thou art bound by ties only dissoluble by the annihilation of one of us.” This quote suggests that because of the ignorance of Victor the monster began to become evil and have the urge to seek

Using the new historicist perspective, Elizabethan audiences would have believed Hamlet’s madness was feigned. The new historicist perspective is important to prevent an anachronistic psychological interpretation of the play. Authors are respondents to their time period in which they lived. The author’s intent and intentions can be understood by analyzing literature on the basis of historical and cultural backgrond. By understanding the perception of madness during Shakespeare’s time, the new historicist view prevents modern readers from making faulty interpretations by incorporating modern knowledge of mental illness, and thus tarnishing the author’s

There is no other creature in existence that is as communal and gregarious as human beings, due to this, whenever one feels deserted or segregated by the rest of society, they tend to become cold and bitter. In Frankenstein, or, The Modern Day Prometheus, Mary Shelley portrays the monster, as well as its creator, as outcasts from society. Although, Victor has a family, and a wife while the creature does not, Victor feels he is emotionally detached from the rest of his loved ones. Due to his emotional confinement, Victor feels that he cannot trust even his wife with the knowledge of the horrible creature in which he has created. This sense of being an

Mary Shelley’s novel Frankenstein, is one of the most important and popular novels in the Romantic genre to this day. The novel was originally controversial because it touched on many fragile subjects such as the human anatomy and the development of science. The structure of Frankenstein begins as an epistolary, narrative story told by Robert Walton to his sister in England. Walton’s letters tell us that he is exploring, searching for what lies beyond the North Pole, and he eventually connects with Frankenstein. Shelley creates the protagonist, Dr. Victor Frankenstein, who has a fascination with life and death. Gensis states; “God created man in his own image, in the image of God created he him.” Humans, therefore, were created as a likeness

In William Shakespeare’s classic, Hamlet, the question concerning Hamlet’s underlying sanity is a major element in the interpretation of the text. In the play, Shakespeare portrays Hamlet as a dynamic character to cause a mental state conundrum among the audience and explore the themes of suicide, spying, friendship, madness, providence, love, hate and humour. Furthermore, by utilising literary devices such as soliloquy, characterisation, dialogue, personification, metaphor, dramatic and situational irony Shakespeare exploits these themes and questions Hamlet’s sanity. In the beginning, Hamlet is portrayed as an overthinking person, claiming to act an antic disposition. However, as the play advances his manic rage and irrational acts such as Polonius’s murder and