In one of Octavia Butler’s most well known books, Dana a struggling black author is yanked back in time to the antebellum south multiple times to save the life of her white slave-owning ancestor Rufus Weylin. When literary critics examined this piece of science fiction, many were motivated to write papers on a myriad of subjects in the book’s less than 300 pages. Scholarship on Octavia Butler’s Kindred has evolved from primarily focusing on how the novel connects its readers to the past to addressing more modern concerns of how African American culture and people are represented and viewed, as well as third wave feminism. One of the earliest scholarly articles on Octavia Butler’s Kindred is Lisa Long discussing how unknowable history is for …show more content…
Like Long, Donadey notes Butler’s concentration on history’s resistance to perfect re-experience. Heavily referring to Ashraf Rushdy’s essay on Kindred, when forming her line of questioning, Donadey, for a moment, appears to neglect assembling her own viewpoint in surmising Rushdy’s (Donadey 67). But Donadey shifts her gaze towards what Butler gains from choosing a first person narrator and contributes to the scholarship on Kindred strengthening her reasoning with inductive logic and examining the implications of the geographical regions the book is set in (Donadey 68, 71). Finally, she enhances her points even more through acknowledging the instances that appear to weaken her interpretation, and then regarding the same instances from another angle showing how they actually prove her point. She does this with her argument that the most scarring injury Dana endures is the loss of her arm, by accepting there are also numerous other instances of extreme physical trauma (Donadey
Analyzing Character Development: Dana Octavia Butler’s novel, Kindred, provides a unique look into slavery in the antebellum South through the eyes of Edana Franklin, a black woman living in the late 20th century, who is suddenly sent through time to the early 19th century where she is suddenly faced with the task of protecting her ancestor, Rufus, from many dangers in order to ensure her existence in the present. Dana begins her adventure with no knowledge of how or why she has been given this responsibility and, as a result, must adapt to her new and unfamiliar surroundings. As the novel progresses, the reader sees Dana’s internal battle with herself as she decides whether or not Rufus is worth saving, or if she should let Rufus die
This analysis of agency would be useful for a person pushing for more freedom of expression or freedom of speech. All in all, Bast’s successfully supports his perspective of agency through his evaluation of Kindred, and the comparison of the human instinct of expression to Dana’s want to create change with her time traveling powers constructs a powerful parallel between the novel and Bast’s article. The novel Kindred, however, serves to create an important message about society on its own, as well. Octavia Butler’s Kindred is a science-fiction novel that depicts the life experiences of a young black woman named Dana, who is given the task of traveling back in time to the era of slavery to save her ancestors, but is unjustly oppressed and has most, if not all, of her rights stripped away from her simply due to her race and gender. As a result, the most prominent overarching theme of the novel is the inequality of power and social status given to people of varying gender and race, and the struggle that those people must go through to gain as much freedom and equality as possible.
Danielle L. McGuire’s At the Dark End of the Street, “an important, original contribution to civil rights historiography”, discusses the topic of rape and sexual assault towards African American women, and how this played a major role in causing the civil rights movement (Dailey 491). Chapter by chapter, another person's story is told, from the rape of Recy Taylor to the court case of Joan Little, while including the significance of Rosa Parks and various organizations in fighting for the victims of unjust brutality. The sole purpose of creating this novel was to discuss a topic no other historian has discussed before, because according to McGuire they have all been skipping over a topic that would change the view of the civil rights movement.
By understanding the characters in “Bloodchild”, it can be seen that Butler reversed the roles of
Nella Larsen, one of the major woman voices of the Harlem Renaissance of the 1920s, when many African American writers were attempting to establish African–American identity during the post-World War I period. Figures as diverse as W.E.B. Du Bois, Alain Locke, A. Philip Randolph and Jessie Fauset, Zora Neale Hurston along with Nella Larsen sought to define a new African American identity that had appeared on the scene. These men and women of intellect asserted that African Americans belonged to a unique race of human beings whose ancestry imparted a distinctive and invaluable racial identify and culture. This paper aims at showcasing the exploration of African American ‘biracial’ / ‘mulatto’ women in White Anglo Saxon White Protestant America and their quest for an identity with reference to Nella Larsen’s Quicksand.
In Kindred, Dana’s narrative entirely revolves around the slaveholding American narrative of Rufus which illustrates the second fiddle notion of Dana’s identities. The fact that she can only time travel when white man, Rufus, mortally needs her demonstrates that her entire story regardless of time is dictated by the White Man (Butler 12). Furthermore regarding time fragmentation, the imagery of Dana’s body being in a constant state of scars, bruises, and general crisis in 1976 and 1819 while Rufus’ body and life continues in a progressive linear state depicts how the white historical narrative continues to strut along time whereas the black, female, American narrative continues to be an unhealed wound discarded alongside white-American-male chronology. This notion is expressed when Dana puts her bodily pain to the side in order to sexually usher love and welcoming to Kevin’s five year journey in Antebellum south (Butler 190). Essentially Dana’s body politics do not exist in a state of paradox because through Butler’s textual portrayal of embodiment, she was and still remains as an
It is often said that a new definition of a woman arose in the 1920s. But is that true? While most women experienced many newfound freedoms in the 1920s, black women could not explore these freedoms as easily as white women. In the novel Passing by Nella Larsen, Irene Redfield and Clare Kendry grew up in Chicago together and are now both two wives and mothers in New York City during the 1920s, but there is a big difference between them. The novel’s title refers to light-skinned black women masquerading as white women for social benefits.
Dana and Rufus’s Relationship Ever wonder what it's like to have a changing relationship with a plantation owner's son back in the 1800’s? Dana Franklin is a younger African-American woman married to Kevin Franklin who is a middle-aged man. Dana travels from California in 1976 back to the early 1800’s whenever Rufus is in trouble. Rufus is a plantation owner son and is also the father of Dana’s ancestor. Dana’s travels are random; she gets lightheaded and dizzy when she is about to travel.
In Octavia Butler’s novel, Kindred, Rufus Weylin is one of the main characters who undergoes a lot of change throughout the novel, making him a round character. A round character is defined as a “major character in a story who encounters contradictory situations and undergoes transformation during this phase. Therefore, the characters does not remain the same throughout the narrative, making their traits difficult to identify from beginning until the end (LiteraryDevice).” The reader, along with Dana, follows Rufus’s growth throughout some major points in his life, from a young boy who forms a bond and friendship with Dana, to when he grows up to be a racist man who ultimately attempts to rape her. However, it is evident that Rufus’s ideology
Harming not only slaves but free blacks as well in the novel, when Dana is transported back to the moment right after Rufus rapes Alice: Dana attempts to express how she felt about Alice’s right to refuse Rufus sexual advances and he replied, sarcastically saying “‘She must have thought she was a free woman or something”. In the novel, shows the oppression of black women. Dana asks Rufus: “‘...your father whips black people?’” and he replies “‘when they need it’” (Butler 26).
This week, the readings point the spotlight at the some of the depressing hardships that the African-American population frequently experience. In “Naughty by Nature”, Ann Ferguson covers the different perceptions that society has of colored boys. David Knight’s work “Don’t tell young black males that they are endangered” seeks to explain the differents outcomes of African-American youth that arise when society constantly oppresses them. The last article by Carla O’Connor, “The Culture of Black Femininity and School Success”, focuses on the image of African-American woman that is created as a result of them attempting to preserve in a system that opposes them.
Situations are defined by choices. Small actions in one moment of time alter the future of what happens forever. In Kindred by Octavia Butler Dana, the main character, is a black women born in 1976, who time travels back to the early 1800’s in order to save her relative, Rufus, a white boy who is the son of the owner of the plantation. Along the way she also meets her other relative, Alice, a slave born free, but enslaved since she helped her husband run away. Alice is owned by Rufus, who is convinced that he is in love with her.
In 1773, there were slaves all over colonial America working in plantations, and cleaning their masters houses. It wasn’t common for a slave to be writing poetry with their owners consent. Phyllis Wheatley’s success as the first African American published poet was what inspired generations to tell her story. It was her intellectual mind and point of view that made her different from others, both black and white. Phyllis’s story broke the barrier for all African American writers, and proved that no matter the gender or race, all human beings are capable of having an intelligent state of mind.
In Octavia E. Butler’s novel Kindred, Dana battles an external conflict of time traveling to the past, and experiencing what it was like to be a slave. Dana ultimately resolves this conflict by killing her ancestor named Rufus to return to her present time; however, this choice also illustrates her true character as both scared but brave. Dana’s decision to kill Rufus because she did not want to live in a time where slavery and racism occurred also reveals the universal theme that racism was very common in the past, and it still occurs till this day. When traveling to the past Dana struggles with an external conflict of racism and slavery.
Maryland in 1815, like much of the south, was a hot bed for slavery plantations. For slave owners in particular, it was a benefit if your slaves were not educated, as they would be less likely to question the oppressive treatment, and not adequately be able to express the conditions under which they labored. In the novel Kindred by Octavia Butler, various aspects of education are intertwined throughout, effectively depicting how education and slavery do not go together cohesively. Specifically, in the case of Dana, the novels protagonist, her intelligence led to her owners feeling inferior, which prompted many verbal and physical attacks, an exploitation of her abilities, and the overriding attempt to suppress the education of other slaves