Odysseus believes that his words are final and his actions are always right and just, but he often lets his ego take over his rational thinking, causing harm to his crew and tampering with the gods’s plans. His team could have returned home safely for it is the wish of Athena and the other heavenly gods who sit next to her in Mount Olympus, but Odysseus takes it to himself to anger and blind Polyphemus, the monstrous son of Poseidon, loved by his father but hated by the people, thus sabotaging their entire plan. After being blinded by the heroine, Polyphemus throws giant pieces of rocks at Odysseus's ship, almost destroying them all at once. But instead of retreating for safety, Odysseus continues to taunt Polyphemus and “[calls] out to the cyclopes again, with [his] men hanging all over [him] begging him not to”(Book 9, 491-492). His sense of pride and arrogance makes him neglect the pleas of his men even in these dire situations.
Not only does his crimes have material consequence, but he loses the one thing he had kept safe throughout, his freedom. Winston may not be a hero to the people, not even close, but he wanted to be one. However, he was trying to be a hero to himself, give himself his own freedom. He spoke the truth at the end due to the O'Brien's torture and the mind control, he always knew this would be the outcome from his diary entries, the conversations with Julia and his observations of Jones.
I can’t live one way in town and another way in my home” (Lee 367). Atticus is willing to put Jem on trial in order to teach his children that lies will only lead to disloyalty and deception. He does not want disloyalty to run through the family, so, when the time comes, he sets an example by telling the truth. No secrets or lies to hide from himself, his family, or the townspeople. Jones supports Atticus’s honest nature by saying that, “Reflection gives us humility, forces us to confront our own frailties and limitations; and compassion helps us love…”(Jones 152-153).
As the trial progresses Jem becomes tired and views his members of community with contempt. Jem is emotionally scarred after Tom Robinson is wrongly convicted. Jem firmly believes that there are differences between individuals, social classes and races. Which made Jem acknowledge what he thought Maycomb was, a safe place to live with people who care for each other and has loss faith on the neighbors and the people he knew due to large amount of prejudice
Starting off as a new and ambitious king, Creon in the first monologue appears as a ruler that is expected to rule well as he is admiring the people under the rule of Oedipus. But in the next monologue, Creon’s expectation falls as the people seem not to click with him as they do with Oedipus and already someone has defied his orders. One would expect a ruler to see reason for such acts but Creon acts harshly. This further proves how even the most well meaning can turn into a harsh tyrant that will put the blame on his own
King Creon, like a child, is so adamant in his ruling, that only a hyperbolic event could bring him to reality and teach him his lesson: a king has to listen to his people. Haemon fervently gives Creon advice about his leadership: “And [do] not be certain that your own opinion/ Is the only right one, and that all men share it” (31). Although disregarded by Creon, this serves as a reminder that whatever his political status, Creon is not all knowing like the gods; he must accept other opinions. The hyperbolic event deemed appropriate by Sophocles was the suicides of the tragic hero Antigone, Haemon and his mother Eurydice.
“By blaming our faults or problems on others, we can avoid guilt and shame”(Barker). All the King’s Men imagery Through imagery, specifically imagery of the past Jack begins to understand that it is his actions that he will be remembered by, and he realizes the mistakes he has made he thought were right. Jack feels stressed because of a number of things he knows to be true, but doesn’t understand the why, which is eating at him. “Defining the past’s truth is not necessarily identical to understanding it”(Railton
He gives the peroration before the slaughter and calls out their traits and actions that he once had early on in the Odyssey, so this speech is what shows the change within himself. He no longer arrogantly seeks glory or forsake others or the gods for his own sake, like all archetypal Homeric heroes. His heart and mind now are focused on the sake of his wife, son, and kingdom and claiming what is his by right. So he must vanquish the evil that stands in his way and wants to eliminate them and punish for their contempt of the gods and breaking the rules of Xenia as he once had done. Odysseus brings upon his wrath on the suitors, who are much like the younger Odysseus in the earlier tales, which is the easiest way to see that he has changed because he now looks down upon those who have done what he use to be proud
If one did not care about other people, that is how that same person wants to be treated. For example, when Uncle Jack visits the Finches and talks about the trial, Atticus says, “Before I’m through, I intend to jar the jury a bit--I think we’ll have a reasonable chance on appeal, though. I really can’t tell at this stage, Jack. You know, I’d hope to get through life without a case of this kind, John Taylor pointed at me and said, ‘You’re It’” (117).
At the end of the play, Oedipus the king, once Oedipus is exiled, the new king is proclaimed to be Creon. Oedipus is a hero, good at the heart and very just in his actions, and that is what made him unsuitable to be properly king. He was kind, yet to a fault. The thoughts needed to be a king are different than those that are needed to be a hero. Creon, however, has the thought process necessary to be king, and a good one at that.
He grew up being unkind and thinking that he could get away with anything he did especially when it was announced that he would be becoming a police officer and had been accepted into the academy. But with the arrival of Erin brought a small change to him, as she was willing to stick her neck out for Ned and stand up for him. This ended making him more conniving, no longer willing to stick with his chant of “Neddy, Neddy, never ready; ain’t got nothing in his heady.” (p. 3) but rather resorting to labelling Ned “‘DISTURBED & DANGEROUS’” (p. 155).
Ironically, by announcing this he has cursed himself because he is, in fact, the murderer of Laius. Near the end of the play, Oedipus asks a Shepard from whom did he retrieve the baby from. " No— / god 's sake, no more questions! / You 're a dead man if I have to ask again" (230).
In the novel Oedipus Rex, the protagonist Oedipus Rex exhibits many flaws throughout the play. Whilst the novel,Critical Interpretations Dodds and Goulds essay argues that Oedipus “never possessed any flaws” (Bloom 1). However, one can conclude that he had two major flaws; which were, his ability to quickly accuse others instead of owning up to his mistakes, and his obsession with being the hero. While in the Tragic Hero essay, it is said that we should, “have sympathy with Oedipus” (Barstow 2). One must also glance back at the mistakes that Oedipus made along the play.
Oedipus Rex was born with the prophecy of killing his father and marrying his mother. His parents try and get around the prophecy by giving away their son. Oedipus grows up not knowing not knowing anything about this he has his big prophecy over his head. and h He travels back to the city of Thebes where he then soon fulfills the prophecy.
Human beings have been baffled by existential questions and conflicts throughout history, and we humans attempt to answer these questions and reconcile these conflicts through various cultural depictions of gods and goddesses, religion, and spirituality. Homer’s The Odyssey and Sophocles’ Oedipus the King provide two interesting examples of how Ancient Greeks sought to define meaning in life, establish and enforce morality, justify social hierarchies, explain powerful forces, and especially to explore the age-old question of whether our lives are tied to fate or whether we exercise free will. In The Odyssey, Homer writes of numerous gods and goddesses, intimately known by his hero Odysseus and his Ancient Greek audience. The gods and goddesses