BIOGRAPHY A.C.A.B is an Oi! band from Kuala Lumpur. They were one of the very first Malaysian skinhead bands, formed in 1994 by Megat 'Magskin ' Hafiz and Edy J Herwan. The band was later joined by other three members; Anas on guitar, Sham on bass and Black on drums. In 1995, they recorded a Demo titled ‘A.C.A.B’, released by their own label, Bovver Brigade Records. It was distributed independently and sold over 500 copies without any proper promotion. They performed their first gig at Dynasty Night Club, Ipoh in the same year. The following demo, ‘Unite & Fight’, which sold nearly 2000 copies, was released in 1995. During the recording process, Anas and Black left the band, and was replaced by Zul. Following up on the demo, the band played …show more content…
Internal problems in A.C.A.B caused a line-up changed once again. Zul left the band in 1997 and the drummer position was replaced by Edy J Herwan himself. The band continued as a trio. Megat, Edy J & Sham, recorded A.C.A.B’s first single ‘We Are The Skins’ and debut studio album ‘Eastern Oi!’ in 1997/1998. Unfortunately, due to financial constraints, the band had to arrange an outside distribution to release both ‘Eastern Oi!’ & ‘We Are The Skins’. Toughest decision has been made; the masters and copyrights were sold to Strange Culture Records (SRC). The band released ‘We Are The Skins’ in 1998, and ‘Eastern Oi!’ the following year. In a short period of time, ‘Eastern Oi’ sold over 10,000 copies. A.C.A.B had built a devoted fan base. However, successful gigs and album sales could not solve the band’s internal problems. Edy and Sham decided to leave to band due to personal dissatisfaction. Edy continued his musical careers by forming his own band, Gerhana Skacinta. With perseverance and passion, Megat continued the struggle alone. He expressed his emotions of bitterness & frustration through his song titled Rintangan Hidup Dunia. It was included in a compilation album, ‘Tribute To Rusty Blade’, which was released in
Concert Critique – Greg Billings Band The performers are Greg Billings: Lead vocals, Tom King: Bass guitar, George Harris: Guitar and vocals, Rob Stoney: Keyboards, vocals and harmonica, Mark Busto: Drums and vocals. Kyle Ashley: Guitar. The band today includes Greg and Tom from the original band Stranger. Greg is a friend of mine as well as a colleague.
In 1986 came their first release, however, it was not greeted very well by the public, as the singles “Be My Girl” and “Stop it Girl” did not charted at any pop list. Nevertheless, the group did not surrender upon the first obstacle and continued to record songs. In 1988, they released the second album entitled “Hangin` Tough”, which had five songs in the top 10 of the Billboards Hot 100 list. Needless is to say that Knight`s net worth benefited from the success of the band.
In the early nineties (it might have been 1992, but it's hard to remember when you're having a good time) I joined a rock-and-roll band composed mostly of writers. The Rock Bottom Remainders were the brainchild of Kathi Kamen Goldmark, a book publicist and musician from San Francisco. The group included Dave Barry on lead guitar, Ridley Pearson on bass, Barbara Kingsolver on keyboards, Robert Fulghum on mandolin, and me on rhythm guitar. There was also a trio of "chick singers," la the Dixie Cups, made up (usually) of Kathi, Tad Bartimus, and Amy Tan.
, nasty band they first portrayed themselves as you might want to check your
Brown dominated the group and later renamed it “Famous flames”, the group performed at many local nightclubs. The group performed a song called” Please, Please, Please for a record company
It was released on December 16th, 2008, and was the fourth studio album. Many fans thought it was just too out there. The band’s hopes were to make the album unique and memorable, and they succeeded, but not in a good way. There were so many extra things happening, that the actual melody was washed out, and the album only sold 149,000 copies on the first week of sales. This isn’t bad, but much less than the previous album, Infinity on High.
When More of the Monkees, the band’s second album was created, they, especially Mike Nesmith and Peter Tork, grew angry at the lack of control that they had over its production (Deming). This anger would later lead to arguments which caused the group to split from their producer (Deming). The Monkees traded the help of their producer for creative freedom. Overall, it is hard to say whether this did more harm or
But this band broke up with it all started at a concert they were singing and playing their music until Midway through the set, Hendrix declared to the audience that this would be “the last gig we’ll ever play together” after this the audience freaked out and police arrived to try and stop the panic with gas. 5 months later Redding said in an interview with Rolling Stone. "I went up to Jimi that night, said goodbye, and caught the next plane back to London. I don 't think Jimi believed I 'd do it. Later, he phoned and asked me to come back, but I said stuff it” and this was the end of the Jimi Hendrix Experience.
Riley said all of the songs were sung by Jackson and claimed that vocal artifacts were added from over processing Jackson's voice. Recently, Riley has stepped into the Korean music market. Riley worked with singer/rapper Jay Park on an English track titled "Demon", which was originally meant for Michael Jackson. Riley produced a mini album for the Korean girl group RaNi. He has also produced songs for Girls' Generation's label mates SHINee and EXO.
Music carries each and every one of us to a new awareness. It can reach to the innermost part of an individual. Music can envelope our emotions from tears all the way to our joy. It captivates and motivates. As I attended a concert on Saturday, November 7, 2015, Lynyrd Skynyrd performed with power and feeling to their audience.
After much denial and a court case, Vanilla Ice finally backed down and agreed to pay David Bowie and the members of Queen royalties because they did, in a sense, contributed to the track. After the legal battle with Bowie and Queen, Vanilla Ice starting losing his
Young @ Heart There are countless known stereotypes that allude to senior citizens; many people believe: senior citizens are lazy, isolated and in poor health, the list could go on and on. The documentary Young @ Heart totally eliminates these stereotypes and discards many of the misconceptions people have towards senior citizens. Young @ Heart documents a chorus of senior citizens, directed by Bob Cilman, as they rehearse for their monumental “Alive and Well” performance in their hometown.
Record labels avoid speaking about it and also artists to not raise attention to the problem. Thankfully this topic is starting to be brought up in conversations around the music world. More and more fans on the daily seem to be becoming outraged at this situation. As more and more producers start to speak up about their personal experiences , the more people it's getting too. ‘‘I've seen it happen often over the last few years.
During the post -1968 period of Communist government it is observed that western songs and exotic clothing were forbidden among the people and bands had to be given a test before being allowed to perform in public. The plastic people of the universe was a rock band that acted as a representation of the underground culture of the population of Czech. Seemingly its themes opposed the Czechoslovakia's Communist regime and did not therefore did not conform to its beliefs and ways. As such this made the communist government silence them in the form of arrests and various repercussions. The band was banned but went on performing discreetly.
Cui Jian, otherwise known as “The Father of Chinese Rock,” had a large amount of influence in the Rock’N’Roll scene in China. Rock’n’roll in China was pretty nonexistent prior to the release of “Nothing to My Name” in 1989. He played a big role in empowering the youth in China with this new genre of music, as well as empowering himself on this journey for a new identity. Much of Cui Jian’s music, like any other artist, is a reflection of how he felt with the government trying to dictate what music and media were released to the public, including his frustrations with his life and self-expression; and two songs that embodied his struggles are “No More Disguises” and “A Piece of Red Cloth.” Prior to Cui Jian bringing rock’n’roll to China, “the