Thirst Film Analysis
The 10 Most Distinct Traits of Park Chan-wook 's Cinema
Park Chan-wook currently enjoys international fame, particularly due to films like "Oldboy" and "Thirst," which have been hailed by critics and audience all over the world. His uncanny ability to combine elements of art-house with mainstream film is the one that truly sets him apart and has led him to produce films that range from blockbusters (J.S.A.) to artistic studies of the human psyche (Sympathy for Mr Vengeance).
His prowess in the depiction of various themes and genres is supported by his technical aptitude, with their combination resulting in a number of masterpieces that excel in both aspects. Over the years, he has created a unique and highly recognizable style.
Here are ten
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Park transcends the genre by presenting it in its most extreme and even preposterous form, and the examples are many. One example is the scandalous vampire melodrama that occurs on "Thirst," through the dead-end romance between a vampire-priest and the wife of his childhood friend. One more occurs through Dael-su 's fate in "Oldboy," where the melodrama reaches the borders of the ancient tragedy.
In "Sympathy for Mr Vengeance," the melodrama is evident in all the characters ' situation, but again transcends the genre through the notion of revenge, resulting, once more, in true tragedy. In "I 'm a Cuborg, But That 's OK" reaches a surrealistic point through the concept of the girl who believes that she is a cyborg, and is about to die from starvation, since she thinks that food will ruin her circuits. In this film, Park transforms the melodrama in a genuine, though preposterous, romance.
Abnormal eroticism
Another concept Park Chan-wook has taken into its extremes is eroticism, a tactic that also features in the majority of his works. Park achieves this extremity, particularly through the highly unusual couples that constitute each
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