Diasporic writings has emerged into a distinct literary genre today. The word ‘diaspora’, derived from the Greek word diaspeiro, means scattering of people from their land of origin. One of the central features of diasporic writing is a mapping out a journey. This is a journey from the centre of the immigrant’s home culture to the periphery of the alien culture and again from the periphery of the alien culture to a different centre representing multi-culture, that is, a consciousness of at least two cultures or more. The paper proposes to study Preethi Nair’s One Hundred Shades of White as representative of such a journey spanning three generations of women through the metaphor of cooking. Food is one of the most popular tools in the hands of diasporic women writers to express their longing, rejection and finally acceptance of their home culture. Against the backdrop of contemporary British Asian literature Nair’s One hundred Shades of White stands out for her deep insight into the lives of the immigrants and her empathy with the characters. The novel is an unforgettable rendering of a mother and daughter’s search for identity and ‘wholeness’ in an alien land and coming to terms with the ‘duality’ of their existence. Diasporic writing has emerged into a distinct literary genre today. The word ‘diaspora’, derived from the Greek word …show more content…
Marginality leads to the psychological conflicts of a divided self. The story of the diaspora is the different stages in the resolution of this conflict in the lives of individuals, families, and generations. With the loss of sense of security of a known historical past and a shared geographical space, the need “to belong” becomes constitutive of the Indian diaspora.’ (p.
The term “diaspora” refers to an individual’s exit from his or her own home. In the story “The Money”, by Junot Diaz, the author describes how his mother sends money back to her parents in the Dominican Republic, where Junot’s lived before their immigration to the United States. His mother sends the money out of guilt for leaving her parents and home country behind, and because Junot’s grandparents need the money in order to survive. Though I lived in the United States for my whole life, my departure from my small suburban town in Ohio and my journey towards established myself in the Bronx, New York City could be considered my own diaspora.
Despite her recurring emphasis on Native Americans in her reading, one must also realize how subjective her writings would be towards the white population. One must not forsake that she is white, which may lead her to feel inclined to have pity towards Native Americans, black Americans, and those of Hispanic
Bharati comes to America with her arms open wide, willing to adjust her customs and conducts in order to assimilate to her new country. She celebrates change and views it as a positive aspect in her life. The author says, “America spoke to me - I married it - I embraced the demotion from expatriate aristocrat to immigrant nobody,” meaning that to Bharati, America is not just a country. It symbolizes opportunity and freedom, which she desires most. (Mukherjee 282).
anasegaram 214942338 GWST 1501 11/11/2016 Essay 2 : On Whiteness In bell hooks’ passage entitled “Representing Whiteness in the Black Imagination” hooks describes whiteness as a privilege that coloured people do not have. In the passage hook mentions “whiteness” as purity but then also comes out with a past that changed how people view the white race. I personally knew that race had a huge impact on our society and has never changed from the past it has just continued on.
Critical Whiteness Studies responds to the invisible and normative nature of whiteness in predominantly white societies, criticizing racial and ethnic attribution of non-white subjects who have to grapple with their deviation from the set norm, and opening the discussion on white privilege that results from being the unmarked norm (Kerner: 278). As Conway and Steyn elaborate, Critical Whiteness Studies aims to “redirect[...] the scholarly gaze from the margins to the centre” (283) and, more specifically, to interrogat[e][...] the centre of power and privilege from which racialization emanates but which operates more or less invisibly as it constructs itself as both the norm and ideal of what it means to be human. (ibid.) Thus, Critical Whiteness
Ruta Sepetys wrote a New Yorks best seller novel called ¨Between Shades of Gray¨. In this historical fiction novel a family is taken from their homes during the Holocaust and has to endure many challenges. One of the main characters is a 16 year old girl named Lina whoś bravery, hope, and faith can be seen throughout the novel. In the novel ¨Between Shades of Gray¨ Sepetys creates two main theme, that hope can be found where there is despair and where there is fear there is faith. One theme that can be seen throughout the novel “Between Shades of Gray¨ is that hope can be found where there is despair.
On his journey to the New World, Bartolome de Las Casas encounters the “Indians” of the New World, in which he describes as an innocent, undeveloped, people. As a first observation, Las Casas pays close attention to the Indians social appearance and clothing. He notices, “as to their dress, they are generally naked,” usually with minimal clothing worn and, instead of traditional European customs , “ they have no beds, but sleep on a kind of matting or else in a kind of suspended net called hamacas.” Specifically within this quote is the emphasis of the rhetorical device pathos. Las Casas’ diction is written in such a way that portrays the feeling of empathy toward the reader, and because an individual is more likely to help another individual
The novel, “There There” by Tommy Orange follows the stories of a plethora of characters, sharing many unique experiences with the readers. Themes of gender, identity, community, race, and assimilation can be seen throughout these stories, as the characters experience them firsthand. The journeys these characters experience connect these themes to the terms culture, multiracial person, and stereotype through showcasing the impact that these terms have on the characters and their stories. Culture is a term referring to the practices, arts, and achievements of a nation or group of people. Strong traces of culture can be seen throughout the novel, as the characters all have unique experiences with the same culture.
Fahad Albrahim Response 1: Review/Summary: “Whiteness as property” is an article written by Cheryl Harris, in which she addresses the subject of racial identity and property in the United States. Throughout the article, professor Harris attempts to explain how the concept of whiteness was initiated to become a form of racial identity, which evolved into a property widely protected in American law (page 1713). Harris tackles a number of facts that describe the roots of whiteness as property in American history at the expense of minorities such as Black and American natives (page 1709). Additionally, Harris describes how whiteness as property evolved to become seen as a racial privilege in which the whites gained more benefits, whether
At the heart of whiteness studies is the invisibility of whiteness and white privilege (Ahmed, 2004). Whiteness is thought of as the hidden criterion to which every other race is measured against. Through the lens of whiteness, the “other” is seen as deviant (Ahmed, 2004). The invisibility of whiteness, however, is only from the perspective of those who are white (Matthews, 2012). To people who are not white, it is pervasive and blatant.
The Rhetorical Analysis of “The Myth of the Latin Woman” There are many examples of incidents happened because of cultural differences. Some of them are short, single events, while other follow a person or social group for decades. Professor Judith Cortiz Cofer describes the second example in her essay The Myth of the Latin Woman that was originally published in Glamour in 1992. The author focused on the stereotypical view of Latin women from the perspective of the personal experience as a Puerto Rican girl and woman in the USA. Cofer based her essay on examples from her own life and observations of the problem in a broader sense.
In the essay “Two Ways to Belong in America,” from 50 essays, Bharati Mukherjee contrasts the different views of the United States from two Indian sisters. The author distinguishes her American lifestyle to her sister’s traditional Indian lifestyle. Both sisters grew up in Calcutta, India, moved to America in search of education and work. Bharati adjusts to the American society very quickly, where her sister Mira clings to her Indian traditions more strongly. Despite both sisters living in America, only Bharati is an American citizen, while her sister Mira is not.
Dee approaches culture by decontextualising it, while Maggie and Mama relate to it with a kind of ‘organic criticality’. The former stance is mere rhetoric and the later one is womanist. In one of her interviews, Alice Walker identifies three cycles of Black Woman she would explore in her woman’s writing: 1.
At the heart of a person‘s life lies the struggle to define his self, to make sense of who he is? Diaspora represents the settling as well as unsettling process. While redesigning the geopolitical boundaries, cultural patterns, it has also reshaped the identities of the immigrants with new challenges confronting the immigrant in negotiating his identity. Diaspora becomes a site where past is given a new meaning and is preserved out of intense nostalgia and longing. The novel The Reluctant Fundamentalist by Mohsin Hamid is significant in its treatment of the issues faced by immigrants in the diaspora.
Recurrent racism, its social impacts, is a central theme of immigrant writing that creates many landscapes in contemporary literature. The immigrant writer takes an opportunity to attack and tackle racism and its consequence from different angles – religious, cultural and historical. The writer does not randomly preoccupy with and write about her/his intricate experience in the new land, but explicitly unfold his/her race/gender experience with its ups and downs. This type of writing has created a new understanding of theories such as racism/gender/ethnic/counter-narrative and post colonial studies among many others. This alternative genre is maneuvered by political, psychological, social and cultural processes of power that is influential to its construction.