Silvia Plath’s Mushrooms and Oodgeroo Noonuccal’s Municipal Gum both use extended metaphors to symbolise the poets experience with oppression. Plath’s mushrooms become symbolic of the rise of housewives whereas Noonuccal compares the oppression of Indigenous Australian’s to a native gum tree imprisoned by a city. Through their inclusive language, both poets biographically reflect their encounters with oppression. Both poems are free verse, as Plath carefully configured 11 stanza 3 lined poem, to ensure there are 5 syllables in each line whereas Noonuccal’s 16 lined poem contains a peculiar end rhyming scheme. Plath begins the poem with her ‘mushrooms’ growing overnight to ‘acquire the air’ in different places ‘even the paving,’ metaphorically …show more content…
Noonuccal establishes in the first line, ‘Gum tree in the city street’ the native Australian tree has been placed in a foreign environment continuing with enjambment ‘Hard bitumen around your feet,’ to further illustrate the gum being constrained and denied to live freely by the city, symbolising White Australia. Within Municipal Gum, Noonuccal uses an extended simile, ‘Like that poor cart horse/Castrated, Broken, a thing wronged, strapped and buckled, its hell prolonged/ whose hung head and listless mien express/ its hopelessness,’ to further emphasise the extent of the cruel oppression endured by Indigenous Australians. Within the simile, Noonuccal uses a substantial amount of imagery regarding ‘castrated’, ‘strapped’ and ‘buckled’ to represent the domination over the horse juxtaposing how it should be living in its natural environment. Like Noonuccal, Plath further extends her metaphor by comparing the women to household objects ‘we are shelves, we are/ tables,’ to symbolise the women’s forced domestic servitude. Both poets, predominantly Plath, use sound devices. In Mushrooms Plath uses sibilance, ‘soft fists insist,’ focusing of the strong ‘S’ sound, internal rhyme ‘nudgers and shovers,’ and assonance ‘heaving the needles, the leafy bedding,’ detailing the ‘E’
The speaker describes the swamp as a trapping environment, “mindhold over / suck slick crossing, deep /hipholes, hummocks / that sink silently into the black, slack / earthsoup. I feel” (18-22). With the use of this strong diction the reader can imagine a fortress that is inescapable; an area where the earth itself will swallow you whole. In combination with even more alliteration the autorer fully shows the power of the swamp and the struggle of crossing it. The author, throughout the whole poem, will enjamb one line with another and then she starts a new sentence at the very end of a line.
1. Manjoo is being sarcastic when he makes the statement, while the presence of dogs in public has significantly increased, they haven’t literally taken over urban America. His exaggeration in this statement, is meant to highlight the change in how our dogs are included in primarily human activities and locations. 2.
Prologue The Barren Hope of a Shaman Mardoc “You will not save them all,” Its mentor had once said. “If you save one, rejoice in them as I have in you.”
The poem ‘Morning Praise of Nightmares One’ which is written by Lauire, Ann Guerrero depicts a strong notion about abuse and elements of despair when children at tender age are dealt with extreme abusive behavior. The overall theme of the poem is around the narration of a young girl who is living a life of pain in a house where she is inflicted with torture, pains and bruises. Despite of her miserable condition nobody is helping her. She is facing each morning with screams of nightmares which are never ending and no one is there to comfort her.
(Carroll 14-15), and our secret verb is whiffling. It sounds somewhat like screaming, yet the last time we checked, monster-ish animals didn't really scream while they assaulted you. We additionally have a puzzle problem, “tulgey”, which depicts the forested areas that our legend and miscreant are going to duel in. Does this mean, something twisted, and augmented? This is conceivable and would give the forested areas a dim, enormous feeling to them that would make the experience considerably viler.
The hopes of Wes, Mary, and many others can be depicted through the sight of their new neighborhood in which “flowerpots were filled with geraniums or black-eyed Susans, and floral wreaths hung from each wooden door” (Moore 56). Not only does this use imagery to describe the beauty of Dundee Village, but the metaphoric aspect contributes to the message that Moore is trying to
Alice Walker uses imagery and diction throughout her short story to tell the reader the meaning of “The Flowers”. The meaning of innocence lost and people growing up being changed by the harshness of reality. The author is able to use the imagery to show the difference between innocence and the loss of it. The setting is also used to show this as well.
He could imagine his deception of this town “nestled in a paper landscape,” (Collins 534). This image of the speaker shows the first sign of his delusional ideas of the people in his town. Collins create a connection between the speaker’s teacher teaching life and retired life in lines five and six of the poem. These connections are “ chalk dust flurrying down in winter, nights dark as a blackboard,” which compares images that the readers can picture.
“His hard legs and yellow-nailed feet threshed slowly through the grass, not really walking, but boosting his shell along”(14). These symbols, likely personification or animal imagery, that induce pathos on the reader feel almost as if
In the short story “The Flowers”, Alice Walker sufficiently prepares the reader for the texts surprise ending while also displaying the gradual loss of Myop’s innocence. The author uses literary devices like imagery, setting, and diction to convey her overall theme of coming of age because of the awareness of society's behavior. At the beguining of the story the author makes use of proper and necessary diction to create a euphoric and blissful aura. The character Myop “skipped lightly” while walker describes the harvests and how is causes “excited little tremors to run up her jaws.”. This is an introduction of the childlike innocence present in the main character.
In many poems, poets use nature as a metaphor for human life. In "Storm Warnings" by Adrienne Rich, she uses an approaching storm as a metaphor for an emotional storm inside herself. Although, there is a literal meaning of the poem. There really is an incoming storm. Rich uses structure, specific detail, and imagery to convey the literal and metaphorical meanings of the poem.
Fissured perception in Beachy Head Beachy Head, Charlotte Smith’s swan song of a poem, was published in 1807. Differing opinions on the poem’s seeming incompleteness betray an underlying fissured element- an element at once tangible and intangible, parting its way through the substratum of 19th century notions on gender, poetics, aesthetics, history and science. Smith intended Beachy Head to be the “local subject” (Fry 31) on which she would rivet her Fancy and her theme. However, like an unrestrained coil spiraling outwards, the poem is anything but fixed. There is liquidity, apropos to the setting by the Sussex shoreline, which creates a flux between temporal, spatial and factual elements, thereby strengthening the schismatic politics
The agony the writer is feeling about his son 's death, as well as the hint of optimism through planting the tree is powerfully depicted through the devices of diction and imagery throughout the poem. In the first stanza the speaker describes the setting when planting the Sequoia; “Rain blacked the horizon, but cold winds kept it over the Pacific, / And the sky above us stayed the dull gray.” The speaker uses a lexicon of words such as “blackened”, “cold” and “dull gray” which all introduce a harsh and sorrowful tone to the poem. Pathetic fallacy is also used through the imagery of nature;
Poetic meters in combination with repeated ideas, words, and rhymes are all used in Marvell 's poem, The Mower Against Gardens. The poem explores humanities ungratefulness and abuse to nature with the use of sexual imagery. The poem resonates with the audience because it flows smoothly and is easy to read. The use of repetition is pronounced in the poem and the integrated tail rhymes enhance and join together associated couplets. The rhythmical nature of the poem alongside the "Da-Duh" poetic meters are key to Marvell 's writing.
It was written when Plath’s marriage to Ted Hughes was in difficulty and she was suffering with depression. We are given an insight into the her inner feelings and trouble. She uses dark, disturbing and graphic imagery which reflects her mind at the time she was writing the poem. The state she describes is almost terrifying. The description of the poppies in the opening lines is positive.