Overview: Carole Lombard was an actress best known for parts in screwball comedies. She was born in Fort Wayne, Indiana on October 6th, 1908 as Jane Alice Peters. Her family moved to Los Angeles, California after her parents’ divorce. At a young age, she decided to pursue an acting career in the movies. She fulfilled her goal and even became the highest paid actress in Hollywood in 1937.
Basically, motion or movement is symbolic of life, and related dynamism is evident in the living world as a whole. When this basic truth is superimposed into the scenario of art, it resulted in the origin of an innovative form of art named as motion picture or cinema. One can easily identify that historical significance of motion picture is noteworthy because the same is related to almost all other fields of art in general. To be specific, directors make use of their individual freedom to communicate with national/international viewers and try to share their unique ideas and messages. Within this scenario, Hollywood’s iconic status as the core of international movie industry/business is symbolic of motion’s picture’s transformation
However, this is an industry that is less than 100 years old. It started in the 1920’s, the movie industry became a phenomenon with the glamour of people and studios. An important foundation of the movie industry are directors and producers such as Buster Keaton. Buster Keaton is an American actor, comedian but most importantly a film director who was born on October 4, 1895. His nickname is “The Great Stone Face”, because he was best known directing silent films.
But the pioneers of the industry were actually foreigners. In 1896, the Lumiere brothers demonstrated the art of cinema when they screened Cinematography consisting of six short films to an enthusiastic audience in Bombay. The success of these films led to the screening of films by James B. Stewart and Ted Hughes. In 1897, Save Dada made two short films, but the fathers of Indian cinema were Dada Saheb Phalke who in 1913 made the first feature length silent film and Ardeshir Irani who in 1931 made India's first talking film. With the demise of the silent era and the advent of the talkies, the main source for inspiration for films came from mythological texts.
The Vitaphone (sound on disc) technology was previously used in “Don Juan”, a John Barrymore silent film, but this was the first time that a film had spoken dialogues and audio effects partially included in the filmstrip itself. It was then followed up by the Warners’ “Lights of New York” in 1928, which was the first all-talking feature-length film. This was a good start that successfully convinced the reluctant film-makers that the trend of
Aruna always wanted to become a Doctor and never in her wildest dreams did she think that she would end up as an actress. During her teenage, Aruna Mucherla loved dancing and fancied learning Kathak but in those days Hyderabad had very few dance schools offering Kathak, however, she succeeded in locating one after great difficulty and joined it. This was where Tamil director P. Bharatiraja spotted a young Aruna and convinced her hesitant parents about accompanying her to Madras and, thanks to him, Aruna made her debut in the 1980 Tamil movie Kallukkul Eeram and everything after that was theatrical brilliance. Her most famous and magical performance was in the 1981 film Seethakoka Chiluka that also received a Swarna (Gold) Nandi Award for Best Feature Film in Telugu film Industry. This movie was also a Musical masterpiece of Maestro IlayaRaja
272) and Nigel Bruce as Dr. James Watson, can be considered as an adaptation within an adaptation. The movies were very popular and were probably first motion pictures which depicted the adaptation of the Victorian detective for the purposes of the modern times. Featuring Holmes and Watson in the Second World War set, ferreting out Nazi spies, was one of the way for the USA to show its anti-Hitler propaganda through the film industry (Field 119). The fact that at least two movies were released in one year, sometimes there were even three, proves again the audience`s huge demand for Sherlock Holmes`s adventures. Some of the scenes in the movies were used in the latest adaptations.
Film tourism is defined as the visitation of locations featured in films due to their appeal to the audience, who will then be known as film tourists, as a form of escapism and connection to the narrative (Blower, 2011; O’Connor, 2010; Papathanassis, 2011). The development of film tourism depends significantly on how well the locations in films are presented and marketed to the audience. According to O’Connor (2010), its visual and vocal depictions are factors of consideration. For example, Hollywood movies such as Eat Pray Love (2010) and Bollywood movies with remarkable international outreach such as Dilwale Dulhania Le Jayenge (1995) depict India as an extraordinarily cinematic country with lush fields and beautifully architected monuments (Chopra, 1995; Murphy, 2010). The song-and-dance sequences in most Bollywood movies also tend to incite wonder and curiosity into its audiences, who in turn visit India to experience a type of real-life musical for themselves.