A Comparison of Othello, “A Pair of Tickets” and “For My Daughter” Emotional abuse is an often-misunderstood form of trauma. It is also called psychological or mental damage, and it is aiming to control, belittle, isolate, and shame other people into subservience. The female characters in Shakespeare Othello, Amy Tan’s “A Pair of Tickets” and Weldon Kees’s “For My Daughter” all must learn how to overcome emotional abuse. Shakespeare emphases Othello’s as the abusive husband, while “A Pair of Tickets” It was the mother of Jing-Mei that embarrasses her and Kees’s is the father that denied his daughter. Whereas Othello, “A Pair of Tickets,” and “For My Daughter have significant differences all female characters Illustrates some emotional …show more content…
The beginning of the speaker’s line, he introduces and describes his daughter, “Looking in my daughter’s eyes I read” “Beneath the innocence of morning flesh” Concealed, hinting’s of death she does not heed.” (Kees, 384 lines 1, 2, and 3). When he looks at his daughter’s eyes, he sees a very young and naïve little girl. But then he delivers a shock at the end when he said, “I have no daughter, I desire none.” (Kees, 384 lines 14). This part is the truly scary breakthrough of this poem, while we are all worried about the speaker concerned for her daughter’s future, in the end, he didn’t want her. Perhaps he has convinced himself of the immorality of bringing a life into a world where such suffering would lay and wait for the daughter. If there is a daughter, she is suffering from mental abuse from her father. These following lines will dictate whether the father is mistreating his daughter “Bride of a syphilitic or a fool.” (Kess, 384 lines 12). Considering he wanted her to marry a sick man or a fool, what kind of father would do that to her daughter? He would go on and continue to talk down to his daughter “because he sees nothing but betrayal and suffering in his vision of the future.” (Loudon, 1). Sometimes, emotional abuse is tough to prove. Most of the time the father who is throwing this abuse, do not realize that he is damaging the self-esteem of the …show more content…
Desdemona, Jing-Mei, and the Daughter suffers emotional abuse and from different persons, one from her husband, the other from her mother, and last from her father. Although, not all suffered intense abuse, still not right to do such thing. Othello did not kill Desdemona by jealousy his mind was poison by his trusted official Iago, still Desdemona suffers a lot of insults and name calling compare to a whore. Many will not agree that Jing-Mei mother’s action is not a form of abuse, but people’s perception that will judge that. As one form of mental abuse is what we call covert verbal abuse. The father from the poem “For My Daughter” came from the very dark side of the time. And it would be helpful to ask his daughter to feel understood by him. Surely there were signs of abuse in this poem specially the last line, “I have no daughter, I desire none.” (Kees, 384, line 14). Denying and letting go of your daughter is an obvious sign of
This makes me think that her father always seemed disappointed in her. Since she picked up on the fact that he didn't want her signifies that they don't have a close relationship. Through the winter part of the book, she mentions her mother more than her father. When she does mention her father it's mostly about growing
She refers to the precariousness of God’s favor as her captivity comes to be seen as retribution for her transgressions. She recognizes her wounds as the physical manifestation of God’s punishment for her wrongdoings: "My wounds stink and are corrupt, I am troubled, I am bowed down greatly, I go mourning all the
(pg.62) His response to her disloyalty was that he believed it was partially his fault for thinking that a beautiful woman would love him for his intelligence and overlook his physical deformity. “What had I to do with youth and beauty like thine own! Misshapen from my birth-hour, how could I deformity in a young girl’s fantasy!” (pg.63) “Mine was the first wrong, when I betrayed thy budding youth into a false and unnatural relation with my decay.”
The conflicting interests of the mother and the father result in a situation where one must make a sacrifice in order to preserve the connection in the family. The flat depressed tone of the poem reflects the mother’s unhappiness and frustration about having to constantly
She addresses her father as “daddy” like a little kid, speaks in a child-like abrupt manner, and begins the poem with “you do not do/you do not do/ anymore black shoe,” lines that resemble the old nursery rhyme “There is an old woman who lived in a shoe”. However, this is not a happy child, but one with frustration and unresolved conflicts with her father, as she calls him “evil” and a “bastard”. Furthermore, the way an adult woman completely turns into her childhood self suggests an obsession and a fixation within the past, a phenomenon commonly associated with psychological deficiencies stemming from unsolved childhood issues. These observations correspond to how the speaker metaphorically refers to her father as a “black shoe” that she had to live in, showing her inability to overcome the shadow of her late father. Thus, by addressing him directly instead of referring to him in the past tense, the speaker confronts her obsession and tries to escape the
His reaction was full of sadness and disappointment because she was his only child. It seemed that he had hope in her for future benefits and felt mostly sad about the wedding than her death. He said “Uncomfortable time, why camest thou now To murder, murder our solemnity?”. This refers to him saying that why couldnt death come another time instead of her wedding day so that he could be happy. He also said, “All things that we ordained festival Turn from their office to black funeral.
Theodor Storm (1817-1888) was a German lawyer and writer who is perhaps best known for his novellas, most notably his last completed work “Der Schimmelreiter”. His writing developed from the lyrical depiction of love and nature, via artful fairy tales inspired by E.T.A Hoffmann and Hans Christian Andersen to realist prose. “Die Nachtigall” appears in the fairy tale Hinzelmeier, but this context is immaterial to the poem’s interpretation. It elaborates on a young girl’s transition to adulthood from the point of view of an outside observer and captivates the reader with its melodiousness and simplicity. It consists of two stanzas of five verses each.
”I chose the quote because in the text it says “ dear my lord, make me acquainted with your cause of grief.’’ Which means dear husband, tell me what is upsetting you. She is asking what is wrong so you can help whether its about his health or his personal problems. Now that we see how she cared about his health we will see how she is married to a strong man. Portia is married to a very strong man.
Paul Vu Dr. Elizabeth C. Ramírez THTR 475A.03 2 May 2017 Macbeth and Medea: Breaking Expectations Macbeth by William Shakespeare and Medea by Euripides are known for their powerful critiques on the social expectations of women. Women during the time of Elizabethan and Greek theatre were often stereotyped and considered the weaker sex. Men were depicted as strong individuals who supported and protected women. However, both Shakespeare and Euripides broke expectations by portraying strong and iconic female characters in their respective plays. The idea of a strong female character was often unheard of during the time of Elizabethan and Greek Theatre.
These two villains slander Othello to the point of eradicating any pity the audience could have developed towards Othello. The Venetians also have a hidden fascination for Othello and his foreign qualities but, they mask feelings with negative slurs. The audience also affected by the portrayal of Othello, and are persuaded to feel pity for him because of his circumstances; being betrayed by his ensign and being looked down upon because of his Moorish descent. Shakespeare also uses racism as a creative apparatus to generate a metaphor between Desdemona and Othello.
The daughters statement was clearly just her opinion on her mother passing not with any back up evidence which would of gave the mother a more solid thought on just her passing. So the speaker doesn’t seem so enthusiastic about the way her family judges her value, her worth, or her performance. The mother seems in distress which is also just like a student being graded in school and they don’t meet the standards that are set for them by others. The irony here is that rather than parents mark their children, it is the children and father who is marking her, which is the commonly thought to be the most important figure in the household and family.
Jealousy is often the catalyst for revenge. Shakespeare’s Othello displays
In Shakespeare 's play, Othello, the main character, Othello, displays actions that are classified as weak or strong emotionally. Throughout the play, Othello shows more weakness than strength when he turns over to jealousy, hits Desdemona, and calls her names shortly before wrongfully killing her. Othello’s first action of weakness shows when he turns jealous. Iago, his ensign, convinces him that his wife, Desdemona, has been having an affair with his lieutenant, Cassio. This is Othello’s response to Iago’s mortifying news, “She’s gone, I am abused, and my relief / Must be to loathe her.
In the Shakespearean comedy The Tempest, we are presented with the psychological violence associated with the abuse of power and continuous theme of colonialism explored throughout the play. In early works of Shakespeare it is evident that the violence interrogated in his plays consists of bloodshed and physical torture as opposed to his later works such as The Tempest where the play focuses on the ideology of psychological violence. The Tempest was one of the last plays written by Shakespeare and is recognised as one of his most popular works
‘A Mother In A Refugee Camp’ is a tragic and emotive poem, written by Chinua Achebe. The poet describes the hardship of refugee camps and the difficulty of accepting the death of those you truly care about. The poem exemplifies this struggle by describing the mother’s love for the child through direct description of the “mother’s pride” and her “tenderness for” her son. The word “pride” makes her feelings clear and the use of the comparison to “Madonna and Child” amplifies her tenderness. The poet lists tactile imagery which emphasise the mother’s loving actions, “she had bathed him And rubbed him down with bare palms”.