In the play Othello by William Shakespeare, the concept of betrayal is salient. The work centers around the betrayal of the titular Othello, the widely respected Venetian army general, by his ensign, Iago. Iago uses his jealousy over being passed up for a promotion to be Othello’s lieutenant to justify ruining Othello’s life, all while appearing to be his closest friend. This betrayal acts as impetus for the play, ultimately leading to the downfall of Othello and everyone he holds dearest to him. Though there are many characters in the play, it is only necessary to hone in on five: Othello, Iago, Desdemona, Cassio, and Emilia. As mentioned before, Othello is the black army general, and he starts off the play being the undisputable protagonist. …show more content…
Desdemona and Othello decided not to share the news of their marriage, likely because they were afraid of their interracial marriage becoming a cause for concern or because nobody knew of their relationship in the first place. Once Iago finds out, he immediately tells another character, Roderigo, to shout the news up to Desdemona’s father. Once her father Brabantio learns of this, he gets fearful for Desdemona. Because of Iago spilling the secret, Othello got insulted for his race, his age, and his manners by Brabantio in court. He got embarrassed and had to publicly defend himself in the Duke’s meeting room, something that an “honest” (as described many times by himself and others) character like Iago shouldn’t have done. He betrayed the privacy of Othello and Desdemona, and set the play up by showing that he didn’t care for what they wanted. Right off the bat, the reader saw that Iago was comfortable making others uncomfortable, a quality that many betrayers possess. Iago’s betrayal allowed Othello’s insecurities to be used against him by other characters throughout the play, which contributed heavily to his suspicions against Desdemona—and, eventually, their deaths. All in all, Iago’s betrayal of spreading Othello and Desdemona’s secret marriage led to prejudiced statements against Othello—like Desdemona’s father calling him a “black ram”—which eventually led to anguish heavy enough to betray his wife, killing Desdemona and then
Iago uses very clever methods of persuasion and manipulation aimed to use Othello’s hamartia against him, pointing out that “ “She (Desdemona) did deceive her father, marrying you,” so much so that Brabantio “thought ’twas witchcraft”. Through this, Iago is subtly raising the issues of Othello’s cultural differences with Desdemona; a root cause behind Othello’s insecurities with his wife – along with inadequacy due to race, degree of sophistication and age. As Iago prompts Othello to think the worst, his utterances are short and uneasy, revealing the beginning to his downfall, whilst Iago’s dialogue is at length highlighting his growing power of
In the beginning of the novel, Shakespeare describes Iago as a mastermind of manipulating others. Iago holds a grudge and resentment towards the Moor, Othello, because another soldier, lieutenant Cassio, has been promoted
Unfortunately, he trusted the wrong person due to his growing lack of self-esteem. Iago, a hypocrite who hid his evil thoughts by appearing as a man of extreme honesty, saw that he could erode Othello’s self-esteem because of who he was, a moor living in European society. He realized he could manipulate Othello for his own evil ends. He slyly used pathos to gain his trust, saying, “My Lord, you know I love you” (III.iii.118) to convince him of his honesty and reliability. Then he suggested the unpredictable nature of Desdemona by saying, “Ay, there’s the point: as, to be bold with you, not to affect many proposed matches of her own clime, complexion, and degree, whereto we see in all things nature tends - Foh!”
Shakespeare’s Othello chronicles the downfall of a noble Moor, Othello, who is deceived by a man he considers his friend, Iago. Throughout the course of the play, Iago toys with Othello and eventually leads him to murder and lose his love, his new wife Desdemona. Iago exploits the unquestioned trust Othello places in him to achieve evil ends. As such, trust is a central theme in the story.
The play’s protagonist and hero. Othello is the highly respected general of the armies of Venice, although he is not a native of Venice but rather a Moor, or North African. He is an eloquent and powerful figure, Othello shows to be a fearless soldier and general. and has been in the army for many years. He is used to the work of military life.
The tragedy of “Othello” is the destruction of one’s integrity. The play is one of the great Shakespearean tragedies, which are all “a play dealing with tragic events and having an unhappy ending, especially one concerning the downfall of the main character,” (Oxford Dictionary) who in this case is Othello. He was a Venetian general living in Cyprus with his lovely wife Desdemona. The play begins with one of his most trusting friends, Iago, who is furious about Cassio being appointed as Othello’s lieutenant rather than him. Given this, Iago forms the web that he would use to ensnare the characters that he would use to bring Othello down for him.
“Othello” written by William Shakespeare revolves around this protagonist who is depicted as strong and powerful. To everyone he is known as Othello or the Moor. Throughout the play, Shakespeare portrays numerous counts of jealousy and manipulation around many of the characters. It is mainly illustrated through Iago, the antagonist of the play, who manipulates other to their downfall. Iago who is known for always being true and honest towards others has easily earned the trust of everyone around him, thus giving himself an advantage on his schemes.
Othello’s character undergoes a significant change due to a series of events at the hands of Iago, the play’s antagonist to enhance the fact that even a valiant heroes can become corrupt. In the beginning of the play, Othello adores
In the play Othello, by William Shakespeare we are introduced to Othello who is the protagonist and faces a lot of obstacles, one of them being betrayal. Throughout the whole play we witness betrayal from many of the characters through their irrational behavior and actions. However the biggest betrayal we see is from Iago, who is the antagonist, in other words, the villain of the play. Iago plans on having his revenge and betraying Othello, Desdemona, Cassio, Rodrigo and even his wife, Emilia. Betrayal is wrong and something that can’t be forgiven, at the end betrayal breaks friendships as well as lives and trust which never works out well in the end.
In William Shakespeare’s Othello the two main characters are Iago and Othello. The entire story centers around Iago 's plan to achieve revenge on Othello for not promoting him to lieutenant. Throughout the story Iago tries to convince Othello that his wife Desdemona has cheated on him with his lieutenant Cassio. Iago’s plan is successfully and easily executed. Othello is tricked into believing that desdemona has been unfaithful and in the end he kills her.
The tragedy of Othello written by William Shakespeare presents the main character Othello as a respectable, honorable, and dignified man. However, because of his insecurities and good nature he is easily taken advantage of and manipulated by his alleged friends. Shakespeare is known for his exceptional ability to compose plays full of deceit, revenge, and jealousy. Jealousy is an underlying theme throughout the tragedy and has been represented by many of the main characters, such as Iago, Roderigo, and Othello. The topic of jealousy will ultimately lead to the demise of many characters throughout the tragedy.
As the tragedy begins, Othello and Desdemona had run off and gotten married without telling Desdemona’s father. When Iago finds out he did not get the job he wanted, he tells Roderigo to “Proclaim him in the streets; incense her kinsmen”(I. I. 76-80). Brabantio, who did not know about his own daughter’s marriage, is finding out from two strangers. This allows Iago to take advantage of Barbantio’s surprise and to come in between the newly weds with his disapproval.
Othello’s confidence for a loyal man to maintain honesty and morals are contradicted through Iago’s actions: “in a man that’s just / They are close dilations, working from the heart, / That passion cannot rule” (3.3.123). Iago, due to the understatement to his name, is not perceivable as hateful. Othello’s willingness to sense Iago’s distress, and to believe his accusations, is because of the lack of awareness Othello has for his vengeance. Iago is of such little power and relevance within societal ranking that if he were to have intentions to sabotage anyone, which he does, are not considered, thus making him easily trustworthy to those of greater dominance. Society’s view of an individual determines how others consider and surmise their persona, though these conclusions may be false.
In the play Othello, William Shakespeare creates an elaborate tragedy with various in depth characters, enhancing the story with powerful characterization. Iago, the main antagonist of Othello, exemplifies Shakespeare’s use of characterization to create in depth and complex characters. Using his manipulative nature, intellectual mind, egotistical attitude, and dishonesty, Iago controls the other characters in order to achieve his goal, leading Othello to succumb to an overwhelming jealousy causing his downfall. In order for Iago to gain control of the characters in the play, he manipulates Othello, Roderigo, Cassio, and more to believe false information and turn on one another.
Act 3, Scene 3 of Shakespeare’s Othello embodies a pivotal point in the play, as it is a transition act that grounds the foundation of Iago’s development as an antagonist and the play’s development as a tragedy. In fact, Othello is written by William Shakespeare in the early 17th century. In Act 3 Scene 3, Iago begins his insinuations of an affair between Cassio and Desdemona, which petition Othello to consider the likelihood of Desdemona’s infidelity and Cassio’s disloyalty. In this particular scene, Shakespeare makes meticulous use of linguistic and dramatic techniques to characterise Iago as an scheming, deceptive and hypocritical antagonist.