Currently in the United States less than one percent of domestic abuse is reported to police. Nevertheless, about thirty five percent of the American population will endure such cruelties. There is often a separation between public and private matters pertaining to relationships for fear of judgment. Gender stereotypes have the ability to inflict tremendous pressure upon a person’s reaction to mistreatment for there is emotional, physical, sexual and financial abuse. Currently in the media a relevant discussion about sexual abuse in the workplace has surged a mass discussion. Various influential figures in Hollywood such as Bill Cosby, Harvey Weinstein, and Matt Lauer are faced with sexual harassment and or rape accusations. The significant …show more content…
Inaccurate generalizations in society latch onto minds, possibly without recognition, forming a mold for what encompasses masculinity. As a consequence, males from their earliest days are taught how to act and speak varying very much from females. From a young age boys are taught to be physically strong and that they must win athletically. The world stands excessively divided in terms of toys, food, clothes, toiletries and activities. Shakespeare represents the same idea though Othello in the 1600s with the positions of power politically solely being held by men. Othello is general of the Venetian army and follows the precedent exclusively considering appointing males as his lieutenant. Iago is angered by his career taking a turn for the position is giving to Cassio instead, “In personal suit to make me his lieutenant, off-capp’d to him: and, by the faith of man, I know my price, I am worth no worse a place”(Shakespeare 5). Furthermore, from a young age males are confined with the expectations of being rough, pronounced, and strong. They are always suppose to be leaders and to be moved away from sensitive emotions. Males are not widely accepted for expressing feminine deemed qualities, leading to an extensive amount of dishonor. One …show more content…
One of the greatest aspects to how a male is taught to conduct himself is through his personality. Planned Parenthood explains the basic structure that can trap some males through hypermasculinity, “They believe they’re supposed to compete with other men and dominate feminine folks by being aggressive, worldly, sexually experienced, insensitive, physically imposing, ambitious, and demanding”(Planned Parenthood). With more detail, when men are shifted towards this exaggerated way there are many more problems beyond not being themselves. When hypermasculinity takes places there is an increased chance of abuse emotionally and physically towards a women. On the other hand men have a one in six chance of being sexually abused themselves. Their statistic is deceptively low due to a lack of reporting the situation. There is a terrible belief this could not take place, or that men are not even supposed to cry. This can then lead to mental disorders like depression for a feeling of isolation when one cannot expresses themselves freely. Psychologically, the traditional
History has repeatedly given men privilege due to their physical advantages; yet it is these same advantages that have developed into “rules” or expectations that all men should conform to in order to prove their manhood. Michael Kimmel’s essay, “‘Bros Before Hos': The Guy Code” outlines the “rules” where men are expected to never show any emotions, be brave, act knowledgeable, be risk takers, be in control, act reliable, and be competitive, otherwise they would be showing weakness which is analogous to women. It is humiliating that men associate weakness with women; they should focus on the potential of the individual rather than their gender. Most insults toward men attack their masculinity because society finds it shameful for men to be
The true tragedy of Othello is not the deaths or betrayals, but rather how each character is lost to Othello’s insecure masculinity driven by Iago’s twisted motives. He is driven by his masculine wants. He longs for Othello’s wife and is insulted by being outranked by Cassio, a man he views as less of a man since he has no solider or violence experience. Othello stands no chance against a man so secure in his masculinity. Othello’s issues with masculinity stem from his young adult experiences.
Many people overlook the relationship between revenge and gender stereotypes. Hamlet, by William Shakespeare, explores a society in which women are objectified and the need for truth and revenge is highlighted throughout the play. In this play, women are looked at as inferior to men, and men need to make the final decision in all matters whereas women are supposed to oblige. Revenge gets handled very differently for both genders, and the relationship between revenge and gender can be seen through different characters’ quests to gain vengeance. By using women to further their goals, it can be seen that the men in Hamlet degrade women and are constantly using women for their own vengeful benefit.
The female gender plays a major role in the development of the plot in William Shakespeare’s play Othello. Women are portrayed as inferior to men and are only meant to be obedient to their husbands. Likewise, they must follow social “laws” for women during the Elizabethan era. The role of women in the play helps create an interesting and dramatic situation for the audience to enjoy and comprehend accurate historical events pertaining to females. The inclusion of gender roles in Othello helps to achieve elements of tension between the couples and develop gender issues in the relationships within the play.
A Modern View of Feminist Criticism William Shakespeare 's "Othello” can be analyzed from a feminist perspective. This criticism focuses on relationships between genders, like the patterns of thoughts, behavior, values, enfranchisement, and power in relations between and within sexes. A feminist examination of the play enables us to judge the distinctive social esteems and status of women and proposes that the male-female power connections that become an integral factor in scenes of Othello impact its comprehension. I believe that the critical lens that provides modern society with the most compelling view of literature is Feminist Criticism because it analyzes distrust and disloyalty among relationships, women being treated as possessions
In Shakespeare’s ‘Othello’, women are portrayed as either pure angelic beings and jewels, or as whores who are impure. They are objectified and shown as something to be used. The only women in this play are Desdemona, Emilia and Bianca compared to the main 6 male characters, not to mention the minor characters, who are also all male. Their depicted purpose is to belong to a man; Desdemona, Emilia and Bianca’s lives revolve around being wives to Othello, Iago and Cassio. This fits into the idea of a perfect Elizabethan woman, who’s lives are subject to their husband’s rule across all aspects, to be disposed of as men wish.
In Othello, Iago’s wife Emilia says a lot about the sexes that makes you think of the way women were treated in the Elizabethan era compared to today’s society. In my opinion, I agree that Emilia’s views about betrayal express a contemporary view of the relationship between the sexes. Women were known as property and worthless if they slept with a man before marriage. If a woman were to disobey her husband she would be punished and mistreated. They didn’t have much freedom to be or chose on their own.
When a person is abused or manipulated, they will do anything to stay safe in the harmful environment they are in, or else they further their situation. Many women have died because of their honor and innocence. Honor is the real culprit of any crimes committed, or else the story of Othello would have no plot. Take, for example, Iago’s commentary on women. Iago objectifies and groups all women together, saying both good, bad, smart, and dumb women are all the same.
Shakespeare's Othello is set during the Renaissance period and therefore the roles of the women in Othello are supposedly bounded by the period when women are considered to be of low intellect. In Othello, most male characters assume that women are inherently promiscuous, which explains why all three women characters in the play are accused of sexual infidelity. Yet Shakespeare develops the women to speak the most sense throughout the play and able to trust other characters in the play. To the men in Othello, female sexuality is a threatening force more than it is an attractive one.
For Shakespeare’s plays to contain enduring ideas, it must illustrate concepts that still remain relevant today, in modern society. Shakespeare utilises his tragic play Othello, to make an important social commentary on the common gender stereotypes. During early modern England, Shakespeare had to comply to the strict social expectations where women were viewed as tools, platonic and mellow, and where men were displayed as masculine, powerful, tempered, violent and manipulative. As distinct as this context is to the 21st century, the play exposes how women were victimised by the men who hold primary power in the community in which they compelled women to conform to the ideal world of a perfect wife or confront an appalling destiny for challenging the system. Moreover, Shakespeare utilises the main antagonist, Iago, to portray how men are desperate to achieve what they want and to indirectly fulfil the stereotype of masculinity and power through manipulation.
To begin, in Elizabethan times women were extremely inferior to men; this is exhibited in Othello through the relationships between father and daughter as well as husband and wife. Typically,
The thesis of this article argues the demands for both males and females uncover gender expectations and roles, mainly in Othello. These ideas are present when Pechter states how the, "play is preoccupied with questions of gender difference, the expectations of men and women for themselves and about each other" (2). Pechter points out how in Othello the beliefs and assumptions are not easily encoded. One example that Pechter uses describes how, "too much womanly presence interferes with the appropriate effects (laughter instead of tears, pathos instead of fear); it demands restriction , if not elimination." (114).