Othello Passage Analysis

Act 3, Scene 3 of Shakespeare’s Othello embodies a pivotal point in the play, as it is a transition act that grounds the foundation of Iago’s development as an antagonist and the play’s development as a tragedy. In fact, Othello is written by William Shakespeare in the early 17th century. In Act 3 Scene 3, Iago begins his insinuations of an affair between Cassio and Desdemona, which petition Othello to consider the likelihood of Desdemona’s infidelity and Cassio’s disloyalty. In this particular scene, Shakespeare makes meticulous use of linguistic and dramatic techniques to characterise Iago as an scheming, deceptive and hypocritical antagonist.

Shakespeare’s play, Othello, deeply explores the effects of jealousy on a person. Shakespeare also portrays the different types of jealousy and alludes to the causes of them. Othello is a tragic play written by William Shakespeare around 1603, about a man, Iago, who plots to take revenge on a Moorish soldier, Othello, for he has “done my (Iago’s) office”. The deaths of several people, including Othello’s wife Desdemona, Iago’s wife Emilia, Othello and Iago’s companion Roderigo, were all directly linked to Iago’s actions. Othello illustrates that jealousy often leads to revenge, jealousy can prevent a successful relationship, and jealousy leading to one’s downfall.

Zhu Yongpeng (Roger) Mrs. Todoric ENG 4U 20 March 2018 How Marginalization and Racism Destroy Othello It is very hard for someone’s identity to not falter when they face bias and discrimination. Staying true to one’s roots requires a large amount of willpower which Othello has unfortunately lacked.

Untruths and misdirection’s are normal in the public eye, and numerous people veil their actual goals with a lacquer. In Shakespeare 's play Othello, the character Iago is the same as those tricky people. Behind his façade as a dependable ensign and companion, Iago is a multilayered, tricky and manipulative scalawag, coming up with disarray and bringing about setbacks toother characters for requital. Iago utilizes his deft and shrewd key demonstrations of control to undermine each character’s shortcomings. He misuses Roderigo’s love for Desdemona, Cassio under the appearance of companionship, and toys with Othello’s mind by playing on his self-question.

Iago contributes to the tragic downfall of Othello, playing him like a fiddle. The human nature of Iago manipulates the trust

Often it is the dark side of human nature that brings a story to life, and there is no sounder proof of this than William Shakespeare’s masterpiece Othello. The tragedy of the Moor of Venice is inflicted by the cruelty of Iago, perhaps one of the most intriguing antagonists in literary history. Iago’s cruelty is a defining element of the play, in that it pushes the plot forward as the trigger for all of the major actions throughout the story, serves as the cause of the cruelty of others around him, and reveals the character of each person in the play through their responses to his cruelty. The action of the entire play is centered around Iago’s various acts of cruelty.

Othello: A Close Reading This is an analysis of the lines 260-279 of the third scene of the third act of Shakespeare’s Othello. In an attempt to fulfill the incessant need for comfortable dichotomies, societies tend to be divided into two groups: the ‘in-crowd’ and the ‘others’. These strict dualities, constructed upon the inherent need for adversaries, are often as arbitrary as they are false and based on nothing but fear.

and he dare think hell prove to Desdemona/ a most dear husband” (II, I, 214-216). Iago appears to think of Othello as an incredible man, but he still wants to cause his ultimate downfall. By Shakespeare showing Iago’s other feelings towards Othello it causes the audience to believe Iago’s other

The scene between Iago and Desdemona indicates exactly what Iago will say to Othello in convincing him to believe Desdemona has committed adultery. This scene reflects the most serious matter of the play, which is when Othello lets his jealousy get the best of him and be swayed by lies to turn on his love. The play is dramatic and represents human nature in its ugliest form, highlighting envy, discrimination and

Iago is planting the seeds for Othello’s relationship with Desdemona to crumble by putting images into Othello’s head about women and generalizing all women saying that they all act upon their temptations with no remorse. In these lines said by Othello, he is showing how someone’s deceit (having to do with his love for his wife) can really go as far as to make him criticize a whole entire gender based on one idea that his Desdemona has been unfaithful—and he does not even have proof that this accusation is true. Secondly, Iago successfully alters Othello’s pure and true love for Desdemona so much that his once fulfilling

Manipulation is shown in many ways such as politics, the media, misleading information and false advertising. To convey one’s thoughts to your own advantage is seen as crude and unnecessary. However, many people have their reasons in manipulating someone whether they are good or bad. In Shakespeare’s Othello, the concept of taking advantage of someone through manipulation leads to unnecessary, horrible events.

Determined to eradicate Othello, Iago intends to provoke Othello until the Moor does something so heinous and unforgivable, which is caused by “a jealousy so strong that judgment cannot cure”, implicating how Iago wants Othello to become so jealous that he won’t be able to think straight or reasonably. When Iago is alone with Othello he announces “Look to your wife, observe her well with Cassio. Wear your eyes thus, not jealous nor secure. I would not have your free and noble nature out of self-bounty be abused”, ironically signifying how Iago is attempting to plant the seed of suspicion by subtly hinting at the notion that something is going on between Desdemona and Cassio. Othello believes and only trusts Iago, and Iago uses that trust against Othello, so in the end it will benefit him and only him.

This statement is directed towards Othello, and is significant for many reasons. This statement directly relates to how Iago is targeting Othello’s major weakness, which is jealousy. However, this quote also adds dramatic irony to the play because Iago’s major motive throughout the tragedy is his own jealousy of Cassio. This statement also foreshadows how jealousy will ultimately be the cause of the demise of many characters throughout the

Kolin observes that Iago stands out among Shakespearean villains since he is the only one to survive his own monstrous acts (25). Unlike Richard III, apart from telling stories, Iago carries out a downright fraud through other means of manipulation, which makes him the most evil and intelligent character. To be exact, Iago is a puppeteer who sets up scenes to deceive the “credulous fools”—Othello, Cassio and Desdemona (4.1.45). Iago talks to Cassio about Bianca while telling Othello that the subject of their conversation is the Moor’s wife. He is so smart and careful that he even gestures Othello to come closer when Cassio is about to illustrate how Bianca entangles him.

It is a play that feels very close to the audiences, it also focuses on feelings and addresses the theme of Love, death as well as jealousy, hate and finally treachery... The title of the play suggests that the tragedy belongs primarily to Othello; however, Iago plays an important role in the plot. For this reason, we have different opinions and critics concerning Iago’s role in this tragedy. For one thing, Bradley (1904) believes that