Othello's Pride In Sophocles Timeless Antigone

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Just as in Sophocles' timeless Antigone, in Othello, hubris proves again to be a great man's hamartia. Similar to King Creon's tragic fall, Othello's blind killing of his soulmate, Desdemona, displays that pride can only lead in one's implosion. No ending is as quintessentially Shakespearian as watching a once loyal subordinate become disparaged to the point of blind fury by his formal idol. The fatal concoction of hubris and the desire to excel can land in disaster, and the ends rarely justify the means.
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