The femme fatale in this film is Morgan Taylor, as she was unwillingly involved in the first murder, as well as causing Dixon to try to deflect blame off her father when this had a chance to expose him. However, Morgan is a variant on this archetype as she generally is unaware of the effect she has on others. Near the beginning of the film Morgan is watching a gambling game. She wants to leave, however one of the men there tries to force her to stay so that another person will stay and lose more money. She leaves anyway, and this angers two of the men until one of them snaps and kills the other.
Othello shows the two types throughout the story and the play, envy and fear, and how they can claw and chew away the the fragile human psyche, like a monster, trying to claw out of a deep dark hole that has had a trap on it for days without end. Othello is one of the great examples of how jealousy can teach us not to be overcome by dark things, to always stay strong and believe in our own thoughts, and that the poison known as jealousy, can make or break even the best of people a slow killing venom that makes the weak sick and twisted. This play teaches us that jealousy has no good outcomes, only horrid and how it shows no mercy to anyone. Jealousy is a card no one should or ever want to play with a deck full of
By yelling out, he both infuriates the spiders and let's his friends know that he is near. He also yells out “Attercop”, which is similar to the Old English word attorcoppa, meaning “poison head”. In addition, Bilbo is thrown into a contest of riddles with another astonishingly clever creature. He manages to stump the creature for a long time by saying “A box without hinges, key, or lid, Yet golden treasure inside is hid” (Tolkien 133).
The teacher which should be disgusted by this even if she could remember her past life because a simple act of kindness to be taken advantage like this would make any women angry she actually likes it. I fear that it actually was no superstar model that changed the teachers ' mind or some alien charm, it was the godly ability of plot armor which was soooooo strong. And after a few moment or hours or anything which me the lazy author did not specify John meets another of humanity kings. She is the rageful queen whose brother John the potato king killed but no she did not come for revenge. She actually comes to help the monster king John to survive the apocalypse.
They are depicted as pure evil, and during Beowulf’s battle with Grendel, the idea that the monster has claws is repeated. “Eyes were watching his evil steps/Waiting to see his swift hard claws” (Beowulf 11. 737-8). They first talk about his evil steps, and then bring up his claws, which implies that they believe his claws are evil too. When Beowulf grabs hold of Grendel, the poet made sure to mention that he held Grendel’s claws with his hands (Beowulf 11.752).
To Nagaina’s misfortune, Rikki-tikki gets the upper hand when they fight to the death. She knows that Rikki-tikki could kill her easier than she could kill him so she tries to compromise with him. “Give me the last of my eggs,and I will go away and never come back.”(25) Clearly she is lost at what to do, so she tries to talk Rikki-tikki out of killing her and her last egg. Nagaina tries to avoid violence but to no avail. “Give me the egg, Rikki-tikki.”(25) In conclusion, I would like to say that Nagaina is smart, murderous, and comprimising.
For this reason she gets rid of her mother’s constricting dress and to pass the proof she is not scared to put herself in a lower position crawling under the tree. Important are the colours which are more saturated and brighter in the fantasy world and more neutral and darker in the real world. Right after she defeats the monsters she can finally stand up and from high angle shots the directors starts using lower angle shots to prove the superiority of Ophelia. Besides, the contrast in the
In Frankenstein, the reader spots the danger when Victor destroys the female monster where the monster proclaims “Slave, I before reasoned with you, but you have proved yourself unworthy of my condescension. Remember that I have power; you believe yourself miserable, but I can make you so wretched that the light of day will be hateful to you. You are my creator, but I am your master; -- obey!”(Shelley 157). The reader sees the obvious tension between Victor and the monster due to both of their lacks of responsibility for each other and themselves and can relate it to the United States and their global affairs with countries like North Korea where the countries leaders have resulted to name calling like “rocketman” and “mad man”(Stevens). Throughout Frankenstein the reader saw Shelley’s theme of the dangers in not taking responsibility like pain, death, the suffering of others, and now the reader finds out how one of the dangers is the risk of composing deadly
It appears Mary Shelley, through the suffering portrayed by Frankenstein’s Monster, is hinting that knowledge is not necessarily a good thing. In fact, she appears to be arguing that ignorance is bliss and that knowledge is the cause of greater suffering. In the case of Frankenstein’s Monster, the knowledge of language and history caused him to see past his blissful ignorance of his marginalized identity and caused him to realize the extent of his future suffering. Simply put, without the knowledge that he is doomed to be barred from society due to his monstrous look, he would not have felt such loneliness and disconnect from humanity. In his case, knowledge is the root cause of his
A condemnation of unfettered industrialism and the abandonment of human morality, Mary Shelley 's Frankenstein illustrates the Victor is the real monster. Constructing a marginalised and cruel childhood for the invention, Shelley builds her predominant argument crystallising the monstrous qualities of humanity. The subsequent condemnation of the unaccountable nature of Victor builds on her authorial intent that victor’s actions and intentions are in inhumane. Additionally, Shelley is realistic in acknowledging that absolute good and evil do not exist, and in pointing to moments where her cast deviate from their previous moral values, Shelley suggests that the creature and Victor both exhibit monstrous and empathetic qualities. Ultimately Shelley
We tiptoed sideways through the waist-high weeds toward the fortress. The closer we got, the more the air smelled like a troll with intestinal issues and something worse. Very, very carefully we peered into one of its rectangular windows. It was like the throne room in Count Dracula’s castle, with cobwebbed candles mounted in rusty wall sconces, statues draped in mail, and a million screeching bats suspended upside down from the rafters. Then I saw humpbacked figures lumbering toward a hearth that burned
She experiences the misfortune of love and security, but in order for her death to be truly tragic, she has to come to terms with the realization of her powerlessness without the men in her life. In her madness, Ophelia eventually does make this realization and because of her lack of alternatives, she accepts death.