This week’s material we took a look into the LGBT communities in the films Paris is Burning and Lucid Noon Sunset Blush. Each film took a different group from the community and showed how they lived and survived in society, both films discussed the various ways that people in these communities made money and example for both is sex work. While both showed examples of sex work they also showed examples of structural and interpersonal violence. The article by Stanley “Near Life, Queer Death” talks about the murders of Brazell, Paige, and Weaver each who were brutally murdered for being transsexual, gay, and a drag performer. Brazell and Paige’s murders were examples of structural violence which is when something is looked upon by society as being …show more content…
Near the end of the film it is said that she was killed and stuffed under a bed in a sleazy motel. During the interview the one of the other mothers said Venus was always taking chances to get whatever she wanted and that the mother had to identify her body and inform her family about it. Whether or not Venus left her family as to not embarrasses them with her way of life that still terrible news to hear and even worse for her chosen family. Stanley also talks about the murder of Scotty Weaver who was maliciously killed by his best friend, her boyfriend, and another friend for being a drag performer. This is interpersonal violence because Weaver was murdered by the people he was living with at the time. I suppose Venus murder could be an example of interpersonal violence because while they never said if they caught the guy who killed her. Venus did say that night she would be meeting a very good friend after midnight for dinner or drinks. It is possible that he could have killed …show more content…
In Paris is Burning they discuss the term “House” which one of the drag queens puts as basically a family. She goes onto say that when kids come out as gay their families disown and kick them out of the house. So, they yurn for a place to belong with a group of human beings with a mutual bond. During the film multiple “houses” and mothers are talked about as different houses put on different balls. During the interviews with these mothers they talk about the people living in their houses like they are their children. In Lucid Noon Sunset Blush the film opens to a recently abandoned Micha meeting the house mother Heart Throb as she initiates her into the house telling her that she is going to have to work while at the same time being compassionate towards her situation. Micha is very unsure of her situation and if she actually belongs there. The film goes onto introduce other characters and members of this house. By the end of the film Micha feels like she belongs here and these people could be family. Heart Throb even asks her near the end of the film “you coming fam”. Showing that to them she is already family. The idea behind the “chosen family” is so important to the LGBT community because essentially their born family wants nothing to do with them. So, they leave and find a new family one they feel like they really belong
The LGBTQ community is one that faces an ongoing storm of stereotyping and stigmas and the media is no relief from it. One major factor in this is the common trope of the violent and aggressive transgender woman, which is often shown through
David Román creates excellent perspective into the haven and necessity of theatrical arts for homosexual Latino 's in Chapter 6 of Intervention entitled "Teatro Viva!" Román reveals that progressing as a community requires gay Latino men and women to use the theatre as a tool to break the socio-silence surrounding the idea of homosexuality and the AIDS virus. In this case, the region of Los Angeles, California is accounted for as having an enormous amount of input having to do with the de-marginalization of homosexual Hispanics in the world. "Teatro VIVA!" is the name of a Los Angeles county short-skit theatrical outreach program that provided a bilingual education of the gay Latino community confronted with AIDS during the early nineties. This chapter helps by providing the reader with a detailed record of many such performance acts in the Los Angeles around that time.
Cox speaks of them in terms of human beings rather than statistics of a heinous crime. “They each had goals, talents, friends, and family. They are you and they are me” (6). By discussing how each person had led normal and meaningful lives up until their untimely deaths, Cox is able to portray them as equal to straight males and females. This pathetic appeal evokes sorrow because it calls attention to the fact that those harmed from the shooting could have been anybody’s friend, brother, or sister..
The article reveals the racism that gay men and women deal with within the black culture. It speaks on, an unspoken action that is ignored in the African American community. Lorde (1984) speaks about the African American women smuggles as a lesbian, Icard (1986) speaks no how the African American male is seen an inferior. Loiacano
Racism and gender equality are still relevant issues in Australia today, however, are not as dominant now as they were in 1965. (Dexter B. Wakefield, 2009) The film, ‘Jindabyne’ by Ray Lawrence and the novel, ‘Jasper Jones’ by Craig Silvey are two effective texts that incorporate individuals and relationships in society. Both Ray Lawrence and author Craig Silvey challenge the audiences in relation to how society treats these individuals, emphasising the themes, racism and gender equality. These perspectives are shown through context, characters and themes.
In the essay “The Common Elements of Oppression” from Suzanne Pharr’s book Homophobia: A Weapon of Sexism we learn about the different types of oppression. While watching the film Milk (2008) many of those elements of oppression are being strongly depicted. Throughout this piece examples will be given on how the film depicts three of those elements as described in Pharr’s book. The three elements of oppression that were the strongest in the film are: a defined norm, stereotyping and isolation.
Even time, one of the most seemingly constant things in life is relative. Within this relative space is queer time. The queer movement has had its own timeline and relationship with time both within and outside of the dominant timeline. Unlike in the dominant culture in which one’s past remains in the past and the future is always progress, queer time constantly looks simultaneously forward and backward, appreciating the importance of the past for the creation of the future. This more fluid definition of time is demonstrated through editing and framing in “Hollywood Je T’aime” and the historical basis of “A Slacker and Delinquent in Basketball Shoes” as is the idea that people are not forgotten, simply because they are in the past.
Since the setting is inside, it separates the family from society and provides a feeling of closeness and intimacy among each of the members from the comfort of their
Another example of domestic violence is when there was some dog walking around the neighborhood, Calpurnia opens her door, walks out in front of her house, goes ballistic and freaks out from an innocent dog minding its own business she calls the police and arrives, Atticus comes out and has a conversation with the officer, he hands Atticus the gun and it takes a while for Atticus to take a shot because he’s never killed or shot anything in his life so finally he kills the
The film documentary Paris is Burning is a complex film portraying the lives of African American men who are gay and transgender. The characters are Dorian Corey, Pepper LaBeija, Venus Xtravaganza, Willi Ninja, Octavia St. Laurent, Freddie Pendavis, and several others. This film focuses on how these men support each other and find happiness by embracing their culture. The film uses rhetorical strategies, such as pathos to allow the audience to respond emotionally, logos because this is a documentary about the lives of real men who are rejected by society, and ethos the integrity of this film comes from the whole film crew and the director Jennie Livingston who is openly lesbian (Clark). Livingston made a film that showed the audience a community that has its own cultural norms who are outlawed by everyone but themselves.
Walking down the streets of the city I am faced with the problem head on. It inspired me to propose and lead a school wide fundraiser to raise money for youth homelessness and donate the contributions to Larkin Street Youth Service — a local organization in San Francisco that provides shelter, drug abuse treatments, counseling, transitional living programs, food, clothes, medical care, and drug training to homeless youth. The money was raised through a raffle, as well as through a game of jeopardy where the answers where different gender identities, and sexual and romantic orientations. This game helped to engage and educate the students on the large variety of identities in the LGBTQ community and what each one means. I also wrote and distributed information about youth LGBTQ homelessness so people were more aware of the large problem many LGBTQ youth face.
Before becoming an established LGBT community, people in these sector fought a long way in order to give themselves an identity and a space on society. During the 1950’s wherein the LGBT community weren’t brave enough to voice out there concern, they were only called as “third gender”. A lot of social movements like African-American Civil Rights Movement, Counterculture of the 1960s and Opposition to United States involvement to Vietnam war occurred during the 1960’s which made the LGBT community to fight their own call to end discrimination. The Stonewall Riots is the most important event of the gay community in fighting their own rights which led to a massive gay liberation movement. It was held on June 28, 1969 in Stonewall Inn at Greenwich Village at Manhattan City, New York.
Just like the movie’s title, Pride, the entire movie tells the story of homosexual people coming out of their shells to embrace and be proud of their real identities and their achievements. The article written by Mary Bernstein argues that “identity” has been causally interpreted that its meaning has been obsured. Bernstein discusses identity from three different aspects: identity for empowerment, identity as a goal, and identity as strategy. The movie supports the use of identity as a goal and empowerment as described in Bernstein’s analysis as an effective movement tactic since ultimately the gay pride movement achieved success.
SXU – 1003 – Understanding Society In what way can ‘traditional family’ be viewed as a myth Evidently, as decades have advanced, changing societies in and around the World have had impacts on the way we perceive the dynamics of family social life. Over the last couple of centuries, the overall impact on has lead us into thinking that significant changes could be due to the Global influences such as the World Wars, a changing demographic picture and the Industrial Revolution that driven us to the way we live not just in the UK, but also around the World.
The queer historical past has been characterized positively, with aspects such as identification, desire, longing, and love highlighted (31). In contrast, Heather Love seeks to focus on the negative aspects that characterize the relationship of queer history amid the past and present, in her work, “Emotional Rescue: The demands of Queer History,” the first chapter in her book, “Feeling Backward: Loss and the Politics of Queer History” (31-32). According to Love, some queer critics have failed to include the harsher accounts when studying queer cross-historical relations. The negative aspects of the past that queer figures can relate to makes it relevant. In her article, Love critiques various works to identify the negative aspects present within the queer history.