Parthenon Architecture The magnificent temple on the Acropolis of Athens, known as the Parthenon, was built in the Age of Pericles, and it was dedicated to the city’s patron deity Athena.
The Parthenon combines elements of the Doric[1] and Ionic[2] orders. Basically a Doric peripteral temple, which means that it consists of a rectangular floor plan with a series of low steps on every side, and a colonnade of Doric columns extending around the periphery of the entire structure. Each entrance has an additional six columns in front of it. The larger of the two interior rooms, the naos, housed the cult statue. The smaller room (the opisthodomos) was used as a treasury. But it features a continuous sculpted frieze borrowed from the Ionic order, as well as our Ionic columns supporting the roof of the opisthodomos. (Plan of the temple[3]) The three main types of columns used in Greek temples and other public buildings are Doric, Ionic, and Corinthian[4]. Doric is not only a type of column, but an "order"; this means that temples of the Doric order not only have this type of column, but also have a certain structure at the upper levels. The different types of orders (column plus entablature) are illustrated by these diagrams, from Perseus: Doric order, and Ionic order. The Doric order is characterised by the series of triglyphs and metopes[5] on the entablature. Each metope was occupied by a panel of relief sculpture.
Roman Colosseum Architecture The
The most specific features of this building are the columns. One of the first people to use columns, the Greeks used such distinct features on their monuments, such as the Parthenon. Yet another celebrated art form is perhaps one of the most famous pieces of ancient Greek art. Myron’s marble sculpture of The Discus Thrower, represents the Olympic events and also demonstrates many of the Greek morals. (Document 8)
One of the most memorable and important pieces of architect from the Hellenistic Greek era would be the Altar of Zeus at Pergamon in western Turkey. The altar was commissioned in the first half of the second century (166- 156 BC) during the rule of King Eumenes II or Attalos II to commemorate territorial victories over Pontos and Bithynia. The Altar was also dedicated to Zeus and Athena in gratitude for their help in the war against the Galatians (aka: barbarians) that were threatening the Pergamane Empire from the east. The Altar of Zeus is very well known for its very grand design and also for it’s frieze, which wraps 370 feet around the base of the altar, depicting gigantomachy (the struggle between gods and the giants).
The Parthenon building consists of the Doric, Ionic, and Corinthian columns. These orders are distinguished by their capitals at the top of the column. They are either short and thick, as in the case of the Doric column or tall and slimmer, as in the case of the Iconic columns, the dimensions of either of which is indicative of strength and or power. According to Ricard (2010), “Doric is not only a type of column, but an "order"; this means that temples of the Doric order not only have this type of column, but also have a certain structure at the upper levels”.
Many of the columns found on these houses were ionic. This gave the house a more delicate appearance. The Greeks had two major columns the Doric and Ionic column. The Doric column is the earliest classical order of architecture dating back to the late seventh century BCE. The Doric column is considered to be simple, wide, and rest directly on the temple without a base.
Within the pantheon almost all lines draw the viewers eyes to the Oculus. Another key element of the pantheon aside from the Oculus are the coffers, in addition to providing weight reduction within the dome the concentric rings created by the coffers radiate out from the Oculus carrying the ring down to meet the wall mimicking the Oculus (see fig. 1). Also present within the coffers are vertical line that converge at the Oculus. Both elements that bring attention to the focal point of the building. This trend continues onto the walls where the rectangular window like recesses in the walls are adorned with a pediment pointing upwards, likewise on the floor where rounded pillars are again capped with a pediment.
In this form columns are often placed very close together and generally did not have bases to the columns. The shafts of the columns were constructed with concave curves called flutes and the capitals of the columns would be plain and they would have a rounded section near the bottom of the element, these were called the echinus, the capital would also have a square at the top, this element was known as the abacus. Another distinctive part of the Doric form is the frieze of the entablature, the frieze is decorated with vertical channels, which are called triglyphs. The spaces located between these triglyphs are called the metopes, these metopes could be left plain but were often sculpted for extra decoration with ornamentation or figures. The frieze and architrave of the entablature in the Doric form were separated by a band called the
When identifying and articulating ethics, one may conclude that the best way to express one’s values is through speech or literature, bluntly stating what they believe. However, this is simply untrue, for there are limitless theories, and a multitude of ways to express them. The Greeks, for example, exhibited their values in multiple ways. The Greeks were undoubtedly humanists, displaying their humanistic values through government, art and architecture, and philosophy.
Built by the Greeks of Athens for their patron goddess Athena, The Parthenon was an enormous
In celebration of their military triumph, the Parthenon was built as a symbol of the city’s wealth and power. It was never used as a temple, however.
Introduction: The Two Buildings; Parthenon in Athens and Pantheon in Rome are both classical heritage of the former world powers. Both buildings were temple built and dedicated to the gods of Athens and Romans. The excellent strength and the durability of these temples are unimaginable. Going by the length of time that these buildings have been in existence, one cannot but admires the brilliance of the ancient Greek and Roman architects for such excellent edifices that have outlived many generations, and yet remain a symbol of ancient Greek and Roman history.
But when the Romans built the Pantheon , they used the Corinthean order for it's columns . The Greeks used the post and lintel , or the trabeated system many times , but the Romans relied on the arches , and made them more perfect than the Greeks did . Also the material used in the construction of their buildings were different depending on the available and more reliable material . So the Greeks tended to use the well carved marble , granite and limestones in building , but for the Romans these material wasn't commonly used , or wasn't used to build th structure itself but could be used for decoration , they rather used the concrete and mud bricks and that helped them in the construction of arches . According to the geographic difference between them , the way they constructed their cities varied .
As a start, the building types are many as the private houses, baths, as well as temples and theatres and these are our points; Firstly in temples, Greeks’ structures were invented to be the home of gods called Parthenon having an obsolete religion. As inside these sanctuaries they didn’t have spots of meeting, but obeying the penances and aimed to custom an individual god in them. These temples anyways were sometimes used to be storage of votive offerings. Subsequently, they are very unique in there style and very essential modeling construction. For examples, the palace of Knossos, and Athens acropolis.
Art and architecture had a huge impact on the development of Greece. Greeks showed their love of visual beauty through art by telling stories within the product. Athenians used decorated columns to display the architecture. The art and architecture in Greece reflects on the society that created them. They built magnificent temples, theaters, and other public buildings through the city.
The Forum of Trajan is a Roman example of axial planning because as you entered through its triumphal arch towards a statue of Trajan in the center, the surrounding structures were at opposite angles and lines, creating a clear sense of order and focus. [12] The complexity of this planning demonstrates the outlook and organization that went into any of the architecture in Rome and Athens. [13] While many citizens at the time did not appreciate (or may have not noticed) this visual architectural connection between Rome and Athens, the members of the elite who traveled, did especially the Roman Emperor Augustus. The cities of Rome and Athens became increasingly similar during the Augustan period and created a hybrid style that was influenced by Augustus. Though the exchange in architectural culture between these two cities was common there were subtle difference.
The style of the building and the purpose it is built give a brief and thoughtful storybook about the culture of the architect as art, generally, and architecture, particularly, is a language itself. Thus, buildings narrate the stories of the people among the history and tell their traditions and habits to the next generation through its design, inscriptions, and details. In this essay, I will discuss how both the style and function of the Greek Parthenon and the Roman Pantheon served as typical examples of their cultures in Athens and ancient Rome. In addition to the similarities and differences between these two cultures through the two buildings. Both the Greek and the Roman architecture inspired the cultures and architects until these days due to the diverse meaning they carry and symbolize in astonishing ways through the different orders, columns, roofs, friezes, and domes.