For the reflection paper, the natural object I am choosing is a Patagonia flower. I chose this object because I have done landscaping for several years and it is my favorite type of flower. The influence of behindness, withinness, and otherness has an impact on society that should go unnoticed. If I am picking the dead petals off the flower from viewpoint, I cannot see behind the flower at the specific point in time. This is because the stem is blocking my view. This portrays behindness because behindness can be identified as concealing the thing that is behind the thing. From experience, I cannot see directly behind the stem because the stem is blocking my path of sight. With years of experience, I have an idea of what the image is behind the stem. I will never be perfectly sure because the stem is withholding me from seeing behind. Sometimes there may be a weed behind the flower, but I may not see it because the weed is behind the flower. Next, Withinness is the idea that the natural object refuses us from seeing it. Withinness prevents me to see what is taking place inside of the flower. The only way I would be able to find out is either with experimentation or by killing it, which goes against the third meditation. …show more content…
First, beyondness withholds the future from humans. The Patagonia would hold beyondness if it was in a flowerbed. It would restrict me from seeing the tops of other flowers because it is blocking my horizon. Second, beneathness is like a story from the past. The roots of the patagonia would be considered beneathness because it is below our feet. The dirt prevents humans from seeing how the roots grow without removing the flowers from the earth. Otherness is the nature and the divine. Humans may not be able to understand the Patagonia, but we must respect it because the spirit created it and it has a purpose for being on this
The Underneath is a tale of loss, love, and betrayal. The Underneath follows the story of a cat who had been loved and sheltered for most all of her life by her owners. One day, she was left on the side of the road by the owners whom she had loved. The cat was expecting kittens in weeks time, so she knew she had to find somewhere to live, as well as somewhere to raise her unborn children. With nowhere else to go, she wandered through the woods looking for shelter.
The entrancing image of the garden brings the garden to life and creates an astounding picture that the reader appreciates. Matsu’s garden portrays that he creates the beauty in his life and shares it. As Stephen shows interest in his garden, Matsu opens up to him more and more and their relationship
For instance, later in the passage Mary Oliver speaks of the immobilizing scent of roses. She speaks of them as “ a sweetness so palpable and excessive that, before it, I’m struck, I'm taken, I'm conquered.” This comment of Oliver’s shows that the simple scent of flowers overwhelms her mind. Further evidence is shown when Mary Oliver says in reference to the flowers that she is “filled to the last edges with an immobilizing happiness.” Here she is so happy that it engulfs her mind and renders her immobile.
It is unclear who is speaking from the Earth’s inside, and what “the Earth’s inside” is in reference to, both physically and figuratively. The trouble spots through the first lines in the poem confuse the reader, and do not prepare them to understand the poem’s context or
Conclusion: The mind is substantively different from the body and indeed matter in general. Because in this conception the mind is substantively distinct from the body it becomes plausible for us to doubt the intuitive connection between mind and body. Indeed there are many aspects of the external world that do not appear to have minds and yet appear none the less real in spite of this for example mountains, sticks or lamps, given this we can begin to rationalize that perhaps minds can exist without bodies, and we only lack the capacity to perceive them.
This idea also comes up in “The Lost White Woman” when the narrator describes the soil as “soft, loose ground on which the foot of a white man had never trod” reinforcing that the bush lacks order and civilisation. Alternatively, Picnic at Hanging Rock explores an unconventional perspective of a stunning bushland, possibly due to a modern audience starting to appreciate nature’s beauty. This perspective is shown through Miranda her sneaking off to the bush in the early morning as well as her stating “I can’t wait to be in the true wild again” when thinking about the picnic. Both these scenes reinforce how the bush is seen as a sanctuary for Miranda and as a place where she can escape from school. During the picnic, Miranda is desperate to go off and explore the rock and when she reaches the rock she states “We’re here, at last, we have escaped” with peaceful sounds of birds and bubbling water.
Alice Walker uses imagery and diction throughout her short story to tell the reader the meaning of “The Flowers”. The meaning of innocence lost and people growing up being changed by the harshness of reality. The author is able to use the imagery to show the difference between innocence and the loss of it. The setting is also used to show this as well.
In the essay, “A Literature of Place”, by Barry Lopez focuses on the topic of human relationships with nature. He believes human imagination is shaped by the architectures it encounters within life. Lopez first starts his essay with the statement that geography is a shaping force for humans. This shaping force is what creates our imagination; the shaping force is found within nature. Everything humans see within nature is remembered, thus creating new ideas and thoughts for our imagination.
But when you see beauty, there is no easy way to interpret beauty. The beauty of something rather has to be kept safe, or let go. To start, the poet uses sensory words to describe
Motif of the color red gives a warning throughout the Chapter. The red tulips represents life and fertility, Serena Joy is trying to grow her own garden because she is infertile, the fact that she can not have any child, she has no other choice to tend her own garden. As a matter of fact, the garden never reproduces even she works hard enough. This idea is first introduced in Chapter 6, when Offred is describing the one red smile she sees among these six bodies on the Wall. She writes, “I look at the one red smile.
The mother feels a sense of safeness and protection. This plant makes her mother feel strong because she trusts that it will keep them strong during the cold months. As you can see, both mother and daughter each have different representations of the hibiscus plant. The hibiscus reminded Saeng of her grandmother however, the plant symbolized strength to Saeng’s mother. Even though, they both have different views of the Hibiscus plant they each view the plant as a positive aspect.
The combined used of repetition and personification at the end of the poem solidifies the peaceful nature of the daisy, which stands alone with open arms during times of
The Divine soul is “encased” in a sheath of Higher Consciousness almost as if to protect it… And one of the Divine attributes of the Higher Consciousness is our Conscience. The rare faculty of Divine Bliss is an integral part of all our souls. Another Divine attribute is intuition, sometimes accompanied by extra-sensory perception. This sheath in turn is encased by a cloak of intellect, which then is encased by the senses and the emotions, then by the limbic brain (the primitive part of the brain, and the cause of much distress to the sincere seeker), and finally by the body…which in turn is made up of various grades of matter and by that I mean less
Two writers, living many years and thousands of miles apart. One, a Hispanic woman, and the other, an Irish man. They spoke different languages, lived in different cultures, and had different experiences. Both living such interesting lives and writing such amazing material. These two people may seem to be as different as it gets, but, in reality, how different are they really?
In order to structure my reflection essay in a practical approach I have decided to use Gibbs Reflective Cycle (1988) model of reflection. This model has been selected as it helps to present the reflection in an easy and understandable manner, so the issues can be evaluated through different angles (Jasper, 2003:78). John 's (1995) model provides a good