The author Patria Roman-Velazquez is considered an authoritative source for my topic because she has written an article that concentrates on popular music in Spanish. She has studied the construction of Latin American identities in which she analyzes the relationship between body and music. Her article can be creditable because it is found in an academic database where it was peer reviewed. The article examines the construction of Latino identities and basically an attempt for the author to explain the interrelation between body and music in a specific setting (Roman-Velasquez 115). The main point includes particular Spanish language music is vital to influencing individuals to embodied particular identities. Salsa is one main examples that is given to demonstrate that music and have an effect in people’s cultural and social identities. Another point the author makes is that “music is not the universal language it has sometimes been cracked to be: it changes over time, and it differs with respect to geographical locale… [and also] distributed along the lines of gender, age, ethnic identity, educational background, or …show more content…
The work does affect my thinking because it is an article that partially helps me answer my topic questions. It helps me understand that particular music can have an affect one’s development of self-identity. Furthermore, how setting can make a difference in how music affects an individual. For instance, they give the example of Salsa. However, it is happening in a particular setting, such as London. I can use this resource in my paper by using this as evidence to write that Spanish-language music can affect he development of self-identity. Particularly in my setting of a university where many do not listen to Spanish music. This can help me explain that there are various factors that come to playing our way of thinking and conveying culture, gender, and racial
Margaret Dorsey, author of the journal article, Borderland Music as Symbolic Forms of Nationalisms: The Best of the Texas Tornados, Partners, and ¡Viva Luckenbach!, has described the origin of borderland music, in this case, Tejano music as, “Borderland music is an expressive form affiliated with Anglo and Mexicano on both sides of the U.S. border” (Dorsey, 23). In other words, Dorsey asserts that Tejano music is much more complex than simply saying that it combines American and Mexican culture into one and makes it music. “I explore borderland music as a nexus for interpreting issues of Mexicano and Anglo identity formation” (23). Rather she is saying that it combines the ethnicities and the musical characteristics of each to make a statement about identities. Dorsey, happens to be a feminist, thus, viewing Tejano music through a feminist perspective and declaring that there is a complexity when combining national identity from different cultures into a music genre.
Rachel Rodriguez is a singer-songwriter who blends together her Latino heritage, rock n roll attitude, and soulful voice to give her a unique sound. She has released her own self-titled album “Rachel Rodriguez” as well as a bilingual children’s album titled “Songs for My Little Amigos”. Her schedule includes performing with her band, teaching Creative Movement & Music in schools around Nashville, and being a wife and mother. Through an interview with Rodriguez, I was able to get a better understanding of her background, the role music plays in her life, and what she loves about what she does.
The topic of whether or not music has an impact on studying abilities is a conversation that many people have many different opinions on. In David Cutlers article, “Don’t Listen to Music While Studying”, he tries using evidence and reasoning to support, connect, and persuade his audience. In the article, David Cutler uses pathos and storytelling to connect with his readers. In the first couple of paragraphs, Cutler explains how he likes listening to music while studying also.
This lack of broader appreciation could lead us to question the borders we place on others and if it affects situations such as this one. Although she was beloved in San Antonio, Rosita Fernández lacked the world recognition she so truly deserved in that eras tough, masculinist industry of music. The singer’s music can act as a borderland as well. When observing just her music, you will see that Fernández’s music appears to conflict with Chicano musicality. She didn’t seem to be perfectly labeled to just a Mexican musician or a American musician.
Mariachi Music Mariachi music is a widely admired genre in the world now, but just recently it has risen in popularity. The word “mariachi” either means “marriage” in French or is an indigenous word for a wooden stage used by musical group performances. Before European conquest, natives used rattles, drums, flutes, and conch horns for religious occasions. When the Spanish arrived, they brought along violins, guitars, harps, brass horns, woodwind instruments, and colonial dancing, which eventually blended with the music of the natives. With these new additions, indigenous peoples and mestizos began to play European instruments along with their own musical inventions.
Rabeoutaue writes, “‘Maybe that's why you like this music, Tamar,'' my father finished. "When we sang freedom songs about the ancient Israelites, we linked ourselves to you. Our people have a lot in common.’” (7). Like her father had mentioned, music has a way of universally connecting people across different backgrounds, cultures, and identities.
The Latino immigrants faced many challenges when they first arrived in the United States. Mario Bauza was from Cuba. In his home town, he was always made fun of, once he arrived in New York, the freedom that he felt was amazing. He was a great clarinet player, but he was faced with the challenge to have to learn Jazz music. Once he career was off to a great start, he sent for his brother-in-law to join him in his career.
From each decade that has passed Chicano, music has taken musical changes and has incorporated this to create their type of sound. The different influences brought about what makes Chicano music its own. It is a musical style with roots in the intercultural conflicts and experiences from Anglos and Mexicans (Ortega). In the end what makes Chicano music different than other types of music is that it has a unique set of sounds, genres, linguistic mixing, poetry and political thought is the fact that this music moves people (Ortega).
In the long run, Valens’ Hispanic background helped distinguish him from the other rock and roll artist of his time. His influence can still be seen in the legacy of
Society and the people with whom one is surrounded by has an influence on one 's decisions and viewpoints. The song ‘’ The Way I Am”, can be interpreted differently by a high school student from today 's era and a high school student from the 1980’s because there is a vast number of years between the two, throughout the years times changed and the world modernized in various ways,including the types of style of music. A high school student from today 's era and a student from the 1980’s have entirely different opinions because the music from today in comparison to music from thirty years ago is very distinct. The 80’s time period brought a wave of Hip Hop and Rap so that certain type of music was the latest thing.
Introduction & Background Latinos in the United States have a long and complicated history and the same goes for Latino American music and the role the United States played. The U.S has been a playing ground for Latinos to created new music for instance, in New York salsa was first created, Tejano music in Texas and many others. However, while the United States may have helped Latin America develop their music, it’s difficult for Latinos to fit into the United States mainstream. Numerous Latino artists have decided to change their name to resemble a more English name. For instance, the singer from the song “La Bamba”, Ritchie Valens change his last name from Valenzuela to Valens, in order for his music to sell, as Mexicans were considered
But no one seemed to steal the hearts of the population like Selena Quintanilla-Perez and her family band. Selena had brought someone never heard of in the music industry; a female led Tejano band which blended pop and rock along with culture. She was a trailblazer for the explosion of Latin music and opened doors for Hispanic women; she broke barriers that most had never dreamed of reaching with ease. But, to what extent did she contribute
In the end, the music is created with the main themes of sex, drug abuse, and immorality that cause negative effects on the life of teenagers (Elligan, 2004). In this case, the listener should always be wise to ensure that the music does not have a negative impact on behaviors, mood, and sexual orientations in the
Reason to listen: I think it’s safe to say that all of you have listened to or heard music at one point of your life, but did you know music influences and manipulates us more than we know? III. Thesis Statement: Today I am going to tell you about an aspect of human culture that appears just about everywhere you go: music. IV. Credibility Statement: Being a big music lover, I was curious about how much music really affected me, and hence my research began.
From this, it can be said that to Filipinos, music is more than just a means of entertainment; it is a way to communicate emotions, to tell stories, and to express feelings. This is especially the case in times of crisis, the most significant instance being during the Martial Law period in the 1970s. This dissertation aims to discuss the role of music during this period. In particular, how was music used as a vehicle to supplement change in this period?