For millennium, human societies have mostly been patriarchal. Men have been in dominant and leadership roles where they have all of the power. Women have been typically portrayed in literature as they would be in normal society: subordinate and weak. This is no different in 17th century England; However, The Tempest contradicts this. William Shakespeare wrote The Tempest in the early 1600s when this cultural stigma was present. The Tempest is a play about a former Duke, named Prospero, with magical powers on a mostly uninhabited island who uses his powers to shipwreck the person who stole his dukedom, Antonio. Prospero lives on the island with his beautiful daughter, Miranda, the spirit Ariel, and the bastard son of the witch Sycorax, named …show more content…
The marriage allows Alonso to gain influence and connections to the King of Tunis that he can use for furthering his own power. Claribel is an example of how women who are obedient and subservient to men are celebrated. Claribel takes part in an arranged marriage with a prince, which is not uncommon for the time. During Shakespeare’s time, women were viewed as property, and marriage was often used for business or political arrangements that signified alliances or collaborations. A woman’s ability to gain power through marriage is shown here. Sebastian comments on Claribel’s wedding saying, “That would not bless our Europe with your daughter,/But rather loose her to an African,” (2.1 119-21). It is clear that Sebastian disapproves of Claribel marrying an African. This demonstrates that there was a reason for her to marry him that would trump racism, otherwise Alonso (who probably has a similar outlook on Africans as Sebastian) wouldn’t allow the wedding. This reason would be politics and power. Having a connection to Tunisian Royalty would give Alonso more influence and power in the Mediterranean for trade and sea exports. Shakespeare’s use of the word “lose” indicates that the Prince of Tunis is gaining something, other than the obvious wife. It is clear that Claribel has the power to unite nations together through marriage and extend power to her …show more content…
Women of 17th century England are supposed to be subordinate to men; however, Shakespeare reveals that it is the women who give power to men. The three women present in The Tempest exemplify this. Men are threatened by Sycorax, since she realizes her power and is an independent women who refuses to give up her power to men. She is consequentially viewed as evil and a threat to society. On the other hand, Miranda maintains her role as the servant to her father and then Ferdinand. Despite this, her bachelorette status plays a key role in giving Prospero power over the Dukedom. Her marriage to Ferdinand gives Prospero the connection to Alonso he needs in order for his plan to be successful. Lastly, Claribel represents the ideal woman of England who obeys her father with her participation in an arranged marriage. Nonetheless, she has power, as she acquires political and economic ties between the two countries that only a marriage could achieve. The overall make-up of the play also factors into Shakespeare’s message because Claribel and Sycorax don’t have any lines. Similar to how women are subjugated despite their importance, Claribel and Sycorax are speechless throughout the play. However, these two female characters are powerful in that they lay the foundation for the entire
Many female critics have looked towards The Wife of Bath as a feminist role model (Reisman) She wanted authority over her five husbands, “She’d been respectable throughout her life, with five churched husbands bringing joy and strife, Not counting other company in her youth;” (Chaucer, l. 459-461) In Othello, the society centered around the men having all the control over women except in their beds, which was when the women could take control. Othello uses his power to over Desdemona to mock her,“Ay, you did wish that I would make her turn. Sir, she can turn, and turn, and get go on, And turn again.
It’s no surprise, that Shakespeare’s Macbeth was clearly constructed as a rebellion against femininity roles of the time. During the Elizabethan era, women were raised to believe they were inferior to men since men obtained desired masculine qualities such as strength, and loyalty, whereas women were viewed as figures of hospitality (1; 6; 28-31). Obviously, not being tempted by the luxury of subservient women, William Shakespeare rebuked this twisted belief, applying that women deserve more respect than their kitchen tables.
It can be hypothesised that Shakespeare was testing the waters to break gender norms and perceiving women as independent, dominant and powerful beings through his
A Modern View of Feminist Criticism William Shakespeare 's "Othello” can be analyzed from a feminist perspective. This criticism focuses on relationships between genders, like the patterns of thoughts, behavior, values, enfranchisement, and power in relations between and within sexes. A feminist examination of the play enables us to judge the distinctive social esteems and status of women and proposes that the male-female power connections that become an integral factor in scenes of Othello impact its comprehension. I believe that the critical lens that provides modern society with the most compelling view of literature is Feminist Criticism because it analyzes distrust and disloyalty among relationships, women being treated as possessions
As Richard Steele tried to define women, he said that '' a woman is a daughter, a sister, a wife and a mother, a mere appendage of the human race…'' Here as we can see, a woman from the moment that she was born, not as she was, regardless of social background, were defined by her relationship with a man. She was respectively under the responsibility of her father and her husband, so women should honor both of them and must obey both. During the marriage process, the contribution of women was very significant in terms of the construction of new family. This implementation was applied in the upper and middle classes of the society throughout the early modern period in a rigid way. Families from these groups do prenuptial agreements for their children because at that time the marriage was not just a decision of the two people, it was decided collectively.
Women have always been portrayed as the weaker sex compared to men. It has been demonstrated in history itself and throughout literary works. Shakespeare’s Macbeth and Homer’s The Odyssey, however, portray women to be more powerful than men, even when their society thought otherwise and underestimated them because of their gender. Lady Macbeth, The Three Witches, Queen Arête and Penelope demonstrate the astute, charming, and ambitious side of women that was overlooked by men when it came to having power and making decisions.
In Shakespeare’s ‘Othello’, women are portrayed as either pure angelic beings and jewels, or as whores who are impure. They are objectified and shown as something to be used. The only women in this play are Desdemona, Emilia and Bianca compared to the main 6 male characters, not to mention the minor characters, who are also all male. Their depicted purpose is to belong to a man; Desdemona, Emilia and Bianca’s lives revolve around being wives to Othello, Iago and Cassio. This fits into the idea of a perfect Elizabethan woman, who’s lives are subject to their husband’s rule across all aspects, to be disposed of as men wish.
Through The Tempest, the author tells the story of Prospero’s revenge on the men who took his dukedom away and left him and his daughter to die. Throughout the book Prospero tortures and manipulates them until he has complete control over them. In Act 5, Prospero’s chooses to forgive them and in the meantime abandons his art which can be a sign of change in character. However, through triumph, not change, the author uses Prospero’s choices to reveal that his desires are for power and superiority.
For Shakespeare’s plays to contain enduring ideas, it must illustrate concepts that still remain relevant today, in modern society. Shakespeare utilises his tragic play Othello, to make an important social commentary on the common gender stereotypes. During early modern England, Shakespeare had to comply to the strict social expectations where women were viewed as tools, platonic and mellow, and where men were displayed as masculine, powerful, tempered, violent and manipulative. As distinct as this context is to the 21st century, the play exposes how women were victimised by the men who hold primary power in the community in which they compelled women to conform to the ideal world of a perfect wife or confront an appalling destiny for challenging the system. Moreover, Shakespeare utilises the main antagonist, Iago, to portray how men are desperate to achieve what they want and to indirectly fulfil the stereotype of masculinity and power through manipulation.
The male roles in the family seem to be above females’ because they get to make decisions for girls. Men feel dominant to women, so the same behaviors as the women are acceptable for them. Along with these, the ladies are not expected to crave love and affection like the gentlemen do. The gender issue of men being dominant and women being submissive used in the drama, A Midsummer Night’s Dream, shows the differences in the roles, behaviors, and expectations appropriate for each gender and is an example of an outdated stereotype. Unlike the time frame of this literature, women in the present are valued equal to men.
First, Shakespeare challenged the policies of the day was through examining the role of courtship using the single women of the play, Helena and Hermia. One way was through the belief that women should have the right to reject men. Hermia says: “I do entreat your grace to pardon me/ I know not by what power I am made bold/
The Tempest by William Shakespeare is projected to be written in 1610-1611 and is first performed in November 1611 and it is also believed to be the last play that Shakespeare has written alone. The play is largely engaged on the theme of power whether it be bad or good. Power is demonstrated in various ways in The Tempest, it can be seen as the characters desire power amongst each other, the power over slaves and men, the power of love and lastly the supernatural power of magic. These forms of power is witnessed through governance and possession in the play as well. Shakespeare depicts this power predominantly through Prospero who seems to have the greatest extent of power in the play.
The Tempest is a play where a man named, Prospero, was a former duke of a land. He was exiled to an island because his brother, Antonio, usurped his dukedom. Prospero lives on the island with his daughter, Miranda attempting to reattain his title of duke. There are many causes of social issues, and it is important to view these issues on how they affect others.
While men were portrayed as strong, brave and independent. Shakespeare was one of the few authors who challenged this stereotype. In Merchant of Venice he showed Portia as a submissive lady who had to follow her father’s will. Near the end of the play, however, she turned out to be a very strong, intelligent and independent lady. Men were shown as dominant at first , however, their roles were switched at the end when they seemed helpless and hopeless and they were saved by two women.
Role of women in The Merchant of Venice Women during 16th century had no individual freedom. Despite the fact that a single woman ruled England at the time of Shakespeare, the Elizabethan society was patriarchal. Women were considered the weaker gender and always in need of being protected. Wealthy woman were highly educated but they had no right to have professions while poor women sometimes would turn to prostitution or become servants to survive. The book The Merchant of Venice was settled in Venice because Shakespeare wanted to show that even in the foundation place of Renaissance were prejudicial ideas and woman was considered as a weak character.