Persepolis Coming Of Age Analysis

Persepolis: The coming of age Persepolis was created by Marjane Satrapi to explain the details of her life. She had many events that occurred over time throughout the younger years of her life which she wrote in the form of a graphic novel. One of the most important things that took place in her life was her experience and how it helped her to grow faster mentally. Many events contributed to her mental growth as most of them she describes come from the war. Out of the many contributions one has a larger explanation.

Identity Development Everyone experiences trauma at some point in their lives. Whether it be small, like skinning one’s knee, or large, like witnessing the death of a loved one, trauma can drastically affect how an individual grows and finds their own identity. In the long run, trauma can either be beneficial towards establishing one’s identity or detrimental. Traumatic events play a large part in the overall outcome and development of positive and negative self concept and identity progression.

Have you ever experienced anything that made you grow up faster than you should have? Have you ever been forced to do something that changed the way you live and think? Or have you ever tried to hide something you strongly believed in because other people 's perspective about you might change? This happens a lot in today 's society, but it also happened to Marjane Satrapi. Marjane tells her story through her novel, Persepolis, and it helps show how things in the world can drastically change someone’s perspective.

Throughout Persepolis, Marjane Satrapi clearly links her identity struggles and oppression to her suicide attempts and ongoing depression. As Satrapi slowly starts to fall into this depression, many facets of her life are changed in horrific ways. Her relationship with her grandmother quickly goes down the drain, and her friends hated who she was becoming. Along with her friends, her therapist even begins to be a cause of her diminishing self-confidence.

Everything can be viewed from two perspectives; A fist fight, a murder, bullying, just to name a few situations. This is still the case with Iran and it’s people. Iran and its neighboring countries are often portrayed negatively as terrorist, or failed nations. This is not always the truth, however, and one can learn that through Marjane’s coming of age story, Persepolis. The personal nature of the story is told through Marjane’s loss of innocence, her opinions on religion, and her observation of the prominent gender roles.

Do you believe in innocence? In Persepolis Marjane Satrap, gives readers a view of how was her childhood , and what main factors were affecting her innocence and her personality , that’s why she decided to show her life, by doing a autobiography . This book shows in what extend social groups, in this case children, are being marginalized in the text. Marji is the one that is going to interpret this by her own experiences.

Have your younger siblings ever had a completely different view on something such as where to go out for dinner or what show to watch on television? It is important to realize that the two of you are going to have different perspectives because you are at different ages and the two of you have different interests. As a matter of fact, Marjane Satrapi’s perspective as a child is different from when she gets older because of her loss of innocence, her political and social awareness, and her views on religion. At the beginning of Persepolis, Marjane is around the age of ten. By the end of the story, Marjane is around the age of fourteen.

Change is one of the only elements in life that will forever remain constant and gradual, yet utterly spontaneous. A time in one’s life that change is prominent is during childhood: ideas are flourishing, creativity is at its peak, and there is often a feeling of invincibility. Unfortunately, as one begins to grow up, there comes a day when all of this will change. For some, that day comes too soon. The graphic novel Persepolis follows one young girl 's journey through this dramatic change in character and mentality.

People are like cameras and their personal experiences can be their lenses that change and modify the actual picture. This evident in Marjane Satrapi’s book Persepolis because the whole book is about a girl growing up, and forming her own opinions. Furthermore, Marjane has to mature in the turmoil of an Iranian-Iraqi war, she also has to survive the brutal Islamic regime governing her. This creates a very particular point of view considering that the parents raising Marjane are against the new form of government, and actively protest, risking their lives. As a result, this rubs off on her creating a very rebellious and dauntless little girl, who isn’t afraid of the new oppressors.

So many of them that deserve better are living in harsh conditions and only some can find their own hope and escape. “Persepolis” was a powerful animation that both artistically and historically shows that life is much harder than what most tales present. That for many, their lives are conflicts that are sometimes out of their control. However, as it was beautifully animated and skillfully created, the story of “Persepolis” is a unique story of how a girl lived through a hard time that brings us to see that life is always an interesting

Children are constantly learning about themselves and the world around them. As they grow up, their world expands from their home to peers and, eventually, to people and places they know about. Children should learn about themselves and develop a positive self-image if they have to be successful citizens in society. They must learn how different they are as well how alike they are in relation to others. Marjane Satrapi’s Persepolis is the story of Satrapi’s childhood growing up in a tumultuous post-revolutionary Iran.

In Persepolis: the Story of a Childhood Satrapi uses mood, theme, and characterization in her memoir to demonstrate how her suffering during the Islamic Revolution in the 1980s led to her migration and how political problems could lead into suffering of innocent people. In three significant panels found near the end of the graphic novel, Marjane’s mother tries to shake some sense into her daughter as she holds her tightly about the shoulders and looks her in the eyes. Marjane had just talked back to the teacher in school that day causing the teacher to place a call to her parents. In the first panel Marjane’s mother angrily explains that a girl who gets into trouble and then is arrested could be forced to marry a Guardian of the

The graphic novel, Persepolis that is written by Satrapi depicts the coming of age story of Marjane and her experiences during and after the Iranian war. Through Marjane’s experiences, the character frequently encounters the hardship and conflict of growing up. However, these hardships are major factors that shape Marjane as a character and establish the context of the novel. Within this novel, Satrapi uses graphic novel conventions and literary devices to convey the conflict of Marjane; with herself, with man (in the form of her teachers), and with the society that is revealed in Persepolis.

The graphic novel Persepolis by Marjane Satrapi is an animated ‘identity crisis’ showing how she has trouble reconciling the Eastern and Western values that she has been influenced by. By ‘identity crisis’ I mean Marjane is uncertain about who she is and where she belongs to. The Eastern values would include hierarchy, restraint, collectivism and deference, whereas the Western values would include equality, freedom of expression, individualism and self-assertion. A graphic novel can be defined as a book containing a long story told mostly in pictures but with some writing. I intend to investigate why Satrapi has chosen to use the graphic novel instead of using other styles to present Marjane attempts to reconcile the different values and find

The role of politics in Marjane Satrapi 's life is a critical one, as seen in her graphic novel Persepolis, which narrates her experiences as a young girl raised by revolutionaries during turbulent times in Iran. Particularly, Satrapi uses juxtaposition between her parents and children to highlight the hypocrisy and myopia of the upper class revolutionaries when it comes to the interpretation and implementation of their political ideology. Satrapi builds the foundation of her criticism through the superficial comprehension her child self exhibits regarding her parents '—and, by extension, upper class communists '—ideals, then warns about the dangers that such lack of understanding presents through child soldiers who are fed ideologies and then sent to war. However, while pointing out the shortcomings of the movement, Satrapi 's use of children as the vessels for comparison entails that there is room for the communist community to develop, like Marji does as she matures from child to teen, and encourage equality through the removal of social barriers created through binaristic thinking to truly promote communist ideals. The first point of juxtaposition is Marji herself, particularly her initial myopic thinking as a child.