Marjane Satrapi’s graphic novel Persepolis is a coming-of-age story that shows how the Iranian Revolution changed the lives of Iranian families, and especially how it affected Marjane’s education. The book shows that education can give people the power to fight for change, while also highlighting how political turmoil can disrupt education and lead to violence and oppression. The book shows that education played a key role in the Iranian Revolution. Marjane’s parents were both educated professionals who were active in opposition to the Shah’s regime. They taught Marjane about Iran’s history and encouraged her to think for herself, which helped her become more politically aware and gave her real-world experience at a young age. Additionally, Marjane’s school gave her a sense of agency by offering opportunities for activism. For example, she and her classmates organized protests and made posters to challenge the Shah’s regime. By giving students like Marjane a chance to learn about their country’s political situation and take action, their education helped them develop the skills they needed to engage in the struggle for democracy. …show more content…
The school was closed for months, and she was unable to continue her studies for a time. Her family also had to deal with the trauma of losing friends and relatives to the violence of the new regime that overthrew the Shah. Even after schools reopened, the revolution continued to disrupt the educational system. The textbook censorship and religious indoctrination enforced by the revolutionary government caused many educators to lose their jobs, and Marjane’s school became much less diverse as a result. Furthermore, the war against Iraq further degraded the educational system, as schools were regularly closed to shelter from air raids, and resources were diverted from teaching to the war
While this is happening, none of the people in Iran are fully aware of how to react because the country didn’t have a leader at the time. Marjane had to experience this imperialism during her teenage years and it played a large role in her perspective. To demonstrate this in the book, it says, “‘God did not choose the king. ’[said Marjane’s father] ‘He did so!
There is an established thought that every person must be an active participant in their life, and this is done by making choices; however, it is accepting responsibility that controls our lives and the people around us. Marjane Satrapi is an outspoken female, who is not afraid to stand up for something she believes in. As she grew up, Islamic Fundamentalists created strict moral and dress codes for the people of Iran. As a woman, she was forced to wear a hijab in a certain manner. At the time, Marjane was studying at an art school.
Marjane continues to say, “I read all the books I could.” (Satrapi 40). Not only does Marjane read about the events raging in Iran, she experiences them as well. Marjane soon realizes, from her real life experiences and the books, that her world is very much imperfect. After she learns the terrible ways of the people around her and the reasons behind the revolution, she decides to smoke a ciggerate and lose her innocence compleatly.
Have you ever heard two people having a discussion about a topic, but they have different opinions? Acknowledging the fact that people could have different opinions based on their own perspectives is very important. In Persepolis, Marjane writes as her 10 year old self, sharing what she experienced in Iran, while they were in the middle of a revolution. Throughout the book, she gets older and her perspective changes multiple times over several different topics. Marjane Satrapi’s perspective affects her presentation of imperialism, religion and loss of innocence.
Without God as a guiding presence in her life, Marji began to rebel against the ever-encroaching fundamentalist institution as much as possible. Under the pretense of religion, Iran strictly enforced new laws against social gatherings and all items of decadence, “They found records and video-cassettes at their place. A deck of cards, a chess set, in other words, everything that’s banned… It earned him seventy-five lashes”(105). This sudden loss of mediums to enjoy one’s self and prevalence of excessive punishment enforcing the declared moral code (132) were invitations to rebel for Marji.
Religion has been the cause of different outbreaks such as ‘The Crusades’ and several terrorist attacks which date not very far away from today and more relevant to this topic the Iranian Revolution, but how can this “collection of beliefs” be the reason for someone to change their way of thinking, especially in such a religious country like Iran. The story of Persepolis, written by Marjane Satrapi tells us the story of her life in Iran before and after the revolution showing us the different ‘personalities’ she goes through, from innocent girl to a disaffected teenager. In this story Satrapi exploits different themes such as the heterogeneity in regions with Iran and the rest of the world, warfare and politics but one that stands out and is presented through the whole book is religion. Religion is portrayed as an excuse to start a conflict and it shows the personal development of characters, in this case the protagonist Marji.
The story begins with the life of marjane and ends with her life. But in the background, the novel involves the war in Iran. Iran is always at war which includes the Iranian revolution and the struggle of people after the revolution. Though these are not implied does not affect their significance. They have a very important function of shaping the actions of the characters of novel which have long lasting effects.
The role of politics in Marjane Satrapi 's life is a critical one, as seen in her graphic novel Persepolis, which narrates her experiences as a young girl raised by revolutionaries during turbulent times in Iran. Particularly, Satrapi uses juxtaposition between her parents and children to highlight the hypocrisy and myopia of the upper class revolutionaries when it comes to the interpretation and implementation of their political ideology. Satrapi builds the foundation of her criticism through the superficial comprehension her child self exhibits regarding her parents '—and, by extension, upper class communists '—ideals, then warns about the dangers that such lack of understanding presents through child soldiers who are fed ideologies and then sent to war. However, while pointing out the shortcomings of the movement, Satrapi 's use of children as the vessels for comparison entails that there is room for the communist community to develop, like Marji does as she matures from child to teen, and encourage equality through the removal of social barriers created through binaristic thinking to truly promote communist ideals. The first point of juxtaposition is Marji herself, particularly her initial myopic thinking as a child.
In this chapter Marjane’s parent had just gotten back from their trip with all their smuggled goodies for Marjane. The fourth panel on page 132 depicts Marjane walking down the street in her denim jacket singing about kids in America. Not only does her jacket and neck scarf oppose the Islamic regime but her singing cheerfully about kids in America does as well. In the background you can see angry adults yelling and pointing at her most likely because of the casual clothes she is wearing. This demonstrates opposition to the regime because it shows her going against laws in her own free will to show what she loves.
Children are constantly learning about themselves and the world around them. As they grow up, their world expands from their home to peers and, eventually, to people and places they know about. Children should learn about themselves and develop a positive self-image if they have to be successful citizens in society. They must learn how different they are as well how alike they are in relation to others. Marjane Satrapi’s Persepolis is the story of Satrapi’s childhood growing up in a tumultuous post-revolutionary Iran.
Everything can be viewed from two perspectives; A fist fight, a murder, bullying, just to name a few situations. This is still the case with Iran and it’s people. Iran and its neighboring countries are often portrayed negatively as terrorist, or failed nations. This is not always the truth, however, and one can learn that through Marjane’s coming of age story, Persepolis. The personal nature of the story is told through Marjane’s loss of innocence, her opinions on religion, and her observation of the prominent gender roles.
”(5). Another key factor contributing to the nationalism in Marjane 's family is that, her great grandfather was an Iranian emperor along with her grandfather who, “..was a prince.”(22). Since there were royal blood in Marjane 's family, this persuaded her family into being nationalist. There were two sides to this. Many fled families fled Iran and others like Marjane 's family decided to stay in Iran.
After the Iranian Revolution, it became compulsory for women to wear the veil as the Islamic dress code and all women were removed from government positions, leading to increasing oppression and inequality in Iran. The use of black and white on the first page of the book creates a very clear image that a lot of people are unhappy with the new rules that are introduced by the government. The use of images shows us the oppression of freedom in a way that it would be hard to imagine with words. The first panel shows Marjane in a somber mood, crossing her arms to show her defensive thinking against the veil and the world. In the following panel, the girl’s expressions range from neutral to dislike or discomfort, which shows the general thoughts from people on how they think of the veil.
In this essay, I will delve into the scene where Marjane visits her Uncle Anoosh in prison, examining what it reveals about the characters, the symbols used, and their importance in the larger context of post-Revolutionary Iran. Marjane's relationship with Uncle Anoosh is central to understanding the moving scene where she visits him in prison.
The graphic novel shows how we carry on, with laughter and waterworks, in the face of absurdity. Satrapi clarifies the complications she had altering her typical ways and getting in trouble for articulating herself with the things she enjoyed. Although we see Iran’s way from young Marjane’s eyes; as we learn about Marjane, we also learn about: her mother, father, grandmother, uncle Anoosh, and more. There were many changes for the people of Iran during the Revolution. Marjane just wants to grow up as a normal teenager, listening to rock music and doing what she wants.