Antigone Persuasive Analysis

“You may do as you like, Since apparently the laws of the gods mean nothing to you.” (Sophocles, et al. 192). This argument, though quite passive aggressive, is more ethical. The religion of the people of Ancient Greece was held to the utmost of importance, which is why such epics are written about them when someone dares to defy them. In this case, Antigone calls out Ismene for choosing to obey the rule of Creon rather than the rule of the gods. “I shall be hating you soon,” (193). Antigone then transitions into a more emotional form of persuasion, by threatening the relationship between them if she is to not join in on her plan. This targets the guilty conscience of Ismene which is normally what tends to push people to agree with the arguer, although it can be seen as a slightly manipulative tactic. Despite Antigone’s passive aggressive argument with Ismene, she fails to convince her to join the burial and carries out her mission on her own. However, the sentry Creon sent to spy on the grave spots her and brings her to Creon as the guilty

“A city which belongs to just one man is no true city.” (lines 838-39) Throughout the play, Antigone, written by Sophocles, the character Haemon constantly tries to persuade his father, Creon, to listen to the people of his city and to become a more humble leader. Haemon’s words, actions, and ideas contrast with Creon’s character. Which results in the two characters having continual conflicting motivations. These conflicting motivations cause the characteristics of anxiety, anger, and selfishness to be highlighted within Creon’s character. Ultimately, these conflicting motivations develop Creon as a tragic hero by giving Creon his free choice that makes his downfall exclusively his own fault and the character interactions advance the plot by pushing King Creon to insanity and showing that even the King’s own family was trying to urge him to change his decree, and develops the theme of love and loyalty by showing the struggle between faith and family.

In the scene in which Creon will not allow her brother to be buried. This goes against her personal beliefs she confronts Creon when she says “if I had allowed my own mothers son to rot, an unburied corpse that would have been an agony.” Creon wouldn’t allow Antigone brother to be buried even tho Antigone felt it was the right thing to do. Antigone is talking to Ismene about burying her brother but Ismene tells her to keep the idea a secret but Antigone disagrees and says “But I know I’ll please the ones I’m duty bound to please.”(Sophocles Pg 4) Antigone is going to bury her brother but Ismene thinks it’s a bad idea and tells her to keep it on the low but Antigone thinks she is going to please the ones who agree with her.

Being a person with a high authority, has control and with that amount of power comes responsibilities a they have to deal with . Power has a negative effect on people because it can affect how they see themselves in relation to others.

The tragic hero is a character in a book that comes from a noble background that has a tragic flaw which brings the character the greatest suffering which results in their downfall. In “Antigone”, there are two characters who can be considered the tragic hero of the story: Creon and Antigone. Antigone is a brave and fearless women who dies for a noble cause, while Creon is a controlling and powerful king of Thebes. Both Creon and Antigone have qualities to make them the tragic hero, but Creon is the true “tragic hero” because his hamartia causes his downfall. Creon is the tragic hero of “Antigone” because his hubris muddles his judgment and makes him cause his own undoing.

In the play Antigone, Sophocles demonstrates the conflict between family and God through the characters of Antigone, Ismene and Creon. Antigone being ambitious and strong willed throughout the play, fights for his brothers honor and proper burial while Ismene on the other hand, is more timid fears the consequences that may occur if the laws are broken. For Creon he is the King and holds most power, until the Gods feel he is incapable. Antigone, Ismene and Creon all use logical and emotional appeals to achieve a compromise to either bury Polynices or not.

Antigone, a classical Greek tragedy by Sophocles. One of the most common ideas expressed by the play is loyalty and dedication, primarily pertaining to the characters Antigone, Creon, and Haimon. Loyalty is conveyed by Sophocles as twisted and abstract. Creon’s pride clashes with his self-proclaimed devotion to the state, while Antigone’s ideology of honoring her family conflicts with her sister. Haimon’s loyalty is broken between obeying his father and his lover.

She needed to prove a point by herself and didn’t want anyone else involved. Antigone is a selfish character who only wants what is best for herself and doesn’t think about the repercussions of her actions and the effects that they will have on those around her. When Antigone decides to go ahead with her decision to burry her brother, she alone is engaging in an act of civil disobedience toward the king directly, but quite frankly she doesn’t care. Her character has little regard for powerful people especially when they have different views than her own. Antigone, as well as everyone in her kingdom, knows what the wishes of Creon are in regards to her brother, but going along with her characteristic of disrespect toward authority, she breaks the rules anyways knowing that there will be consequences for her actions. We can see this direct disobedience when Antigone says “nor did I think your proclamations had such strength” (38). This statement highlights her disregard for authority, her carelessness, and her inability to follow the rules set before

Everyone faces difficult choices throughout their life, and many of these choices are due to the pressures of society. Society is cruel and everyone, at some point in their lives, has been at the receiving end of that cruelty and felt the sorrow it brings. In Antigone by Sophocles, Antigone finds herself faced with the choice of doing what her heart says is right, and burying her dead sibling or following what society has decreed as the right thing to do and leave him “to be devoured by dogs and fowls of the air.” (Sophocles, page 12) Antigone’s sister, Ismene, faces the same choice though she is less willing to defy society in favor of family obligations. The sisters are not the only ones that must face such choices, Creon’s son, Haemon, is in a dangerous position by fighting for Antigone and betraying his father's wishes.

“Ohana means family. Family means nobody gets left behind or forgotten.” – Stitch, Lilo and Stitch. In Sophocles’ Antigone and in Anouilh’s version of the play, family loyalty is a theme that plays an important role in the actions and the decisions of the characters. The theme of family loyalty is largely represented through the two main characters of the play, Antigone and Creon. The two are bound to two opposing sides of the law with family stances being most prominent reason for their divide. Through the characters of Antigone and Creon, Sophocles and Anouilh prove that duty is bound to family loyalty, regardless of how polarizing the reactions may be. This is shown through Antigone and Creon’s actions and decisions, determination and persistence,

“Persuasion is often more powerful than force” once stated by great greek fabulist Aesop, Many of the characters follow this advice throughout the story (“Aesop Quotes”.). As Creon gives a speech to his city he uses ethical appeals in hope to assert his power and make himself look like a trustworthy leader.. Antigone does not listen to this and decides to disobey her uncle, sister Ismene tries to plant logic into her head not to disobey in fear that her sister may end up dying in result. Haemon being both the son of Creon and the fiance of Antigone he should have a hard decision to make but he cannot get behind his father in putting his future wife to death. Ismene, Creon, and Haemon all use the rhetorical appeals of Ethos, Pathos, and Logos to be persuasive towards their goals.

It is well known that for much of history, females have been largely oppressed and given few rights, unlike the male gender. Traditionally, a women’s role in society was to be a submissive housewife and to raise children. In Sophocles’ play, Antigone, a young woman goes against the law to give her dead brother a proper burial, defying the typical role expected of a female during this time period. Antigone can be seen as a role model for women because she knows her own mind, stands up to her uncle, and sacrifices herself for someone she loves.

In Sophocles` play, Antigone, he shows a story of a crazed man who lets pride takes over his actions causing the deaths of his loved ones. This essay will discuss Haimon, King Creon`s son, through statements that Sophocles himself wrote and inferences of his perspective. During the story Haimon does major actions such as; plea for his fiancée, commits suicide and even cast death upon King Creon.

When people defend what they believe in or who they love that is sacrifice. In order to be certain that her two brothers she loved had a proper burial and that their souls could rest, Antigone sacrificed her life. Regardless of the potential outcome; even if that means that she was going to have to challenge her uncle (King Creon), she plans on pursuing her quest.

Laws have maintained the order and stability of society from old days of ancient civilization to today’s contemporary society. As law-abiding citizens, we allow the laws to be enforced through punishments and consequences; however, when these laws threaten ethical values and justice, they are challenged in a non-violent method known as “civil disobedience.” In Sophocles’ Antigone, Antigone challenged the political authority of Creon in a defiant act that related the struggles between her duty as a citizen of Thebes and her loyalty to her family. In “Letter from a Birmingham Jail,” written by Martin Luther King, Jr., King protests racial injustices and systemic racism throughout the South and laments the need for civil disobedience to be used