Transitioning from the archaic period to the classical period there is a shift from the gods being the main characters of the plays, to being the overseeing forces that make events happen in humans lives. In Hippolytus and The Women of Trachis, Aphrodite and Zeus are seen as responsible for making sure humans meet their fate. Phoenician Women shows this concept in its purest form by solely having human characters and the gods being only conceptual. The characters in tragedies make sense of the terrible things that happen to them through the belief that the gods made it destined to happen. Without this rational, humans would have no way to justify such tragic events. For this reason, there was a necessary shift from the way gods were portrayed …show more content…
In the Homeric hymns, Aphrodite is portrayed as more human like because even she is overcome with the sickness of love (Aphrodite 45-50). However, in Hippolytus a very different image of her is shown, one of her being completely in control of what is happening. Aphrodite’s power over love is also referenced in Women of Trachis and Medea. In both situations it is stated that those who fall under the power of Aphrodite, can not be held accountable. Therefore, there is this shift from her being the character that acts foolishly because of love, to being the one controlling the story. In this way, Greeks can view Aphrodite as a deliverer of fate and can continue to remove the blame from their foolish love filled actions and put it on …show more content…
Throughout the play, Zeus is referred to as if he is controlling everything that is happening. Such as when Epode assures Dienara about Heracles or when Dienera thanks Zeus for good news of Hercules (Women of Trachis 140, 200). Never once does Zeus appear in the actual scenes. In fact, Zeus never appears as an actual character in any tragedies. However, every event that occurs in Hippolytus is thought to be because of Zeus’s will. Zeus is the deliver of fate throughout the play. When Hyllus declares everything that has happened is Zeus’s doing, he is silicifying the theme that Zeus acts as fate in the eyes of the characters (Women of Trachis 1278). Throughout the play, the characters turn to Zeus to explain why everything is happening. Greeks seem to be comforted by the idea the gods are controlling their lives because it takes blame off of humans for tragic
In Greek epics, tragedies, and mythology women are portrayed in various ways. Women are mainly considered to be weak and less important than men, but there are some women who are shown to be strong and heroic, despite the reputation that was placed onto them in Ancient Greek civilizations. There were two particular women that were strong and took the roles of their husbands while the men left to fight in the Trojan War. These two women were Penelope, wife of Odysseus, and Clytemnestra, wife of Agamemnon. These two women were different in how they chose to rule while their husbands were at war and how they acted once they got back.
and she was viewed as a beautiful, perfect, goddess. How come Penelope and Aphrodite were viewed as perfect, but were doing the opposite things. That is all because of the
Desiring to revive Classical Greece, due to the adversities of such a chaotic time lead many Ancients Greeks to hunger for drama, emotion, and especially hope. “Hope” came from mythology. The ancient Greeks were polytheistic, thus they worshipped many Gods, and told many stories about them, called myths short for mythology. Aphrodite was a great Olympian goddess of beauty, love, pleasure, and procreation; depicted as a beautiful woman often in the nude.
The position of women in the societies of Genesis and the Odyssey grant them little power. Despite the pervasive gender hierarchy present in the ancient texts, Rebekah and Nausicaa wield their intelligence and wit to influence those around them. These two women utilize deception and indirect communication in order to alter the lives of prominent men as their means of exerting control within their patriarchal society. Due to their actions, these women become essential to the narratives of Genesis and the Odyssey, for Rebekah is integral to the perpetuation of God’s covenant through familial lineage and Nausicaa is fundamental to Odysseus’ nostos journey.
In the epic poem, The Odyssey, by Homer, there are many female characters who play the role of a villain. Calypso, Scylla, Charybdis, and the sirens are among the women with the largest, negative impacts on Odysseus’ journey home. Though some women, such as Athena, Eurycleia, and Penelope, are loyal to Odysseus throughout the poem. With such a wide range of female characters, they all contribute different things throughout the book, whether the impact of their actions is negative or positive. Regardless of the outcomes, Homer has quite a modern view of female representation in his poem.
“The Odyssey,” written by Greek poet Homer is an epic tale depicting the brutally enduring quest home of the Greek hero, Odysseus. Within this heroic story, women play a very large and pivotal role in Odysseus’s trip home from the Trojan War. In his attempt to get back to his wife, Penelope, Odysseus’s progress is constantly hindered by the intervention of women who will do anything in order to either convince the heroic figure to stay with them or have him killed. The intentions of the women in the epic are all very different but one of the most prominent roles lies in the seductresses and the alluring women who will deeply influence Odysseus. Most importantly, Penelope plays a large role in portraying the importance of women’s roles in the story.
Following, right before the competition starts for Penelope’s heart, Athena “endowed her with immortal grace to hold the eyes of the Akhaians…” (18.241-245). She makes Penelope more beautiful and appealing to the suitors, so that they will be compelled to fight harder. When she comes to greet the suitors, “weakness took those men in the knee joints, their hearts grew faint with lust; not one but swore to god to lay beside her” (18.265-267). What Athena does to Penelope works, and the suitors want to win the competitions so they can sleep with her because of her immortal beauty. Again, a women’s image is being sexualized to please the man.
In many societies today, individuals are led to believe that the concept of women possessing their own strength or independence is abnormal. As a result, women experience the world in a constrained way in comparison to men, even if they are in higher classes of society. However, these extensive aspects of females are contradicted in some ancient Greek literature. In the epic poem, The Odyssey, Homer portrays women as a vital and powerful force through the characters Penelope and Circe, who counter the normality of misogyny in Homer’s time. Penelope’s character displays how some women are able to exceed society’s standards and show strength and cleverness when it is necessary.
Instead of being perfect omnipotent, omniscient, and omnipresent gods, they have limited power and influence, and are often driven by humanistic emotions and desires. While the gods do show concern over some mortals, they don’t make decisions solely concerning the wellbeing or interests of the humans, but instead, like the humans themselves, usually act with their own interests at heart. Athena and Poseidon both acts in accordance to their desires and emotions, and have a biased view on particular humans. Unlike the perfect deities we have in mind when we think of the divine, Greek gods are just immortal beings who are just as fallible and imperfect as the humans they preside
Athena first plays the role of the puppeteer when she persuades Zeus to send Hermes to Calypso’s island to persuade Calypso to release Odysseus. Athena has always been a fan of Odysseus and his family, due to his tactical mind, so when she saw Odysseus in need, she wanted to help. Athena shows her persuasive nature when she says to her father, Zeus, “But my heart breaks for Odysseus, … far from his loved ones still, he suffers torments off on a wave-washed island rising at the center of the
Even after this, Athena feels like she deserves more credit for Odysseus’ journey home than he gives
In the journal article “Rewriting The Odyssey in the Twenty-First Century”. The idea of Penelope taking control into her own hands, in a time when women did not stand up for themselves but rather were emotionally constricted is shown. Penelope’s demeanor is of a woman that does not let society rule what she can or cannot do, and because of this thinking she is able to have an advantage over other women and of men who are the ones in charge of any decision-making (Suzuki). Penelope is the second female character that is not a god that is able to maintain authority of her own in The Odyssey. This is ultimately Homer’s way of expressing his views towards the male societies of his time and their
Women are greatly judged by their looks throughout the book. They believe that a woman is successful if any of her direct family have an important position (e.g. King, God) or is a heroic figure. Even though Athena and Calypso are very different, one evident similarity, is their ability to influence and control men. Athena greatly interferes in Telemachus’ and Odysseus’ lives by utilizing her intellect. Her power, influence and control on men can either be seen as a positivity or as a negativity.
Divine intervention, or the role of the gods, plays a predominant role in the development of the eventual fate of the main characters; Odysseus, his son, Telemachus and his wife, Penelope. Homer is able to effectively incorporate the employment of divine forces as facilitators in destiny, as well as efficiently engage the readers through his vivid description of the various predicaments faced by Odysseus. Divine intervention is a phenomenon widely used in mythological epics. The gods play protagonistic and antagonistic roles; they essentially toy with the character until his fate is evident. Homer utilizes this right from the very beginning; we see Athena coming to the aid of Odysseus when Zeus refuses to have sympathy for him due to the fact that most heroes blame the Gods for their doom;
Phaedra and Medea were both sympathetic victims, though Phaedra earned more sympathy. Throughout both plays and many others within, the alleged general faultiness yet calculated cruelty of women are noted often by both male and female characters many times, including Phaedra and Medea. Since women only had the ability to be respected for few things, for example, the ability to bear children and keep a husband, it follows that acting out of the norm could have severe consequences for them and their societal standing. The imbalance of power in Greek and Roman society in both Hippolytus and Medea has created an outlet of seemingly disproportionate revenge committed by women, in response to their oppression. However, it is not truly disproportionate if one considers that a woman who had never been able to fight back or speak up in her life will one day respond with a collective blow to the patriarchy when it is vital for