The Outdoors: A Photo Elicitation 1. Introduction: Taking a picture in the outdoors has been a staple of our culture since the mass production of portable cameras. This poses a few interesting questions however, why do we take pictures of our time outdoors? What about our time in the outdoors is so captivating that we want to capture that memory forever? What emotions or feelings are we expecting to capture so that we may relive them at a later date? Utilizing the natural conversational methods of a photo elicitation I aimed to find meaning behind what was so important about capturing the moments we spend outdoors. 2. Methods for collection and analysis: To be able to maximize the information gathered, I used a photo elicitation style interview …show more content…
Photo elicitations are used as a powerful research tool to gain insight into peoples lives by using their own stories and memories as a starting point to guide discussion towards a particular theme. As Kutz and Wood stated in their article “Stone Soup Photo Elicitation”; Photo elicitation style research provides both the researcher and the person being interviewed an opportunity to find meanings in photos they may not remember or make connections with themes that they didn’t realize were there. John Collier explored this as shown in Harpers article “Talking about Pictures”, he had stated that “its ability to prod latent memory, to stimulate and release emotional statements about the informant’s life”(Harper ) shows the benefit of using the photo elicitation method of research to gain more in depth and responses with more emotional significance. My interviewee was Jade, a 20 year old working at a day care …show more content…
Conclusion: To many people photos can hold a deeper meaning or invoke emotions that we have captured. To Jade her photos told her stories about her family’s past and they brought back memories of times with loved ones. The power of a photograph is a lot more than just a picture, they can invoke emotions or have specific meanings that only the picture taker, or those in the photos will remember. Jade felt that to her, her photographs told stories of her past that she “won’t remember off the top of her head right away”(Campany) and they served a purpose of letting her relive moments in her
When analyzing and reviewing Susan Curealean’s essay "Origin Moment” and Melissa Walker’s excerpt from "Rock Spring" one will find commonalities of elements that truly show the importance of our first connection with nature. The reader is able to see that one’s origin moment, “the spilt second early in life when memory takes hold in the body,” of nature specifically concludes in defining who the person is as an individual and how they view the environment around them, as well as how they take care of that particular environment. " Origin Moment” and "Rock Spring" are both able to discuss the importance of our first connections with nature due to writers, Susan Curealean and Melissa Walker reminiscing if you will, on past experiences and how those experiences have shaped each of them as the individuals they are today. Susan Curealean’s essay "Origin
His photos serve as documentation of our natural world. I have chosen five of Ansel Adams's works that all capture the Grand Teton Mountain range. In this essay, I will assess how Ansel Adams's attention-grabbing photographs of the Teton Mountains convey his advocacy for protecting
Much like others, I have also related to this mindset in the past. As much as I enjoy recording videos of things and taking pictures, I still would rather take less pictures and witness plenty of memories with my own eyes. I was once on a seven kilometre hike through a forest, on my way to a waterfall in the summer. Although it was fairly level terrain and little hills, it was my first ever hike, and it was very challenging to me. When I finally arrived at the waterfall, I just sat there for a moment and relaxed, taking in nature, as opposed to pulling out my phone to take pictures right away.
Throughout history, photographs have been known to depict and represent culture, character, information, and ideology. Through specific elements of form, and close scrutiny, photographs give a representation of the “bigger picture” by providing content and invaluable information that text, on its own, does not produce. Dr. Carol Payne, a professor of art history at Carleton University, wrote an essay in 2012 for the Oxford University Press. This essay focused on the relationships between photographic images, Canadian culture and identity, and indigenous people. Her thesis was to discuss how an image can present a sense of national identity (Carol Payne 310).
In other words, McCloskey drew pictures of nature in such a way as to allow viewers see its beauty. For instance, the shadows created by the clouds seem so authentic that it allows the reader to appreciate them. This natural image is also viewed in McCloskey’s pictures
For the duration of his essay “The Stranger in the Photo is Me”, Pulitzer Prize-winning journalist and professor Donald M. Murray depicts his train of thought while flipping through an old family photo album. While describing his experience, Murray carries the reader through the story of his childhood, describing snapshots of some of his favorite memories growing up. Throughout the piece, he shifts back and forth between a family oriented, humorous tone and a nostalgic, regretful one and by doing so, he parallels the true experience of looking through a family photo album. Murray expresses a more serious tone while reflecting on a certain photograph of him in uniform from the beginning of World War II and goes on to explain how in his opinion,
The story starts from their trip on the train, ends in the reunite with her sisters. In the story, the photograph runs through the text, and each time it presents differently in every setting. Amy Tan uses photos as a metaphor for connections or identification in the story. The first time of photo appeals is at the beginning of the story, the twins “kept a framed picture of their mother”
A couple weeks ago I was left home alone. My mom went out to Los Angeles and my brother slept over his friend's house. I went down stairs to get a glass of water. I heard the sound of the garage being opened . I gave it a second before checking to see what is was because the person who would have opened the garage should have came in already.
Many people who go into nature always see it as something beautiful and aesthetic, but they never see the other side to nature. Humankind’s connection with nature isn’t a real one. They always look at the bright side of nature but are blind to the true dark side of nature. JB MacKinnon’s article “False Idyll” (2012), reveals that nature is not just flowers in a field but can also be the survival of the fittest. He backs up his claim by talking about nature through anecdotes and expert’s research.
As a photographer myself, the theory of punctum is not unknown to me; however, the application of the concept of punctum towards the perfomativity of a photograph is unchartered territory. The photograph I chose to analyze is Dorothea Lange’s renowned portrait Migrant Mother, which is a Great Depression-era photograph featuring a migrant farmer, and is among the most famous photographs from this turbulent chapter of American history. The raw emotion in the mother’s face, paired with her body language and grimy appearance, captivates viewers; however, it is not the mother that makes this image so powerful to me, but rather, the turned away children framing their mother. This detail adds a new dimension to the portrait for me.
His experiences as a child in the car with no distractions influenced his mind to grow strong and healthy. As a child, he would draw on the fogged glass and count cows and telephone poles. He believes this helped him appreciate what he saw on long car trips instead of being preoccupied and completely missing those things. Being able to appreciate beautiful nature grows the visionary area of the mind, which is much needed, especially in children. Richard Louv’s rhetorical devices in his essay, Last Child in the Woods, efficiently get his points across.
With war photography a photo isn’t just a image it is a trace of reality, an experience that was captured ,or even a moment. War photography is like an art that gives importance to real life events and also makes them worth remembering after you take them. When you take a photo it 's about telling the reality of that photo, about showing what others may not see, to make them aware of it though the images come from the media. However, when the photo serves as informing the world we find ourselves facing the world to see if it 's true or if it 's not true. If people could be there to see it for themselves, the fear and grief for just one time in their life, they would understand that nothing is worth letting things get to the point to where people get hurt but everyone can’t be there, so that 's why photographers go there to show them, to reach out, or to grab them and make them realize what 's happening to the world or to even pay attention to what is going on, to create a powerful picture to overcome the effects of the mass media and to shake people out of their indifferences that they have against each other.
A photograph is more than just a simple image; it tells a story. A story beyond a particular moment in time, it holds secrets and memories. The eagerness to comprise a moment in the perfect shot seems to become an obsession for many. In Kim Edwards ' novel The Memory Keeper 's Daughter, Edwards uses photography as a motif which coincides with the novel 's idea of secrets. David Henry, the antagonist of the novel, becomes fascinated with photography after choosing to give away his daughter and compresses his guilt with photography.
By the power of photography, the natural image of a world that we neither know nor can know, nature at last does more than imitate art: she imitates the
Just as Sontag emphasises in her essay, photography is useful tool that captures the memories, defenses against anxiety, and brings familiarity. In additional, personally I also believe that photos can empower the world by sharing