In the novel Grendel by John Gardner, Grendel’s largest internal conflict is whether or not he can overcome his predestined status of monster. Throughout the course of the story Grendel is influenced by both sides, human and beast, through the dragon and the Shaper. Although Grendel initially wants to align himself with the humans, no matter how he tries to communicate with them as an equal they will not accept his company, causing him to become lonely and angry. Grendel’s anger turns to violence, which makes the humans turn further against him and, as he is alienated from any sense of humanity he ever had, he eventually discovers that he has no choice and must fulfill his role as the enemy to humans. Initially, Grendel’s free will
Because of his arrogance he had become cruel to the boy he loved and in the end killed him out of misery. If we look at this scene we can see that he 's having an inward battle with himself, being strong was his main priority over anything else, even his own family. Even if he cared for them, he was conceited and cared about the opinions of others and what 'd they think of him. This ultimately led to his downfall when a cultural collision was evident and he couldn 't face it. His
Ballard is not shown love. His father does not love him enough to not kill himself, “They say he[Ballard] never was right after his daddy killed hisself” (21). The townspeople immediately notice that after his father’s suicide, that Ballard becomes different. He does not receive the love he needs from his father which prevents him from receiving love from other women. Because he cannot receive love, Ballard decides to instead make love with the corpses of dead women.
For scientists, work is their life, and therefore, they are emotionally withdrawn from relationships with others. Also, while in the interrogation with Davey, the stepson of the deceased, Dr. Brennan accuses the adolescent of murder with no hint of sympathy for the boy who just lost a father figure. Dr. Brennan has many encounters such as this one with individuals that show her lack of social etiquette for delicate subjects. The way in which the doctor interacts with others and expresses a lack of interest for other’s feelings shows how popular culture portrays scientists as being unempathetic and socially
Curley’s wife is not dedicated to Curley as she has the eye for other men (pg 28, p4). Evidently Curley’s wife isn’t loyal to him as she doesn’t bother hiding her interest in other people. Since she has no dedication to him, their partnership is broken. Curley’s wife doesn’t care about Curley at all which is shown when he gets into a fight and she expresses her appreciation of him getting injured (pg 81, p11). She has no respect for her husband and doesn’t show any concern for him.
Furthermore, cowardly acts makeup Dimmesdale’s flaw; this prevents him from being an effective minister in the town. Dimmesdale’s flaw and almost every other fatal flaw brings destruction to the one that they control. In The Scarlet Letter, Nathaniel Hawthorne shows how Dimmesdale fills his life with cowardice; Dimmesdale’s flaw allows him to employ logos, leading him to negatively impact the community, and, gradually, his flaw led him to his demise. Throughout The Scarlet Letter, Dimmesdale suffers from the fatal flaw of cowardice. After Hester’s refusal to confess, Dimmesdale’s relief showed: “‘She will not speak!’ murmured Mr. Dimmesdale, who, leaning over the balcony, with his hand upon his heart, had awaited the
Bigger hotly replies, blatantly shutting his mother down when she tries to bring his ignorance to his attention. Bigger himself even acknowledges the filth he lives in, but maintains his denial through his seeming lack of care, “he knew the moment he allowed what his life meant to enter fully into his consciousness, he would either kill himself or someone else” (14). Bigger seems to block anything unwanted from bothering him, which is a terrible form of denial as it just leads to the problems manifesting themselves in Biggers mind. Bigger’s suppression of the truth leads him to close off his mind and not even address the issue, which is a large reason why Bigger struggles with the issues he does later in the book. Richard Wright places hints as to who Bigger is behind the anger throughout the novel, and it shows that Bigger is in severe denial.
In that time people considered him as a monster because he wasn’t human. In the novel he wasn’t really accepted by the people of this town, he was always shunned. He blamed his creator for that, and because of that the doctor tried to destroy him. Some years later the nameless creature was finally named Frankenstein, since he was created by a Dr. Frankenstein. Frankenstein was afraid of his own reflection which made him insecure and sensitive.
Furthermore, Victor is not able to physically compete with the creature and he fails to act in that moment when both the violent elements of the storm and the crippling rage he feels for his brother’s murderer affect him, making him the more human of the two - the more susceptible to emotion and weakness. I would argue that the creature’s lack of weaknesses as well as his unaccountable strength leads to his inevitable condemnation as the monster of the story, because he is the least relatable, and the most
Okonkwo realizes he no longer has control over his people after he beheads a messenger in front of all of Umuofia. The reaction of Umuofia is contrary to what Okonkwo expected. The narrator describes their reaction on page 205 by stating, “Why did he do it?”. It is at this moment that Okonkwo realizes his people no longer understand him and he has no power in their eyes. Okonkwo’s innermost fear of being a woman like his father transforms him into being exactly like his father because he is powerless and