Malcolm Gladwell’s Something Borrowed tells of Dorothy Lewis, a physchatrist who studied serial killers for over twenty-five years. When playwright Bryony Lavery’s play “Frozen” debuted on Broadway, Lewis received non stop calls from friends and acquaintances telling her that she “really ought to see it,” (Gladwell) because one of the main characters was also a psychiatrist who studied serial killers. Lewis was reluctant to see the play, having spent so much of her life studying serial killers, she told her friends “I need to see that as much as I need to go to the moon.” Eventually, a woman from the theater where “Frozen” was playing called Lewis and requested she do a talk-back after one of the performances. Lewis, delighted, asked for a copy of the script so she could read it in preparation.
Almost immediately, Lewis began to notice striking similarities from her work and personal life with the psychiatrist of the play, Agnetha Gottmundsdottir. The similarities range from attending the same school, to doing the same experiments, to being sniffed “in a grotesque, sexual way”(Gladwell) by a serial killer. Lewis was understandably upset, telling Gladwell she “felt robbed in some peculiar way” as if “someone has stolen [her]
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He personally had his book, “Gun, With Occasional Music” reformed into a pistol by artist Robert The. Instead of being angry, Lethem was touched by “the strange beauty of its second use”(Lethem) and believed it was a “reward for being a published writer”(Lethem) one which he “could never have fathomed in advance” (Lethem). Gladwell and Lethem were both somewhat pleased to have their work used without their permission, however, neither was used to smear their
For example, lovesick Knox Overstreet meets Chris, the girl of his dreams, and daringly pursues her even though she has boyfriend. At a party, Knox casts aside logic and blatantly kisses her in full view of her beau, cognizant he will receive a beating for it. Opting against the normal, accepted behavior of restraint, the young man grasps the opportunity to show Chris how he feels about her, despite the promise of physical retribution from Chet. In like manner, Charlie Dalton publishes an article in the school newspaper, on behalf of the Dead Poet’s Society, endorsing female admittance to Welton Academy. The angry headmaster, Nolan, convenes a school-wide meeting to uncover the offensive members he believes responsible for undermining his authority and challenging the long-standing school custom of “boys only.”
Bradbury envisioned a fantasy of a society where books became not only unspoken of but were classified as weapons. In the distant world of 451, the
Gladwell instills the technique of repetition to spark feelings from the reader to persuade his audience. Making use of pathos. He also appeals to the reader’s emotions in his last and final thoughts stating, “..we could try to console ourselves with the thought that there was nothing we could do, that no law or intervention or restrictions on guns could make a difference….. But the riot has now engulfed the boys who were once content to play with chemistry sets in the basement.” (page 13) to force the reader to ponder on this
The American obsession with spectatorship is a phenomenon created by the inaccessibility of timely and relevant knowledge. This oddly leads to an increase in the demand and likeability of terror. In her piece “Great to Watch”, Maggie Nelson explores the origins of this fascination with horror and gives an
Gladwell argues that our greatest strengths can also become our greatest weaknesses. I find Gladwell’s argument to be false based on the fact that the underdog doesn’t always win. He brings into question whether Goliath was actually a strong giant or an incapable underdog; Was David a dark horse or was he favored to win. Gladwell tells many tales in which the underdog faces obstacles they must overcome to succeed, but the underdog can’t always succeed. This is one of the flaws in Gladwell’s argument.
Cosi by Louis Nowra is set in a mental institution of the 1970s. Nowra challenges his audience to respond in a positive way towards the mentally ill characters of Cosi. This is shown through the sympathy we develop towards the patients, Lewis’ commitment towards the play and by Nowra contrasting the characters that are diminishing towards the patients. Over time we develop a sense of sympathy for, admiration and understanding of the patients. Through comedic effect, relatable personalities, and pity we connect with each character on a personal level.
Term papers date back to the beginning of the 19th century when print could be reproduced cheaply and written texts of all types (reports, memoranda, specifications, and scholarly articles) could be easily produced and disseminated. Moulton and Holmes (2003) write that during the years from 1870 to 1900 "American education was transformed as writing became a method of discourse and research the hallmark of learning."[1 ] Russell (1991) writes that in the 1910s, "the research paper began to harden into its familiar form" adding that plagiarism and the sale of research papers both became a problem during this time.[2] Plagiarism in the computer era[edit]
Manic, Depressive Superiority on a Quest for Perfection Lorrie Moore’s character, Zoe Hendricks, in “You’re Ugly, Too,” is an outsider drowning in irony from a supposed perfect world she has built for herself. Her cynical, yet humorous outlook on her self-isolated life, is a result of her rose-tinted view of her inability to find intimacy or satisfaction in her life. In an otherwise depressing story about a mid-western history professor going through the middle-aged motions, Zoe Hendricks’ wry social skills and pessimistic commentary attests her to be anything but middling. The expectation of perfection in herself and others, immortalizes Zoe’s dismissive demeanor, melancholy, and irreverent humor.
One particular example is a 1942 film, Cat People, where a race of women turns into murderous panthers when sexually aroused or are driven with jealously. She describes numerous scenes in the movie which depict the strength feminine monsters have by expressing particular anxieties that different people have. I can perfectly discern the purpose of using this specific movie and it is astounding. A particular scene she describes is when a cat person named Irena Dubrovna meets with Dr. Louis Judd (a psychiatrist who attempts to cure her of her unfortunate curse) for her appointment. The significance of this scene is that Dr. Judd, who is again a physiatrist, tries to take complete control of Irena by using hypnosis and finding out everything she knows which eventually fails due his urge to kiss her.
Plagiarism can be an act of civil disobedience Plagiarism, one of the fundamental issues of academic life, is a basic subject to portray, yet difficult to maintain a strategic distance from. According to Merriam-Webster dictionary: plagiarism is the action of using the words or ideas of another person as if they were your own words or ideas. As defined previously, plagiarism is only taking someone else work without giving credits. I believe plagiarism cannot be an act of civil disobedience because it is not a political act and does not envision a change in the law or policies in the government. What is a civil disobedience?
In Truman Capote’s nonfiction novel, In Cold Blood, Capote follows the murder and aftermath of a wealthy, well- known family from Holcomb, Kansas. The murderers, Perry Smith and Richard, Dick, Hickock can both be best described here as mass murderers, considering that, together, they brutally murdered four people. Whether these murders were committed based off of psychopathic mentalities or simply greed and rage is often debated among authors and psychologists. Throughout the novel it is evident that Perry seems to have many characteristics commonly associated with schizophrenia rather than psychopathy, and these schizophrenic tendencies are greatly revealed in Part Two of the novel, “Persons Unknown.” Capote describes Perry’s abusive childhood
Essay #1: Malcolm Gladwell, Successful Rhetorician? Introduction: Hook: To think of success is like monitoring a tree grow, the branches split into different paths one can take, each split is another opportunity to prosper and grow beautiful leaves like trophies. Follow up: In the mind of Gladwell, the process of becoming successful is like a tree branch, if one starts off strong, more paths appear growing from the strong branch, and as you achieve your goals, leaves grow to show your wealth. Paragraph 1: (Background for Gladwell)
fond of the shows, stories and plays where there is curiosity because Marsh, Laura has mentioned in her article that “In March last year, over 1 million people watched the final episode of HBO’s The Jinx, which centers on Robert Durst, the heir to a real-estate fortune who is suspected in several murders and the disappearance of his wife in 1982.” (page 8). These two stories basically shows that the murder was committed by the wife and in both stories women find the evidence, but they hide and don’t want to show to the men in order to save the Minnie Foster because she was already in the custody for the investigation. The ways in which the adaptation changed the Susan Glaspell’s original work was first that they make a play of the story and
Upon first mention of Tituba’s affiliation with witchcraft Parris responds with utter disbelief saying “Now I am undone.” He refuses to believe that Tituba, a women with a reputation of low social status, could have any connection to such sorcery. However, throughout the play, Miller individualizes Tituba in terms of her dialect, place of origin, and skin color which ultimately shows how individuality can be subverted into a cause for fear. Tituba uses this sense of isolation and individuality to her advantage and self benefit.
In the world today, the most common physical form of entrapment is prison. However, Hamlet, written by William Shakespeare, oozes another form of entrapment, which is not physical, but mental and emotional: the prison known as the human mind itself. The play itself highlights themes of entrapment through the riveting internal conflict of Hamlet versus Hamlet, and the progression of key events that happened not only to Hamlet himself, but also to the people involved in Hamlet’s life. Hamlet cleverly weaves the truth that the mind is a trap throughout the entirety of the play, especially through the beginning, with the exposition of the situation of Hamlet’s insane family life and his mental illness, through the climax, with an accidental murder,