(Greenberg) Most artists were filled with emotion and expressing it on canvas for the world, while Matisse just shrunk into the seclusion of his mind and painted what he saw. In fact, Matisse always painted what he saw, never what he felt. He detached himself from society as well as his painting subjects. Detachment is what modernism thrives on, because to be simple and a minimalist, you must not over express your emotions. As a forebearer of Modern Art, he set the standards for detachment.
In general, impressionist art focuses on capturing the natural surroundings in a brief moment and shows in a rough style of painting (Grant, 2010). While, Pablo Picasso was a Spanish artist who spent most of his time in France and produced multiple
Claude Monet and Auguste Renoir were some of the few artists to experiment with the new artistic style that was once rejected from society. The style of Impressionism consisted of visible strokes of paint on the canvas, with each color not blended. Colors would not be mixed with the adjacent color; rather, it would be distinctively placed side by side to not create the illusion of smooth depth. Gardner also said many Impressionists “recognized the importance of carefully observing and understanding how light and color operate” (Gardner 689). It would create a rough depth in which the eyes have to visually adjust to see its dimensions.
One paints an impression of an hour of the day (Brussat and Brussat, n.d.)." Monet painted more and more paintings of landscapes during 1872-1877, which contributed to impressionism, develop as a group style. During this time, he exhibited most of his work in group shows which dominated impressionism. His most notable art piece illustrating impressionism was the painting done in 1874, known as Impression: Sunrise. In the practice of impressionism, artists use natural methods to add lighting in their artwork.For example, when painting a landscape or an outdoor scene, an impressionist artist works for a short period of time during the day - be it morning, afternoon or evening.
Many of these experts and critics believe that a painting, a sculpture, or a musical piece must reach specific quality standards to be works of art. What these people consider as actual art can usually be put under the category of “fine arts”. Moreover, the fact that more and more things are considered art does not diminish its impact on society. While not many people can appreciate a good painting nowadays, other forms of art are taking its place, such as drawing and music. The main problem with the debate over the definition of art is that nobody can construct an accurate and exhaustive definition for it.
Artistic critics react violently. Some of them like Jules Antoine, Emile Zola, and Felix Feneon had voiced their views on the way the natural science imbalances of this new style. In addition, the critic Louis Leroy based on the painting "Impression Sunrise" to mock them with an article titled "The Exhibition of the Impressionists". In response to these provocations, at the third exhibition in 1876, Monet and his friends used the word “Impressionism” to name their
The term impressionism came from Monet’s painting Impression, Sunrise. There was a Paris exhibition in 1874 of like-minded painters who were shunned by the official Paris Salon show and frustrated by its politics and narrow vision. This group included such artistic legends such as Renoir, Degas, Cézanne and Pissarro. An art critic who was reviewing the show helped to created the term by titling his article “Exhibition of Impressionists” based on Monet’s work. However the art critic did not mean it as a compliment but it gained popularity and in future use, took on a far more respectful connotation.
Exemplified by the landscape paintings of painter (1840-1926), artistic movement targeted on the virtually not possible task of capturing fugitive moments of sunshine and color. Introduced non-naturalist color schemes, and loose - typically extremely rough-textured - proficiency. Close-up several Impressionist paintings were unidentifiable. extremely less-traveled with the final public and therefore the arts authorities, though extremely rated by different fashionable artists, dealers and collectors. Eventually became the world's most famed painting movement.
To the contemporary audience the whole enterprise seemed like youthful antagonism, hardly worthy of the name “art”. Art up until this point had always had subject matter but now the process, revealed by the artists brush strokes, is the subject matter. Abstract Expressionism was very new and extremely different visually but it relied heavily on past movements mainly: the Dadaist's reliance on chance, and the Surrealist's endorsement of Freudian theory that embraces the relevance of dreams, sexual drives and the authenticity of ego (unfiltered self-centeredness, i.e. narcissism), which this art expresses through "action." The key to understanding Abstract Expressionism is to understand the concept of "deep" from a 1950s dictionary.
At once destructive and creative, Cubism shocked, appalled and fascinated the art world. In 1907, Picasso produced a painting that today is considered the precursor and inspiration of Cubism: "Les Demoiselles d'Avignon." A chilling depiction of five nude prostitutes, abstracted and distorted with sharp geometric features and stark blotches of blues, greens and grays, the work was unlike anything he or anyone else had ever painted before and would profoundly influence the direction of art in the 20th centuryPicasso's early Cubist