On 25th October 1969, a girl named Margaret Chua was born. Her parents possess a traditional mindset, in which they believed that girls should stay at home to take care of the family. Little did Margaret know that her parents’ mindset will drive her to go to work and eventually become a knowledgeable and wise piano teacher, with many students sprawled all over the map of Singapore, who have all benefited from her teaching. Since she was 7 or 8 years old, Margaret had been fascinated by and wanted to learn how to play the piano. Turned down many times by her parents, the idea of playing the piano slowly died down. The idea rekindled in her mind when she heard her 4 new neighbours play the piano everyday at 7.30 a.m. without fail. The exposure …show more content…
The job gradually became more demanding, thus she quit after 4 years. Unemployment was not a difficulty as by the time she quit the auditing job, she had accumulated a number of piano students. With this, she embarked on a new journey of being a piano teacher at the age of 25 years old. When Margaret began to teach, she had already acquired the Licentiate of Trinity College London, hence she was able to accumulate many students easily. She has no qualms giving her students extra lessons nearing their piano examinations. One can imagine the satisfied smile hanging on her face when all of her students scored a Distinction in all their piano examinations. That was when Margaret was aware that she had finally chosen the correct job for …show more content…
Simply teaching with knowledge you had absorbed from your own piano teacher, without any regard for learning more and different ways to teach, is not enough to satisfy students’ thirst for more knowledge and to bring the students up to a more advanced level. Without regular advancement, Margaret’s teaching will not benefit her students much. She was glad to realise this problem quickly as she could solve this issue early. To raise her standard of teaching and refine her piano skills, Margaret signed up for regular teachers’ training at ABRSM that is over the course of six months, even until now. She was awarded the Certificate of Teaching by ABRSM. The recognition of this important point caused Margaret to become more disciplined and alert to her students’ queries. Till now, Margaret attends all the teachers’ training that she can, and even seminars overseas. She would also take down notes from seminars so that she can educate her students on the correct techniques used to play their
After her father’s hanging, she moved to live with her grandmother. She showed a passion early on for education and the pursuit of knowledge and despite the tragedies of her past, continued to get schooling. Aged eighteen, she married
Her father, Friedrich Wieck, was a pianist and with the help of her father, Clara Schumann was taught how to play a piano. Wieck did not want the “obstacles of [Clara’s] sex” to get in the way of teaching his daughter how to play piano and he “hoped to prove his superiority as a teacher” by doing so (Cromley, 16). Till the age of eighteen, her father wrote her music or looked over what she was writing in her diary. Wieck tried to live his music life through Clara Schumann’s life. When Clara was young, she attended opera and orchestral concert on a regular basis.
American lawyer and author, Amy Chua in her essay, “Why Chinese Mothers are Superior”, compares and contrast the stereotypical success of Chinese children versus the children of Western. 70% of Western mothers said that “stressing academic success is not good for children”, while roughly 0% of the Chinese mothers felt the same way. Chua’s purpose is to the point that Chinese children repay their parents by obeying them and making them proud, but Western parents don’t have the same view of children being permanently indebted to their parents. She adopts a formal tone in order to explain Chinese children’s success, in her intended audience, Chinese parents. Chua achieves her purpose through the use of anecdote and selection of details.
In Huxley’s dystopia, Shakespeare’s concepts of marriage, commitment, and restraint are obsolete, so Lenina is left frustrated and confused: “For Ford’s sake, John,” she demands, “talk sense. I can’t understand a word you say” (Huxley 195). To her, John’s Shakespearean values are foreign and absurd, later inspiring his violent rejection that ends their brief relationship. Thus, John’s old values confirm his irreconcilable differences with the World State. Likewise, the old values are equally emphasized in Player Piano.
This fifteen-year-old girl was willing to remove herself from her social life, free time activities, and even her family in order to further her piano career and thus earn the coveted respect of her Tante. That requires an immense amount of devotion, likely even more than some adults have. Hannah was so absorbed in her piano studies that “sometimes it seemed that there was nothing else in the world but Tante Rose and me and Tante Rose’s piano” (3). She saw nothing but what was necessary for her goal of becoming a concert pianist. Her devotion to the piano, and by extent Tante Rose, overwhelmed all other aspects of her life.
They both believed that it was a form of music that connects the youth to their past and identifies who they are. August Wilson’s play “The Piano Lesson” influenced by the blues and so was Romare Bearden’s painting “The Piano Lesson”. These both showed a piano and portrayed how the piano is important to African culture and
He sits in the street playing his cello, despite the chance that it could once again be bombed, or he could be shot down by a sniper. He knows won’t bring back the dead, and he doesn’t hope to save the living, his only motivation is to give passers by hope, and willingness to carry on their days. Every day he risks his life in order to give people the one thing he is able to provide, and the one thing they need - hope. Something as simple as a cellists music can provide enough beauty amidst the terror in Sarajevo to give a few citizens hope and comfort. He commits himself fully to playing, despite his own doubts of his ability, in hopes that others will do the same, and the spark of hope will grow and engulf
Amanda felt that she never tried to compose music because of the pressure to learn how to play an instrument: “we didn’t enjoy it: I think it was just forced on us that none of us ever picked it [composition] up...” Two other teachers remembered siblings’ composition attempts. Deirdre recalled: “My brother kinda maybe did a bit of song-writing, but he wouldn’t be […] very professional or anything.” It seems that siblings’ composing at home did not have a clear influence on these teachers’ confidence or attitudes to teach composition in the same way Apfelstadt (1989) described the influence of siblings singing at home. Jill was the only teacher who mentioned childhood composition pursuits: “I did write my own little songs, but I think I did them with the letters not the [notes]…”
Nina Simone (Birth name: Eunice Kathleen Waymon) was an African-American singer born in the southern state of North Carolina on February 21st, 1933. She died on April 21, 2003, in Carry–le–Rouet, France. She was a famous singer and pianist and liked to blend blues, jazz, elements of classical style and more within her works. In the 1960’s she began to sing, write and protest about the Civil rights movements and also began to influence her audiences too. At age three she had started to play piano by ear, and then went on to play piano for her mother’s church a few years later, showing her incredible talent at such a young age.
Miss Ferenczi not only tries to instill a love of learning, but teach them to think about things complexly. Miss Ferenczi says things like, “’Do you think,’ she asked, ‘that anyone is going to be hurt by a substitute fact?’ … ‘Will the plants on the windowsill be hurt?’… ‘Your dogs and cats, or your moms and dads?’
The Lesson In “The Lesson” by Toni Cade Bambara, a preteen named Sylvia is taken to a field trip with a group of friends by an educated woman named Miss Moore in hopes to motivate them to become successful. While Sylvia prefers to do something better with her summertime, she becomes aware of the vast financial gap between the wealthy and poor. Miss Moore conveys the message of working hard through education to achieve dreams. Through the elements of character, setting, and conflict, Sylvia begins to realize her intelligence is powerful and can be used for success.
The significance of the piano was how it affected the relationship between Ni kan and her mother. When Ni kan’s mother had sacrificed everything to come to America, she had high expectations for her daughter and the life that she would lead. This pressure for Ni kan to be a prodigy at the piano had negatively affected their relationship. In the beginning, Ni kan’s mother was trying anything in order for her daughter to be a prodigy. They did many different tests including, “multiplying numbers”, and finding the queen of hearts in a deck of cards”.
An Afternoon with Prashanth Kodiyalam Interview Narrative by Anmol “Badshah” Mehrotra Sitting down in the English Classroom, his dark, thick, curly hair waves like a black sea. As Prashanth sits with his legs parallel to the floor and his mind open to my questions, he recalls his past experiences when he would play the piano, in his house. As his eyes grow stale and his mind wanders off into a long past world, he slowly recollects these great times. “When I was a little boy, I was fascinated with music. My parents realized this and got me a piano.
On the lesson plan, it had the lesson topics for September 8-14, 2015 which were String Family, Percussion Family, Piano, Forte, Piano, and Conductor. The objectives for these lesson topics were to review Forte/Piano and Loud/Quiet, to explore the piano, and to practice proper etiquette as a performer observer. Mrs. Whitmire captivated and kept studentsʼ attention by singing the
Book One Anyone Can Play Piano Series: Book 1 Mary Wright 109 Oakwood Lane Little Elm, Texas 75068 972-292-1699 mwrightmusic@yahoo.com Copyright 2014 Mary Wright The Anyone Can Play Piano Series A new method for playing keyboard instruments, using alphabet letters and finger numbers, including all elements of written music, suitable for anyone of any age. Books in The Anyone Can Play Piano Series Lesson Books 1-4; Method Book; Songs of Faith Training Manual; Christmas Carols; Sunday School Songs; Songs of Inspiration; L.D.S. Primary Songs; L.D.S. Hymns; Playing With Chords; Classical Pieces; Transition to Traditional Note Reading