Developing a better understanding of ourselves and those around us is a critical turning point during the transition from child to adult. In the novel Please Ignore Vera Dietz by A.S. King, the protagonist Vera is a struggling teen with a mother who abandoned her, a best friend who died in a tragic accident, and a serious alcohol addiction. Vera comes of age when the influences of adults and love cause her to gain an understanding of herself and those around her, which she lacked before.
Adult influences give Vera a greater understanding of her mother’s actions and her own. To begin, Vera’s therapist helps her understand the reason her mother left. Before coming of age, Vera holds onto her mother’s old belongings because she believes it is
…show more content…
However, during family therapy, her therapist Dr. B makes Vera and her dad do a role-playing exercise revealing that they still are not over her mom: “We are realizing, simultaneously, that we have never dealt with Mom leaving” (King 217). Vera’s therapist helps her and her dad to recognize that they have never confronted the issue of her mother leaving them and encourages them to talk more about it. During discussions, Vera understands that she is not to blame and reminds her father that her mom left “[b]ecause she never got over her own baggage, not because of you or me” (King 232). This realization leads her to begin moving on, and so she clears her mother out of the house: “That night, we rearrange the living room and Dad throws Mom’s clothing into a few black garbage bags for Goodwill” (King 243). By letting go of her mother’s belongings she lets go of the hope that her mother would return and the idea that her mom left because of her. Her therapist helps her realize that she is not to blame for her mother’s actions. Additionally, Vera’s dad helps her understand the damaging effects of her alcohol addiction. In the beginning, Vera often drinks …show more content…
When she confesses the truth about the night Charlie died, she realizes that the reason she could not come clean earlier is because she hated him for dying and leaving her. His love for her beyond the grave follows her through ghosts which helps her to understand her feelings towards him. Furthermore, Charlie’s ghosts bring her to find the letters he left for her before he died, which makes her understand his actions leading up to his death. His letters detail the abuse he faced from his ex-girlfriend Jenny, who had been blackmailing him and threatening his life: “SHE SAID SHE’D GET CORSO TO KILL ME. THEN SHE SAID SHE WAS GOING TO BURN DOWN THE STORE BECAUSE SHE HATES HER STEPDAD FOR MAKING HER WORK THERE. SHE SAID SHE WAS GOING TO TELL PEOPLE THAT I DID IT” (King 301-302). After reading the letters, Vera understands that Jenny was the reason for Charlie cutting her off, and for the fire he was involved in afterward. This explanation gives her closure, allowing her to forgive him and properly mourn his death. Her sorrow is shown when she says, “I feel sad for the first time since Charlie died. Not angry or pitiful. Not hard-done-by or abandoned. Not sarcastic. Not protective. Just sad” (King 287). The newfound understanding of what happened to Charlie prompts her to go to the police with the evidence to publicly clear his name: “We’re going to clear Charlie’s name this morning. He didn’t burn down Zimmerman’s. He
During the entire time up till her death, Vera was almost in a trance-like state. Almost blinded by what she wanted,
Throughout the book And Then There Were None, Vera Claythorne was a very quick-witted person. In order for her to try and make it out alive, she had to be courageous, reliable to the other guests, and stand her own ground. Vera was a courageous guest who had many strengths. “How was it worked-that trick with the marble bear (pg.262)?”
He punched Charlie's mother in the face which caused her to fall down and bang her head against the medal countertop in the kitchen. As soon as Charlie seen his mother hit the floor he immediately went over to her, she was completely unconscious and started bleeding from her head. He thought she was dead because she had so much blood coming out and he couldn't hear her breathing. He remembered the time his mother told him to call 911 when a similar situation occurred. He walked into the bedroom to retrieve the phone but instead opened the drawer and slipped his hand under George’s T-shirts and grabbed his gun that he knew George kept inside of their.
Every person that entered his following got the ego sucked out of them and Charlie took that and kept it for himself. When he first got convicted of these murders he used the fact he never touched any of the victims and never attempted to. He uses these young women that need a figure in their life and turns them into a killing
Vera is depicted as a shown as a modest, civil, and beautiful woman, which is shown in the book when another member, Philip Lombard, states “Quite attractive-a bit schoolmistressy perhaps.” (5) Vera is this way until the first murder, when she starts to feel strange and uneasy. However, the longer one reads, the more it is shown that Vera is panicking and looking very manic towards the end of the story before her untimely death and that is depicted in the book when it is declared that “Vera Claythorne was very quiet. She sat most of the time huddled in a chair. Her eyes stared ahead of her into
I’ll talk to your mother on the beach and distract her attention.” Vera Claythorne pretended to run after Cyril to save him, but instead, she watched him drown. No relationship is worth murdering anyone, especially not a pure, sinless child. Vera Claythorne’s decision to let Cyril drown led to her death and retribution. After Cyril’s death, Hugo became distant from Ms. Claythorne.
It’s a weird way to end a conflict but in the end it seemed like the only way to let him do what he wanted. Charlie is a persistent, adventurous dreamer; he will risk his life to do what he dreams of. He is persistent because he won’t let the school stop him from looking out the window. When he was looking out the window and his teacher called on him he “was [staring]
“Laura Wishart is dead.” (Silvey, P.230) This repeated phrase represents the human nature of sin and guilt. After dumping Laura’s body into the dam, Charlie constantly reminds himself that “Laura Wishart is dead.” Repetition of the phrase is shown after every major decision made by Charlie, linking his actions to the death of Laura Wishart.
When she was young, she could not process the way her father raised and treated her, so she believed everything he said. When she is able to understand, her tone changes and becomes clinical and critical remembering the way he constantly let her
" As he watches and feels sorry for Jeffery and wants to do something to help or make everyone realise that Jeffery is the best out of all of the players. Charlie demonstrates his desire to stand up for justice and to use his voice to promote what he believes is true. This showing teen voice and empowerment in Charlie
With ignorant parents, she was unable to get the parental support she needed. Even with the drastic change in behavior and grades, her parents had chose to ignore those warning signs and instead give threats using harsh language and threatening body language, such as grasping a knife at the dinner table(36) to force her to become “normal” again. To them, Melinda was acting like a rebellious child who was acting too “independent” but in Melinda’s world, the truest view, she was just a victim struggling with trauma she couldn’t speak about, suffering from isolation and shame. Even after Melinda’s mother had discovered her attempts of self-harm, she had simply played it off as a child’s desperate need for attention. Tying back to different angles affects views on a situation, this applies to the fact that her parents didn’t have any idea of the harassment she was experiencing or the fact that she was raped, they only knew that she started lacking in academics, giving them the benefit of the doubt when they assumed she was just acting unusual.
But later, Charlie got more courageous and stood up to his mom. One night Charlie caught his mom having an affair and she told him that he was going to be in trouble for being out this late. But he stood his ground and told her that she was in the wrong not him. It takes courage to stand your ground, especially to your mom. But that isn't the only time Charlie stood up for himself.
Following Mr. Roger's death, Vera seemingly has a mental breakdown, which is described, “... as though the sane well-balanced girl had gone mad before their eyes” (Christie 113). To the others, Vera has always been seen as, as the quote says, well-balanced, sane, and all in all normal, making her outburst odd for how she presents herself. The stress of the deaths and of the situation in general has driven her to practically the brink of madness, with the additional effects of her guilt making the situation feel unescapable, and maybe even deserved. Additionally, as Vera reflects on Cyril and his murder, she feels the seaweed planted in her room touch her neck. “She screamed and screamed - screams of the utmost terror - wild desperate cries for help …
At first glance, Vera Claythorne is an impressionable young woman. Her epitaph portrays, “Her heart was as big as the ocean.” Vera’s life on and off of Soldier island is very different. Off of the island, she was an ex-games mistress and caretaker to her lover Hugo’s
Her personal experience is socially and theoretically constructed and emotions play an essential role in the process of identity formation. Her identity is not fixed, which is portrayed by inquisitiveness that her own mother and Aunt thought she was possessed, enhanced and made this story an enriching experience. The family is the first agent of socialization, as the story illustrates, even the most basic of human activities are learned and through socialization people