In the story “Cathedral” Carver uses a variety of elements to contribute to his story. When the story begins the narrator is trouble by the visitor due to the visitor’s disability. However, the narrator is rude and inconsiderate oftentimes making remarks about the blinds man disability to see. In this story I see that Carver uses the narrator’s prejudgments as a reflection of today’s society. As the story progresses, readers can start seeing the difference between looking and seeing, the potential for greatness and kindness in humanity, and how the cathedral drawn by both the narrator and Robert represents true sight. There is a difference in the story between looking and seeing, meaning that looking is to physical vision and seeing is a far much deeper attribute. The narrator believes to be far more superior to Robert who is blind. The narrator at often times made comments about Robert’s trip on the train, and the ownership of a color TV. The narrator asked Robert, “Which side of the train did you sit on, by the way” having Robert respond, “Right side” demonstrating that the character is capable of seeing past the narrator’s rudeness (4 & 5). However, the cathedral scene seemed like the most astonishing. When the blind man asked the narrator to describe it the narrator had a hard time explaining to him, “but it looks like …show more content…
After, reading the story the reader can interpret that the truly blind person was the narrator himself. When the narrator finally puts his insecurities aside he actually starts to communicate with Robert the blind man. The story “Cathedral” shows various scenes of prejudgment, jealously, and indifference between the narrator and Robert. The story showed me that sometimes people shouldn’t judge by the exterior of people because in the interior they might have much more riches than
The story follows the narrator encountering his wife’s friend Robert, who is blind, and assimilating his prejudices throughout the encounter. When the story begins the narrator is more than closed off to the idea of the blind man visiting his home. He is uncomfortable with Robert’s knowledge of him because he does not wish to associate himself with a blind man, a condition which he looks down upon. When Robert arrives, he attempts to be friendly to the narrator, a sentiment that is little reciprocated. While never encountering a blind man, he has many preconceived notions prior to his arrival.
When first reading the story the narrator comes across as someone with a not so pleasant attitude. The narrator's wife and an old friend or hers named Robert; who is blind, have been communicating with each other for the past ten years. It's pretty obvious that the narrator is jealous of Robert. This is part of why the narrator has issues with blind people. “My idea of blindness came from the movies.
The narrator placed himself in Robert’s shoes and realized how inaccurate his perception about Robert was. By sketching a Cathedral, they were drawing a piece of art that represents a collaboration closer to sight. By sharing an intimate experience, Robert the physically blind man was able to help the unnamed narrator, metaphorically blinded prejudice man see his errors in his conscious and see things
From that moment, the narrator show his true side to me. It shows that he doesn’t not care about his wife feeling toward the blind man. After carefully reading “cathedral”, the narrator is jealous of the blind man relationship with his
Raymond Carver’s short story “Cathedral” is about a visit from a wife’s blind friend and is told through the point of view of the husband who is a very judgmental person and uses stereotypes to base most of his thinking of others. As the story progresses, he starts the journey to become a better person when he realizes that this blind man has his life figured out and is comfortable with who he is. This realization leads him to respect the blind man more and opens his eyes in a sense to a wider world. Raymond Carver uses this blind man to represent as a symbol of the husband's blindness to others and his biases of stereotyping and belittling others internally. But towards the end of the story, he begins to see a bigger picture of the world and
The narrator pictures the blind as slow-moving and never laughing (34). As he finally meets Robert, the narrator is shocked that the man makes no use of a cane or dark glasses, as he “always thought dark glasses were a must for the blind” (38). Finally, the narrator’s ignorance toward Robert peaks as he asks which side of the train he sat on, because, according to the narrator, “going to New York, you should sit on the right-hand side of the train, and coming from New York, to the left-hand side” (38) to best enjoy the scenery of the Hudson. The jealous mindset of the narrator, however, drives most of his sarcasm and ignorance. One of his initial instances of jealousy occurs as he depicts a moment shared between his wife and Robert.
Even those of us with sight can be blind; and although it may not be physical, the blindness that is cognitive can be damaging to ourselves and our relationships with those around us. Raymond Carver’s short story “Cathedral” portrays a perfect example of this. In this story, Raymond Carver uses point of view to help emphasize the narrator’s initial bias for those who are visually impaired and to better convey how his (the narrator’s) negative opinions are altered throughout the story. “Cathedral” is a short story about a blind man who goes to visit an old friend after the death of his wife. The story is told from the perspective of said friend’s husband, who has significant ‘cognitive blindness.’
In the world of literature, stories are often released for the purpose of social commentary or even to reflect on the authors past in a that its similar to an autobiography. Raymond Carver is a unique author often creating short stories that are of his own personal life through fictional characters that embody the turmoil he has gone through and social commentary on social issues. This is seen especially in his 1981 short story, Cathedral with a revised version being released in 1983, but we are gonna focus on the 1981 original. Cathedral’s plot centers around a blind man named Robert who after his wife dies, he lives with his departed wife’s friend who soon alongside her husband, helps teach Robert to learn a new way of seeing. The plot of the story while simple, is very complex under the surface, being a plot that is about three people who is dependent on each other and the connection that develops.
The narrator’s eyes are closed and he is being led by a blind man, yet he is able to see. Carver never explains what it is the narrator sees, but there is the sense that he has found a connection and is no longer detached or isolated. The narrator is faced with a stark realization and glimmer of hope. Hope for new views, new life and probably even new identity. Even the narrator’s wife is surprised by the fact that her husband and Robert really get along together.
Robert’s wife has recently died and he used to work for the narrator’s wife. Robert comes to visit the narrator’s home and the narrator is not happy about this because he believes blind people to be miserable and gloomy based solely on what he has absorbed from the movies. At the end of the first paragraph, he says, “A blind man in my house was not something I looked forward to” (1.1). Little to the narrator’s knowledge, his wife and Robert had been using audio tape to correspond over ten years, and have much past history with each other. The narrator’s wife makes sure he knows to make Robert comfortable, and if he doesn’t it shows that he does not love her.
Because of his narcissistic personality, the narrator views his wife as an object, while the blind man, Robert, treats her as a friend and a confidant. The narrator’s inability to feel emotion causes him to value his wife’s body more than her emotions, therefore, he becomes jealous when the blind
Carver highlights the narrator’s prejudice in the opening section of the story in order to reveal how the narrator’s bias against blind people in general leads to a preconceived negative opinion on Robert. From the outset, the narrator acknowledges his prejudice by mentioning that his “idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed” (Carver, 1). The narrator’s negative prejudice is not caused by knowing a blind man; rather, it is derived from an external factor, demonstrating how the narrator has formulated an opinion on people he has never met. Consequently, the narrator assumes that Robert will conform to the negative stereotype present in his mind, and is unpleased about Robert’s visit.
Throughout the story the reader can affirm that the wife has a deep, strong relationship with the blind man. The wife and the blind man share an intimate and vulnerable moments together; one includes when she lets him touch her face so he can remember her. Similarly, the narrator gets to share an intimate moment with Robert that leads to an epiphany. The epiphany that the narrator experiences when drawing a cathedral refers to seeing life from Robert, the blind man’s, point of view and seeing the struggles as well as life experiences a blind man must encounter on a daily basis.
looking and seeing is different. Looking is simply physical vision. In contrast, seeing is being engaged on a deeper level. The narrator shows that he is capable of looking; looking at his wife, Robert, and his house. The narrator is not blind therefore feel superior.
In his contemporary short story, “Cathedral,” Raymond Carver tells the story of an unnamed narrator, his wife, and an old friend, a blind man named Robert. Robert has come to visit the narrator’s wife, who is quite excited to see this man whom she hasn’t seen in ten years, yet the same can’t be said of the narrator who is noticeably and vocally uncomfortable about his visit. The story is told through the narrator’s first person point of view, showcasing his thoughts and the events that take place when Robert comes to visit. Carver highlights the theme of having the ability to see, but not truly seeing, through his use of colloquial language, and creation of relatable characters. “Cathedral” begins with the narrator informing the audience