Savitri's Canto-Personal Narrative
‘The transient joy’ and ‘the timeless sea of tears’, ‘the battle’ and ‘the victory’, ‘the walking toil’, ‘the incoherent sleep’, all these stages show the central idea of Savitri’s mind that she now enters into the eternal Supreme Consciousness.
The structural pattern of the Canto, begins with the extreme polarities: the earthly world of matter ruled by the laws of nature and, on the other, the world of the living soul. The Canto is highly experiential and existential, comprising the entire gamut of human experience ranging from the earthly to the astral. Philosophy and philosophizing is not in abstraction but grows in relation to the world, and emanates from the earthly life in the world. That is why a passing reference is made to the earthly
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Not on earth but after leaving the earth, if there is a heaven, where there is no grief, Savitri should seek joy there. There is no concept of love in Death’s domain. “Forgetting love means forgetting Satyavan” (Savitri 10.4.229). Death is antipodal to Savitri in his standpoint, at least initially, in the beginning. By not condescending, and by rejecting his boons, “Surely thy boons are greater since thou art He!” (10.4.243). The general myth is, pleased by Savitri’s virtuous steadfastness and perseverance, Yama or the Lord of Death grants her three boons, and also returns her the life of Satyavan. But Sri Aurobindo presents her as the paradigm of the Divine. For, she alone has a separate, independent identity, and never even for a moment, shows acceptance of his authority or submission to his power. Later, the paradigm itself becomes Divine. Her transformation is as much the avatric ‘incarnated’ descendence, as the revelation. Suggestive of the truth that what is human is Divine. All dichotomies come to an end, as all contraries lead to and prepare for the final harmony. Savitri establishes her supremacy over Death and proves her independence from him as
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