The word “popular culture” serves as not only a definition of a cultural category, but also an indication of massive consumer participation. But “ASEAN popular culture”, the letter has added both dynamism and dynamics to the evolution of regionalism in an area of popular culture studies. What’s about ASEAN in popular culture? What’s about ASEAN popular culture? Yet there is only limited comparative/collaborative research on the identity reconstruction effect of popular culture consumption on the average Southeast Asians. This statement thus aims to explore:
The emphasis of panel is on popular culture, social change and identity formation in Southeast Asia. The central theme is how cultural commodities in the intra-regional “flows” of this
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The magnitude, dynamics, and massive geographic coverage of the “flows” of this cultural form in East Asia signify its potential to become a powerful vehicle for bringing to life the 1998 ASEAN-Plus-Three Summit’s vision statement on an integrated regional community. The identity-formation effect of the production and consumption of popular culture will of course take a long time and follow a tortuous route to occur, if it ever does. Yet the industry-produced popular culture “flows” and the immense intra-regional contacts they have facilitated at the people-to-people level may trigger instantaneous and massive nationalist responses in any locale to any imported cultural programme over even such matters as its content’s “truthfulness”, “accuracy”, “allusions”, “interpretation of history”, “claims of heritage”, to name but just a few. Clearly, the identity reconstruction of Southeast Asia through popular cultural consumption is an issue of political significance and consequence for the region, and possibly with serious repercussions on the world. It thus calls for systematic and collaborative studies covering the key nations caught in the dense cross-border cultural traffic in Southeast
When filling out surveys or job applications, all Asians must check off the “Asian American” box regardless of national origin or place of birth, forcing a single classification on an extremely diverse group. This aggregated approach to understanding Asian American is not new, it has been present since the us versus them Occident-Orient approach that powered racism against early Asian immigrants. With the increasing presence of second and third generation Asian Americans, it is time to redefine what it means to be Asian American and to discover a new manner of framing the Asian American experience as unified yet diverse. The best approach to emphasize diversity is through stressing the national, socio-economic and gender differences within the Asian American
The “American Dream” is a lifestyle that many citizens of the country fantasize about living. Yet, it’s shocking to think that this country is somewhere that poverty and luxury live only a block apart. The American culture is one that is despised by most and idolized by few. Some believe the nation to be ironically contradictive of how it is portrayed; they believe it to be an American nightmare rather than a dream. Others chase green cards and citizenship to socially move upward from blue collar customs to achieve a white picket fence lifestyle.
Being the second generation of a Hmong American caused complexities. Home consisted of strict traditional Hmong rules. Outside of home was an expression of freedom of the American life. Both have its own diversity. Balancing both felt as though sacrifices should be made.
I decided to switch my artifact for the research paper from John Erick Dowdle’s No Escape (2015) to Francis Ford Coppola’s Apocalypse Now (1979) because I think this film is more suitable for what I want to research, which is how and why the media actively shapes Americans’ perception of historical events. I am also especially interested in the role Orientalism plays in this process. Unlike No Escape, Apocalypse Now has a lot more historical significance because it came out a few years after the Vietnam War (1955-1975) and is considered one of the most famous films about the Vietnam War. In addition to that, there is more room for debate about the significance of the film and its portrayal of Southeastern Asians.
The Mingo were a highly developed culture and though displaced by Europeans, they have retained many of their customs and beliefs. This Native American tribe continues to show many aspects of its ancestry through daily practices and its religious and social structures even with European influence and displacement to reservations. A part of everyday life for Mingo Indians was the clothes that they wore. The men of the tribe wore breechcloths with leggings, and the women of the tribe usually wore kilts, wore wraparound skirts, short leggings, and overdresses.
Popular culture is a culture based on what society deems to be sought-after, trendy or popular. This extends to everything, including; fashion, food, music, sport and entertainment. World War 2 allowed close affiliation between America and ourselves to take place. Originally, Australia’s culture was completely influenced by Britain. For the first time Australia experienced foreign leverage from a different country.
Historically, groups of people whose “label” is comprised of conjunctive ethnicities experience a difficult time finding their true identity, but identity is found when unidentifiable individuals find a common goal. In the course of the last two weeks, we explored a concept called “Pan-Ethnicity” which deals with the unification of multiple ethnicities. It’s concept and practice is displayed by Yen Le Espiritu’s “Coming Together: The Asian American Movement”, and in chapter eight and nine of Diane C. Fujino’s book, “Samurai Among Panthers” respectively. In Espiritu’s text, a pan-ethnic organization or more specifically, a pan-Asian organization did two things for the Asian American movement.
Research Questions: How does the Hmong culture affect Hmong people’s social identity in American society? Thesis: The Hmong culture affect social identity with its beliefs, values, and traditions due to the older generations continuing to practice the culture in order to pass it down to the next generation. The Hmong culture continues to express the ideals of its ancestors. However, the Hmong people holds traditions as the most valuable aspect of Hmong culture.
Popular Culture I Öğr. Gör. Gülbin Kıranoğlu The Capitalist and Patriarchal Elements in the Products of Popular Culture Betül Kılıç 110111077
In this way, power is both used to establish the arena in which popular culture develops, and shifting pop culture conveys the dichotomous dynamic between conflicting powers of colonialism and resistance through
Introduction Japan as business destination This report is about the business cultural analysis of Japan. The Japanese culture is very complex, they have seven major elements of their cultural are their communication, languages, religion, ethics, attitudes, manners and social structures. If we wish to conduct a business in Japan, we must understand what the major elements of the Japanese culture. We also need to know on how the Japanese conduct their business.
We share the same cultural identity as we consume those cultural artifacts of narratives, memories, stories and fantasies to incorporate their cultural representations in similar or different ways into our everyday rituals and practices of daily life. Besides, the social and cultural construction of identity is highly influenced by media communication in the modern age. Technologies have empowered the media to communicate their meaning to a variety of people; (Hall, 1997) Social and cultural identity are linked to issues of power, value systems, and ideology. The media uses representations, such as images, words, and characters or personae, to convey specific ideas and values related to culture and identity in a society.
Because of its commonality, popular culture both reflects and influences the people’s way of life; because it is linked to a specific time and place, popular culture is transitory, subject to change, and often and initiator of change. Since it affects every people’s life, it is a hard task for us, aspiring teachers to be the artisan of the Filipino youth for we are the one who will mould their character and through this powerful tool, we can be able to manage smoothly if we have enough knowledge about this. Popular culture and fictional entertainment media have an enormous influence on society. Whether in the genre of television sitcom or drama, or fictional stories in popular film, the entertainment media teach us something about ourselves as we map new meaning onto our own experience based on what we see and relate to; for good or for ill, it also teaches us a lot about others through fictional means (Tisdell, 2004). This statement tells us there are too many influences that contribute rearing a child’s mind.
The traditional Chinese cultures have a development process for thousand years, now we are creating another kind of traditional culture especially under the wave of globalization. Although the form of expressing or performing the culture experienced some changes but the basic idea and belief behind rarely changed. To promote Chinese culture we would refer to the essence of Chinese wisdom so the following is actual practicing of different dimensions of Chinese traditions which show the beauty of China. The family concept is the essence of Chinese culture.
K. (2014, June 18). Food and fashion: How K-drama is influencing Asia. CNBC Warner Bros Channel 2011. Harry Potter and the Deathly Hallows Part 2 Red Carpet Premiere. Accessed 22.11.2014, Website: http://www.youtube.com/watch?v=IXXX14F_lgo Warner Bros. HARRY POTTER AT LEAVESDEN (2014).