The imagery displayed is overwhelming and a major moment of catharsis. Haemon’s love for Antigone goes beyond his family, and once seeing her dead, he kills himself and clings on to her, demonstrating his adoration for her. The audience also feels pity for he was not able to marry due to his father’s willful actions. In Haemon’s last moments, the only thing he wanted was to lie dead “with his arm round the dead” because he wanted his last moments to be with Antigone. This scene is essential for Sophocles to cause a significant moment of catharsis.
Dapperwit represents someone who understands the foolishness of placing supreme value on physical beauty yet finds themselves doing it anyway. As he falls to the ground in defeat he states "…A living death I bear…" (Rape of the Locke, 567). The "living death" that Dapperwit bears is realizing his foolishness in being captivated by the woman's physical features despite the knowledge that it will hurt him in the end. The next character introduced is Sir Fopling. Fop is defined in the Oxford English Dictionary as "A foolish person; a fool" (Oxford English Dictionary, 2018).
It is often said that an anti-climax work is more admired than its counterparts. For reasons, the struggle of humans, the ultimate failure of a hero, and the corruption of mortal spirit have always hold its ground against classic comedy. From the ages of Oedipus Rex, a tragedy carries the irony of an egoistic giant trapped in predestined downfall. Oedipus was almost certain that he had escaped the arranged destiny. This confidence led him to pursue the murderer of Thebes until, at the end, he made the horrible discovery that his wife was his mother, and that his daughters were instead, his sisters.
In Shakespeare 's Romantic tragedy, Romeo and Juliet, show they are in love in many ways, such as the fact that they are willing to die for each other. Romeo demonstrates part of this willingness when he says, “Well, Juliet, I will lie with thee tonight. Let’s see for means. O mischief, thou art swift to enter the thoughts of desperate men!” (5.1.36-38). As a result of saying this, Romeo shows us that he is looking for a way to die in order to join Juliet in death, even though the audience is shown she is not really dead.
She killed herself because she also loved Oedipus as a wife and mother, she thought this would have been better for him. The feeling of guilt overtook Jokasta because she knew Oedipus’ fate, slept with him, married him, had children with him, and lied to him. Oedipus is shocked to see her dead decided to “pull the long pins of gold on her gown, held them up, and punched them into eyes, back through the sockets” (Sophocles 1437-1440). He popped his eyes out so he wouldn’t have to see the evil he caused and the truth that he killed his father, married his mother and made children with her. He felt that he was the blame because his children won’t be able to get married in the future based on the curse that still exists with the family.
Screwtape urges Wormwood to make the man to believe that chastity is unhealthy. Furthermore, Screwtape expresses to Wormwood that he should encourage the man to “fall in love,” if that is the best outcome in their current circumstance, with one of the worldly women in the man's neighborhood. Screwtape further advises Wormwood by saying that in times of peevishness or depression, sexual attacks are sometimes the most easily won. In conclusion, The book Screwtape letters by CS Lewis this book by CS Lewis, equips someone with the tools they need to recognize Satan's deceptions for these three points: Wormwood used the man's feelings towards his mother to harden his heart against her, Wormwood tries to tempt the Christian with the sin of pride, and Wormwood attempts to cause the man to fall in his purity. It would matter most to the general Christian because they could see faults in themselves that maybe they could not
In the tragedy of Romeo and Juliet, I deduce that the male characters have made the most dramatic influence to its readers, thus far, in Acts I and II. In my perspective, the men bestow their standpoints profoundly and they are the initiators of numerous quarrels, which impacts the plot by amplifying suspense. To begin, Romeo commences conflict overall, by having the audacity to love the daughter of his sole enemy. "My name, dear saint, is hateful to myself, Because it is an enemy to thee. Had I it written, I would tear the word"(1024).
Dorian’s careless cruelty not only causes Sibyl to commit suicide, but it was also the first amoral act that caused his portrait to transfigure. With Lord Henry’s encouragement, Dorian “reacts to the death of Sibyl Vane with cool detachment after the initial shock” (Fox 1145). Dorian takes Sibyl’s tragic death as if it was from a mere play, another sensation to be experienced. Sibyl Vane’s suicide signifies the turning point for Dorian Gray, and subsequently, Dorian begins to pursue a life of enjoyment, chasing all experiences of sensual pleasure, seeking beauty in ephemeral sensations and objects of
This is a good word to describe Hamlet as he does awful things to others, but he feels no remorse. “After he kills Polonius, he begins to ‘wring" his mother's "heart.’ (Colston 19).” The irony of this is that he committed murder just a moment ago, and he is acting self-righteous and accusing his mother. Hamlet shows no remorse for murdering Polonius as he even makes a joke of it to Claudius and does not even give him a proper burial. Hamlet shows even more sociopathic traits even later on in the play. In act 5, Horatio mentions that Guildenstern and Rosencrantz are dead.
In human society, every relationship is built up by various kinds of love. Also there are many types of love in the relationship such as family love, sibling love, friend love, and couple love. Even though love is one of the most beautiful and important parts of our lives, it sometimes invites jealousy which usually causes negative results. In addition to that, especially, once people have jealousy in their lives, that “jealousy leads us to focus only on the negative,” according to the Psychological Research by Robert L. Leahy Ph.D. As the same approach in the play Othello by William Shakespeare, jealousy is the most devastating weakness for Othello. In the play, to Othello, jealousy becomes stronger and stronger in Othello's feelings and motivation.