Essay On Postdramatic Theatre
Postdramatic Theatre
It is the goal of contemporary theatre and the academe to surpass the traditional semiotic perspective based on structuralism. Artists and theorists have been striving to view theatre from a more post-structuralist and/or deconstructivist perspective, and since then, have paved the way for postdramatic theatre. Since the latter part of the twentieth century, theatre companies have been looking for ways to remove the presence of literature, even words in drama, in order to create new methods of evoking sense and meaning through a theatrical or performative process. Derrida proposes that the key to deconstructing classical theatre is to remove the old structures of theatre, then redefine its essential elements in order to create a de-centered theatre—this idea is inspired by Artaud’s Theatre of Cruelty. Contemporary theatre breaks the structures of drama by redefining the concepts of meaning and interpretation in elements such as character, conflict, time in progression and space of reference. This poses a question in theatre as the art of representation, but with post-drama, is mimesis still integral to theatre? Performances that have gone against canonical drama and a theatrical text itself prove that theatre has gone beyond words in order to show scenic semiotics, which is the basis for
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Contemporary theatre would suggest that Derridean elements of postmodern theatre are present, and are no longer rooted in traditional dramatic structures. Theatre, therefore, can be considered without taking into account the traditional structural categories (as in binary oppositions), and find another opposition between theatre and society, between drama and postdrama. The question is, does this generate a new theatrical paradigm, or is postdrama only a
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Essay On Theatre Masks
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Societal Issues In Avery's Pulp Fiction
998 Words | 4 PagesSociety today is extremely proficient at discussing societal issues. Every day it seems we can add another term to describe the interactive experiences of persons within society. Every day we have conversations about these issues. Every day, it seems, we are willing to sit and theorize about how we can remedy these issues but ,very rarely, are we given an embodied lecture on how and when we perpetuate these thoroughly discussed and theorized societal issues. This is what I believe the theatre brings to table.
Baz Luhrmann's Red Curtain Trilogy Film Analysis
976 Words | 4 PagesBaz Luhrmann is widely acknowledged for his Red Curtain Trilogy which are films aimed at heightening an artificial nature and for engaging the audience. Through an examination of the films Romeo + Juliet, Moulin Rouge and The Great Gatsby, the evolution and adaptation of his techniques become evident. Luhrmann’s belief in a ‘theatrical cinema’ can be observed to varying degrees through the three films and his choice to employ cinematic techniques such as self-reflexivity, pastiche and hyperbolic hyperbole. The cinematic technique of self-reflexivity allows a film to draw attention to itself as ‘not about naturalism’ and asks the audience to suspend their disbelief and believe in the fictional construct of the film.
Reader-Response Criticism In Death Of A Salesman By Arthur Miller
810 Words | 4 PagesIntroduction When reading a play, it is fundamental to pay attention to details within the play for a script envisioned in more than one way. Moreover, discovering those critical items found in the play is important in helping one criticize the play correctly since; a critic is able to see the quality and mistakes found in the play. Likewise, the critic is also able to see valuable and critical things missed by the reader since as critics they looked at different functions within the play. With that said, this paper is going to explore two critical approaches seen in “Death of a Salesman” a play written by Arthur Miller (1915 – 2005). Those critical approaches are Reader-Response Criticism and Psychological (psychoanalytic) criticism.
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