The binary opposition between order and disorder is established in modern societies and the classical formula of detective story resembles that of how a society is supposed to function: social order is of utmost importance; anything that has the possibility to disrupt the well-being or order should be carefully guarded against or avoided. The initial understanding of the structure of City of Glass resembles the elements of modern texts: the detective Paul Auster who is impersonated by Daniel Quinn, is hired by Peter Stillman Jr. to follow his father who is recently released from prison to ensure that he will not seek revenge from him. Peter Stillman Jr.’s father, who bears the identical name, was imprisoned for he has “lock[ed] [Stillman Jr.] in a room in the apartment, covered up in windows and [was kept] there for nine years” (26). Putting all the efforts in tracing Stillman Sr.’s whereabouts, Daniel Quinn failed. Until this point, the plot follows that of a classic detective fiction. “Modernity” concerns about the order of a society – the assumption is that the more ordered a society is, the better it will function. Therefore, anything that poses threat to order has to be wiped …show more content…
Detectives need full transparency, similar to the use of great expanses of glass walls in modern and postmodern architecture. Glass is transparent – a person can see anyone, the environment and society through the glass. At the same time, the reflection from the glass distorts the real. It is as if glass is a metaphor – man can only see oneself in front of other people, as if one is standing in front of a mirror. On this level, we can associate readers’ interpretation to what is being seen from the detective’s point of view and conclude that “words are a performance of its meaning” and they can no longer explain the truth. Through reading the story, readers, at the same time are also undergoing a voyage to discover what “truth” really means. Moreover, the lack of “truth” in City of Glass and the ongoing quest for “truth” remind readers that “truth” might not be relevant or important after all. If “truth” is present in the novel then it is no different from any modern detective stories. It is only when “truth” is absent that characters in the novel cannot make sense of the situation, hence the mystery continues. In fact, each person has his/her own perception about the world which affects his/her definition of “truth”. The real, tangible thing that exists is the novel City of Glass itself. It
Progressing through the novel, the length of hypothesis’ given lengthens to account for an increased amount of background that the reader has accumulated, taking more factors into consideration. The active knowledge of the narrator’s game is proposed as “although this plethora of information may seem valuable, it will lead the reader only further into his own Lake of the Woods, a place where facts are useless and conjecture supplies only open-ended answers” (Radelich 572). Suggests that the more that is believed to be known, the more the reader is thrown into a spiral of information that is not particularly useful in the determination of guilt of John Wade. In the whirlwind of information where information flows as the narrator allows and possible explanations are forged, the ability of the narrator to sway the audience is optimized. Observed most clearly in the evidence sections, the narrator speaks directly to the audience about the evidence and what is to be made of it.
As well as a similar topic of poverty in America, all texts have a comparable point of view. Jeannette Walls, the author of The Glass Castle, is a writer and journalist. During her childhood, Jeannette Walls lives in New York and moves many times with her nomadic family. Today, she is living happily in rural Virginia with her husband, John Taylor. Jeannette Walls views poverty as an obstacle that can make surviving problematic and a life ruthless.
Not everyone is lucky in this world with great parents to care for them. People may not always know how great their parents are and take them for granted. A good parent is someone who will you whenever you need them and will love you no matter the situation. Parents may not always agree with your actions or words but they will love you unconditionally through any bad choice you make. For instance, imagine if you were to become something in life that was a horrible decision like being a thief and all you ever did was for your convenience and never seemed to do one good action.
The quote “Life isn’t about waiting for the storm to pass it’s about learning how to dance in the rain” means that we should learn how to our lives even at struggling times of our lives. There are times when we are feeling down or going through tough times. Weather it’s bad grades or a tragic event. I can make a text to text connection from this quote. In the book “We Beat The Street” by George W Jenkins, Rameck Hunt, and Sampson Davis, is about a how three african americans from Newark, New Jersey became successful doctors.
It is of the utmost necessity to analyze all pieces of evidence in order to reach a valid conclusion on one’s nature. If just one component is removed, then the entire decision is altered. 2.2 presents the audience with the final piece of insight on the true intentions of the characters that is needed to fully define their
In The Glass Castle, Jeannette Walls is forced to take care of herself from a very young age. Her parents are mentally unstable, and her dad regularly turns to alcohol. She is forced to move when any problems arise, which is often--from Battle Mountain to Phoenix to the small town of Welch, Virginia. Despite all of this, Jeannette has a memorable childhood, riding around on bikes, petting cheetahs, and declaring ownership of stars. Throughout her whole life, she is consistently the only one that believes in her reckless father.
A crime that reaches Sherlock Holmes is not just a broken law, but a mystery. Trivia locates patterns to form functional solutions, while Doyle creates a world of disguises, drugs, and intrigue, in which the answer is never the obvious or expected. The facts presented are not the definite, or even likely, conclusion. This is apparent in the story’s mystery, in which the wife of Neville St. Clair witnessed what appeared to be her husband’s murder, leading to the arrest of a beggar, Hugh Boone, who was found at the scene of the crime. However, Sherlock Holmes deduces that Boone and St. Clair are the same man, revealing that St. Clair had been commuting to the city to beg rather than work and had allowed his own arrest to protect his ruse.
Elia Kazan’s award-winning film On the Waterfront and Arthur Miller’s tragic play The Crucible both explore the impact of fear on both individuals and communities and the consequences that may arise due to the chaos caused by fear. Both texts contain centres of power which instil fear in the community and ultimately result in the untimely demise of numerous characters. Additionally, both texts depict the different acts of self-preservation an individual may exhibit when confronted by fear-induced hardships. Furthermore, despite main characters from both texts – John Proctor and Terry Malloy- illustrating acts of heroism in their final scenes, only Malloy’s attempt for redemption is seen to result in a resolution to the corruption caused by
Chandler produces the classic detective novel through his use of conniving criminals, corrupt police, and characters that are slighted by the actions of those in their lives. The novels chief detective, Philip Marlowe, is unable to eliminate every criminal that crosses his path, much to his dismay. Although most of the offenders are apparent from the beginning of the novel, some are not revealed until towards the end. Consider mob boss Eddie Mars; well known by the police officers, along with his hitman Canino, yet no one seems to do anything about it. The absence of action is not a result of ineptitude; it is merely from the mob having control over everything, spanning from bootlegging to covering up murders.
Lupe Medrano a shy girl who was bad at sports, wanted to be the marble champ. Lupe is the main character in the story “The Marble Champ” by Gary Soto and she is a great role model and that can be hard because not everyone is a role model. She is a role model because she is hardworking, a good sport, and she is very intelligent. The first and one of the best reasons that Lupe is a role model is because she is a hard worker. For example Lupe was determined to win the marble tournament.
The contemporary world has been referred to by many names. The modern age is considered to be the age of information or the age of technology. Though these different names do not define the Zeitgeist of today’s world, they all point to main cultural functions that can be observed and seen. The spirit of the times of today’s world is the idea of selfish individualism, or ego. Machiavelli states that human nature is cruel and self-interested.
The authors of the Golden Age shows their faith and belief in the detectives (emphatically vulnerable detectives). The detectives in these stories dominate the plot and solve the mystery case by influencing the perspective of the reader. The detectives mostly are self-conscious and Golden Age does not expect the reader to solve the crime ahead of the detective. They are decidedly unaggressive, non-god like, nondominant and do not exude ‘macho-like’ qualities of a ‘real he-man’. In the Detective Fiction, detectives fall into three broad categories; amateurs, private investigators, and the professional police.
"City of Glass" begins as a writer, Daniel Quinn, receives a call meant for the Auster detective agency. Daniel Quinn the writer assumes the identity of Paul Auster the detective and begins to help a man named Peter Stillman find out if his father has ill intent towards him. Quinn then loses himself in the role of Paul Auster after losing contact with both the Stillmans and Professor Stillman. The novel ends with a person named 'the Narrator' telling the readers about how any inconsistencies or faults in the story are his own as the red notebook had gotten much sloppier and much more minimal as the entries went on. Paul Auster's faux detective novel leaves more issues unresolved than resolved which often frustrates the audience reading the
It is tradition of the genre to have an uncommonly smart detective as protagonist, alongside a mediocre partner who often articulates the mystery. It is made apparent to the readers that the narrator possesses no significant intellect, as in the Murders in the Rue Morgue, when asked his opinion on the murders; he says “I could merely agree with all Paris in considering them an insoluble mystery. I saw no means by which it would be possible to trace the
. Christie’s detective world is very much a product of the post World War I ‘modernist’ cynicism which also rendered in humans, a sense of introspection. As Poirot says, “It is the brain, the little grey cells on which one must rely. One must seek the truth within, not without.”