They would lie to and steal from innocent, unsuspecting families and towns; they had complete disregard for human life and dignity. While The Duke and The King are conspiring to steal $6000 from an innocent family, Huck sees the malice of their actions and mentally rebukes them. “It was enough to make a body ashamed of the human race” (Twain, 168). This is one example of how The Duke and The King’s shameful actions affect Huck. Huck
Ophelia and Hamlet were in love which in turn made it burdensome for her to forgive him for killing her father. Similarly to Hamlet, Ophelia went “mad” when her father was killed. Specifically, Gertrude said, “Her clothes spread wide, And, mermaid-like awhile they bore her up, Which time she chanted snatches of old lauds, As one incapable of her own distress Or like a creature native and endued Unto that element” (Hamlet 4.7.172-175). Ophelia had to be bored up because she couldn’t handle the distress that she was feeling. Ophelia’s madness was easily seen with her actions and appearance.
(A Tale of Two Cities, p337-Collins classics) Hunger, anger, rage, revenge, extermination and justice! That was the reality of 1775 in France. The peasants became beggars and were more than sick and tired of the situation they were facing at that time. They were dictated by the Monarchy, the Nobles and the Catholic Church who indulged them with heavy taxes; no proper land to grow crops; no freedom of actions nor words, basically nothing. Left in agony they got nothing except a heart filled with remorse and vengeance to keep them warm during cold nights.
Both King Lear and Sunset Boulevard scrutinize the idea of the progressive madness taken on by main characters, King Lear and Norma Desmond. Their insanity is taken on through different, self-imposed reasons. For King Lear, the King, himself, is at fault as he idly watches, in a credulous role, as his daughters steal his power. Likewise, Norma Desmond plummets to the ground, along with her acting career, as she is quickly overlooked with the introduction of voice into the film industry. Through ignorance and egocentrism, both characters are at fault for their own deterioration, and eventual madness.
“Rumor went round the town, and noised abroad the terrible fate that had befallen the suitors; as soon, therefore, as the people heard of it, they gathered from every quarter, groaning and hooting before the house of Odysseus.” (336). Citizens have lived without their king for so long; they no longer rely on him. Instead, they find anger in the fact that he had mercilessly slaughtered their kin, rather than praise their king and his journey to return to them. In their eyes, he is not a hero; instead, he is a killer. These views are soon quelled as Odysseus openly shows remorse for his misdeeds, as instructed by the gods, and reconciles with his people.
Self expression is a crucial component for happiness, and the inability to do so would drive anyone mad. In Shakespeare’s Hamlet, Prince of Denmark, Hamlet is furious with his uncle for murdering his father and wants to avenge his father’s death, but he fails to act on all presented opportunities, and, instead, unintentionally causes many other people’s deaths. This classic tragedy is world-renowned. Yet, many people do not know the characters well, especially not Ophelia. She is viewed by the audience as a feeble woman, who is hopelessly in love and incapable of making her own decisions.
Finally, he loses his kingdom as Teiresias' prophecy is fulfilled: "blindness for sight and beggary for riches his exchange" (503-504). Othello's pride is also turned to shame as he listens to the villainous Iago and murders his innocent wife. In doing this, he also loses those things most precious to him. First, he loses his true love as Desdemona forgives him from her deathbed by trying to hide his guilt. When asked "Who has done this deed?"
Conversely, Hamlet loses his standing, and his reputation, due to his lack of masculinity. When Hamlet is making wild accusations and using extensive hyperbole, arguing at Ophelia’s funeral, The King brushes him off, saying “Oh, he is mad, Laertes” (5.1.252). The King’s offhand tone describes perfectly how Hamlet’s public standing has changed: his extensive bouts of madness and sorrow have stripped him of his masculinity, and with it his importance. Hamlet’s lack of masculinity detracts greatly from the sway he would have held in the
This is farther reinforced in ‘one night, in the fall, she runned away.’ This denotes her longing to run away from her terrible fate. It also brings her entrapment by her husband into light. The verb ‘runned’ shows just how illiterate the farmer was and how unjust it was at that society where illiterate men still had more power over woman and how woman were depicted as powerless and obedient to men. The contemporary
Riots broke out, crops were burned, Happicuppa cafés were looted, Happicuppa personnel were car-bombed or kidnapped or shot by snipers [...] on the other side, peasants were massacred by the army.” God’s gardeners did not approve of what they perceived as capitalism without morals. It could also be seen that their resistance is also because they think mankind should not play god. To create a more fast producing kind of coffee crop, the scientist have done some gene splicing. It is clear that the gardeners dislike the compounds’ efforts to actively shape the nature’s evolution. In other words they disapprove of the compounds hubris and that they act like a god.