Power Struggle In C. S. Lewis The Screwtape Letters

C.S. Lewis, a Christian writer from England, penned a manuscript in 1942 called The Screwtape Letters that examined the temptations presented to man by Satan. “Lewis's Screwtape Letters was certainly one of his most popular works, and by his own admission it was a work that he found easy to write” (Harwood 24). By being a Christian himself, Lewis could sympathize and identify with fellow Christians undergoing the onslaught of spiritual attacks. Christians struggle daily with the temptations of Satan similar to those that Screwtape directs his nephew, Wormwood, to employ towards the Patient. In The Screwtape Letters, C.S. Lewis uses the character, Patient, to symbolize everyman and his struggles with overcoming temptations by showing how Screwtape attempts to conjure a plan for Wormwood to lure the Patient to the Devil’s camp with Satan’s insipid temptations of vanity,

When everyone agrees that Lewis’s style of writing is instructive. Some say Lewis wrote the book for people to understand and feel sympathy for Satan and his followers “demons”. Lewis’s style of writing makes one better equip to reorganize Satan’s subtle deceptions in three ways: it helps people recognize distractions in our thoughts, it helps people recognize distractions

In Dante’s Inferno, Dante Alighieri's depiction of Satan at the bottom of hell reveals the theme that in Hell the punishment is always befitting of the due to the fact that the lower you go, the farther that person is from god. The picture of Satan satisfies the reader because he shows that he is the opposite of god and that he is full of evil. Lucifer is the demon in the circles of hell which he has three faces, and bat like wings in which he creates the cold wind where the sinners suffer. “The face in the middle was red, the color of anger. The face on the right was white blended with yellow, the color of impotence. The face on the left was black, the color of ignorance,” (34). Lucifer is pictured as a terrifying demon to give a better

Dante’s Inferno is an epic poem by Durante “Dante” degli Alighieri, written in the 1300s. He wrote a trilogy, known as the Divine Comedy, consisting of Inferno, Purgatory, and Paradise. Dante was inspired by many events and issues happening at that time, such as the war between Guelphs and Ghibellines, the Battle of Montaperti, and Christian religious beliefs. In this paper, I will explore the first book, Inferno, on the topic of Hell and how the sinners had a significant impact on Dante’s journey through Hell. In Circle 5: Styx, Canto VIII, Filippo Argenti, a sinner of Wrathful, helped Dante to symbolize to readers his anger towards Black Guelphs, political enemies of the White Guelphs. In Circle 7: Round Three, Canto XV, Ser Brunetto Latino,

Dante meets people through his journey of the many circles in the Inferno that lead him down into the center of hell, where Satan is. Satan is seen as being monster-like with three heads, representing a mocking of the Trinity and blowing his wings around the cocytus river. The final thing seen here is the fact that Dante’s description of Satan is a bit disappointing compared to the other descriptions he has written about the inferno. Dante’s portrayal of Satan is paradoxically empty and monstrous; it captures Satan in his true form and speaks of who he truly is.

called Lucifer and was the greatest of all angels l, rebelled against God over his jealousy of man. Turning evil and fighting the Almighty, he was destined to lose and thrown out of heaven, along with his army. In Dante’s Inferno, he resides in the deepest bowels of hell, where he tortures the three worst traitors in human history: Judas Iscariot, betrayer of Jesus of Nazareth, Cassius and Brutus, slayers Julius Caesar. In hell, contrapasso rules, and the appearances of the fallen angel Lucifer agrees with it.

Religion was an extremely important aspect of the Renaissance. During that era, it was near enough impossible to find a text that was not heavily influenced by Christianity and what it represented for different types of people. Perhaps the most famous text that did this was The Divine Comedy, or more specifically, Inferno, written by Dante Aligheri. In this poem, Dante, as a fictionalised version of himself, reflects on morality, death and sin. He wrote the poem in his native tongue to make the poem more accessible to readers, so that they fully understood the message he was attempting to send. I thoroughly believe that in a culture so reliant on religion, sin and sinners are represented reasonably well due to the detailed accounts of various sinners in Hell. In my opinion however in modern times, this is not a brilliant representation of sin as Dante allows his feelings about personal experiences to cloud the judgement of fictional characters in the poem.

One of the most significant themes, if not the most significant theme within Dante’s Inferno is the perfection of God’s divine justice. Dante expressees divine justice within Inferno in a multitude of ways, with one of the the most prominent examples being the overall structure of Hell and how the punishment for the sinners (perfectly) reflects upon the sin. To the modern reader, Hell likely seems more like an act of cruelty than divine justice, much less a product of God’s love. At first,the torments that the sinners are subjected to seems extreme and grotesque. But, as the poem continues to progress, it becomes quite clear the there is a perfect balance within God’s justice as the degree of each sinner’s punishment perfectly reflects upon the gravity of the sin. Furthermore, the inscription on the gates of Hell explicitly states that Hell exists as a result of divine justice; “ll. “Justice moved my great maker; God eternal / Wrought me: the power and the unsearchably / High wisdom, and the primal love supernal (III.4-6).”

In Dante’s Inferno, we are guided through the nine appalling rings of hell. As we make our way through, we see many fallen heroes and heroines from Greek and Roman mythology. In the second ring of hell, we are escorted to the famous lovers, Cleopatra and Antony, Francesca and Paulo, and Helen and Paris. Through the Inferno, we understand the crimes and retributive justice of those condemned in eternal suffering and question if the punishments are appropriate. In the ravines of hell many people are punished; adulterers, suicides, and others who were not grateful for their lives on earth. Were the people in Dante's hell deserving of their consequence or were they unjustly treated?

Despite their deeply religious values, the members of the Puritan Society in Arthur Miller’s The Crucible are equally as sinful as the rest of the world. The Puritans, known for coming to God when given any matter at hand, lay blame on the Devil, regardless of their contradictory values. By putting blame on him for their wrongdoings, the Devil earns power by the Puritans resorting to involving him in a situation whenever any one thing goes wrong. Power is defined by one’s reputation, status, wealth, gender, and age. Although the natural decider of one’s power in the Puritan society is land, the Devil, himself, holds ultimate power; despite the fact that he does not appear as a human figure, he controls the thoughts and actions of the Puritan

Pieces of writing are often viewed as a product of their origin time period, even in the modern day it is not uncommon to view our time plane as independent to what preceded as if we were somehow separate from every moment that came before. Instead every aspect of a story is ingrained with the message of millenniums before it, so much so the effect that the present has pales in comparison. This is present throughout Dante’s inferno written by Dante Alighieri as it is not merely a representation of the time period it originated from, rather the present represents the top of an iceberg whose very existence and stature are fully dependent on the times that preceded. This phenomenon of the past is fully present in Dante’s epic hero cycle.

Told in the famous C.S. Lewis The Screwtape letter, a well-known demon informs his nephew, Wormwood, of a struggle that the Christians face still today. A well lesson to all Christians, Screwtape advises Wormwood to go and let the patient talk like a parrot without discipline when in prayer.

There is no euphemistic way to talk about the butcher and the indelible scenes of carnage, which accentuates the brutality of the bane. No, it is not just an innocuous vexation, the Post Hoc, Ergo Propter Hoc fallacy of rain engendering ailments being applied ad nauseam, but a bloodthirsty sadist, responsible for the egregious decimation of mankind, as only 27 percent of the population has survived. Suicide is the sole anodyne, for such a prolonged, agonizing, and morally rebarbative quietus. The story is a sempiternal incubus; puritans fearing the fervid, ardent flames of Dante’s Inferno will consume reprobates, and even the pious, withal. Perhaps, the author’s chalice of Hippocrene was befouled with bereavement, mutilation, and purgatory. Nonetheless, this begets scepticism/dubiety concerning the benevolence, rectitude, and omnipotence of God. Hell on Earth: “I thought it not because I believe in God (I don’t, I think, not after all of this) . . . .”

Authors all over the world share the common talent of creating an image through the use of words. This power over the audience is fundamental and is clearly viewed through the comparison of both The Turn of the Screw, written by Henry James, as well as the Accursed Inhabitants of the House of Bly, written by Joyce Carol Oates. Each novel is written by a different author who chose to share a similar plot with the clear distinction of altering the point of view of the characters. Both The Turn of the Screw as well as the Accursed Inhabitants of the House of Bly share the similar theme of unwavering love that seems to borderline obsession. Through the altered point of view, each character is presented in a manner that creates thought-provoking

The protagonist from “The Turn of the Screw”, is perceived to be despearate as she tries to achieve her dream but her personal pride leads her to an unstable condition. The author depicts the Governess believing that to attain her goal of gaining attentionby her employer, she must be a hero. Therefore, she invents lies about seeing her predessors haunting her pupils. Nonetheless, the more times James makes the Governess mention the ghosts the more she believes they are real and they, “want to get them (the children)” (82). The Governess is blinded by making it appear she sees the ghosts that she looses herself in her own lies leading her to an unstable condition of not knowing what is real or not. As found in “Jane Eyre” and “The Turn of the