Pride And Arrogance In Antigone

The character of Oedipus is ruled by fate. The tragic hero is unable to escape his fate that was spoken over his life to happen. Even though Oedipus has chosen his own actions, the consequences he is sure to face have become undeniable and cannot be changed. Due to the flaws in his character, the king will fall from the good graces of those who once believed in him. In the tragedy “Oedipus the King” it begins with Oedipus showing his flaw of judgement when disregarding Teiresias warning.

W.H. Auden once said, “The truly tragic kind of suffering is the kind produced and defiantly insisted upon by the hero himself so that, instead of making him better, it makes him worse.” This suffering is what makes a tragic hero, along with other criteria. As is common in all tragedies, Antigone by Sophocles contains a very obvious tragic hero. Of the many characters, two stand out with similar flaws, Antigone and Creon. They are both flawed in their excessive pride, or hubris.

/ Romeo’s [weak/nothing compared] to him” (3.5 215-221). The Nurse’s contradictory ideals, hastily brought upon her by the anger of the Capulets, only served to incite feelings of disbelief and distrust within Juliet. Shakespeare’s portrayal of Juliet and the Nurse’s contrasting ideals emphasizes Juliet’s rebellious and defiant manner occurring at the climax of the play, with this very manner determining Juliet’s fate as well. Hence, the Nurse's impetuous proposition merely progresses the tragic events which befell both Romeo and Juliet. All in all, the older generation (of mentors) exemplifies the catastrophic effects of impetuous decisions as

Sophocles’ magnum opus Oedipus Rex details the story of a gallant king who falls from grace because of fate. The King of Thebes’ curiosity leads him down a blurry path between madness and sanity. He was a prideful and a figuratively blind man, and his pride was his metaphorical limp. Oedipus’ life and inevitable downfall, causes intense pity from the audience. Oedipus is a tragic hero because how the audience perceives him.

Even tough we see him arguing with himself and feeling disgusted, showing that he is very much humane, and his only fault being way too ambitious. That was interesting because we get the feeling that something out of the ordinary is coming up and our anticipation gets into the story straightaway. At the very end, in the beginning of Macbeth’s downfall we didn 't expect that a murderer like him would, even in defeat, display conscience and bravery. "I will not yield to kiss the ground before young Malcolm 's feet,... And damn 'd be him that first cries 'Hold, enough! '" (Line 32-39, Pg 249).

Creon had his chance at a 'Happily Ever After ' if he could only control his obstinacy. Of course, the king 's pride clouds his judgment and leads to his utter downfall and cataclysmic realization of his faults. Through his story, it is evident that Creon is the tragic hero of the story Antigone because he exhibits

Lady Macbeth is always making Macbeth feel awful, (Act 3, scene V, line 58) “Are you a man?”. This reveals that she is willing to be rude and angry, even to the man that she loves, just for power. Lady Macbeth also asks her ancestors to make her purely evil. What person ask to be truly evil if they’ve any amount of good in them? (Act 1 Scene V Lines 39-42).

Although labelled as a horrifying monster, nothing but his exterior fit this description, until he was discriminated by society. Only then did he become the name he was given. Ultimately, acceptance and understanding from society were all that the monster sought, and being denied of this was the cause of his downfall, his heart transforming from pure to tainted (taint) with

This “Low Man” literally took reality and the truth said it was otherwise. In order to save his pride, Willy lost himself in lies in order to cope with his shortcomings, which lead to his downfall and the obsession of fulfilling this impalpable dream. This trait is just one of many used to describe a tragic

Macbeth's lust for power becomes blatantly obvious based upon his fears that "to be thus is nothing, but to be safely thus", prompting him to kill Banquo and make an attempt at his son, Fleance. To relieve himself of his insecurities, he manipulates two murderers to believe than Banquo is their "enemy" and the source of all of their problems, displaying his twisted nature. He does not, before the act is already committed, share news of the "deed of dreadful note" with his "dearest chuck", Lady Macbeth, proving he has made his face a "vizard to [his] heart" not only for the public, but also to his once-cohort. Macbeth's peers' opinion sinks so low that he is often merely referred to as a "tyrant" rather than by his name. He is not only a traitorous and cruel king, but the extent to which he is "unfit to govern" makes him "unfit to live" - deserving of death for how he has let down Scotland.