Jane Austen has said that “To wish [is] to hope, and to hope [is] to expect”. When fleeing from their country’s economic insecurity, political upheaval, or in some cases, violence, migrants are driven by their wish for a better, more secure life. However, the sense of hope bred from the victorious escape of such dire circumstances can lead to false expectations regarding the perceived abundance that awaits them in the west. It is these expectations that ultimately lead to a strong sense of discouragement among migrant populations, as the one thing onto which they have clung as a source of hope amidst their misfortune, is ripped from their grasp and fervently disproved. The discrepancy between migrants’ expectation regarding life in their new …show more content…
The incentives that motivate people to leave everything they have known behind are often perceived to be vastly diverse. However, It is inaccurate to say that all migrants depart their homes for vastly different reasons. Realistically, their departure inherently stems from a belief that a more opportunistic and hopeful life exists elsewhere. This can either be manifested through emphasis on fleeing the troubled homeland, or emphasis on the promise of their new life abroad. Azel, a poor Moroccan man hungry to leave his country, perceived leaving as “an obsession, a kind of madness that ate him day and night: how could he get out, how could he escape this humiliation?” (15, LT). In contrast, as Ifemelu, a middleclass Nigerian woman, prepared to depart, “[her] mother said Jesus told her in a dream that Ifemelu would prosper in America” (123, A). It can be conjectured that the protagonist who focuses on simply fleeing their current situation out of desperation will be more content with their new life abroad than the character who actively …show more content…
After investing so much of their money, effort, and soul into their departure, it is next to impossible for them to simply relinquish the idealistic sense of hope that has kept them going amongst trauma and discomfort. Instead, they purposefully seek out things that may confirm their initial bias, often waiting great lengths of time for these things to arrive: “That first summer was Ifemelu’s summer of waiting; the real America, she felt, was just around the next corner she would turn.” (136, A). This remedying of cognitive dissonance leads to tightly cling to their dreams of the ‘real’ America in order to find some sense of confirmation that moving away from their home country was the right thing to do. From a literary standpoint, the migrant’s cognitive inconsistency between expectation and reality is the main contributor to the central conflict within the narrative. When Ifemelu moves to America and Azel moves to Spain, they are faced with unanticipated struggles that shake the foundations upon which they have built their identities back in their home countries. For example, Ifemelu has to deal with the notion of bearing a black identity for the first time. Hearing stories of the individual freedom existing abroad whilst still in Nigeria, she did not anticipate the systematic discrimination that she would face upon arrival in
Sonia Nazario’s piece, Enrique’s Journey, thoroughly depicts the hardships that come with modern day immigration and the issues that can stem from a single decision. In her book, Nazario writes that immigration “is a powerful stream...that can only be addressed at its source” (Nazario xxv). She uses the metaphor of a stream or river to illustrate the gradual escalation of complications that can arise from immigration and the choice of pursuing a greater future in the United States. Just like a river, a majority of the force behind immigration currently has developed through several minor justifiable situations that create a widespread consequence. Immigration is a vicious cycle stemmed from a lack of love and economic stability within Latino
In asking what is lost with movement, he does not allow his readers to dwell on any positive outlook on relocating. Instead, as they try to formulate an answer to his rhetorical question, he takes them on to his answer, that the worst abuses are carried out by immigrants, who ‘pack up their visions and values’
As fear is the defining emotion experienced by migrants, it motivates them to move faster and steadier while their survival mode is activated. In certain situations, nonetheless, fear might be a terrible sensation, such as encountering someone powerful enough to bring them back to Acapulco and prevent their journey to the United States. Although they pretend they are not migrants and are simply on holiday, “they can all taste their hearts in their throats" (Cummins 217). As a result of the adrenaline and fear, the author depicts their feelings using kinesthetic imagery as an illustration of how frightening and nerve-racking the situation is. As such, the author depicts that migrants simply want to find a home and be at ease in the United States, despite the reality that they are doing so illegally.
They shoot his brother in the face. Both die" (Nazario, chapter 1). These shared factors behind migration show the desperation of migrants who seek a better
Immigration is a very current issue that is extremely complex and multifaceted, due to the variety of different people it affects and the impact it can have on societies as a whole. The decision to immigrate is not an easy one and is influenced by many factors that can be defined as push or pull factors. A push factor is a condition, typically negative, that compels people to leave their homes for somewhere new and can be accompanied by other push factors and pull factors, which are conditions that entice people to a new place, typically a positive attribute of another location. Enrique’s Journey written by Sonia Nazario highlights these different motives by following a young boy named Enrique from Honduras, who decides to take the very risky
A family just arrives in America and is experiencing everything for the first time after hearing only stories of boundless freedom and inexhaustible hope. For citizens of America. Citizens of America tend to have the same mentality, America gives off the illusion of freedom for those who grew up within it’s boundaries. However, looking through the lens of an immigrant it becomes clear just how false this freedom is. As soon as this family steps off the plane they see “Do not cross yellow lines… [and] Beware of solicitors signs” (pg. 5) and hear “Unattended cars are subject to immediate tow-away,” (5) it would be hard for them not to feel dissatisfied.
As a Jewish emigrant, Abraham Cahan is on his way to America to make a new home for himself. However, his trip will not be as smooth as the vast ocean he will sail. Along the way, Cahan faces a mix of emotions, which he knows are the feelings every immigrant faces during their first voyage across the ocean. As Cahan’s feelings change throughout his voyage, his tone in the passage changes as well.
“The Migrant Crisis” shows us how these people used many survival traits to get out of unfamiliar and
Tobar informs the book by telling stories of many immigrants moving to America with a hope of a better future for their families; good education and also the good life instead of suffering every
The novel, Things Fall Apart by Chinua Achebe, defines an important literary example of the historical conflict of European colonialism in Nigeria during the
For example, Nazario writes how Enrique has made the difficult decision to leave, “Enrique feels shame for what he has done to his family and what he is doing to Maria Isabel, who might be pregnant. Maria Isabel pleads him to stay”(42). Enrique wants a better life for himself and his family, he “feels shame” for what he has done. But feels trapped because of drugs and poverty, so to escape these problems and help his family, he decides he has to leave. In contrast to the narrative that immigrants want to take from Americans, many people who immigrate are desperate to get out of a dangerous environment.
Which destiny lies in wait for the Nigerians? Will freedom of speech ever occur in the hard oppressed, African country? The American Embassy is a short story due to the limited gallery of characters, the unified plot/story line, a conflict that tends to change the main character’s/protagonist’s life/perspective
Helen Oyeyemi’s The Icarus Girl engages with many questions within the diasporic dialogue and the writer asserts the position she takes with all issues she deals with. She, like many, sees that there are many things pulling apart the ideas of Englishness and Nigerian-ness but at the same time, there are things that fuse them together in people that live both those identities at the same time. Jess is the person she uses to establish this unsteady union and at the end, this young girl who begins her journey with a fragmented identity, emerges in a higher consciousness where she unifies both identities into one within herself.
Not only did Okonkwo face the new idea of Christianity, but so did Chinua Achebe. During Achebe’s interview with The Paris Review, Achebe says “My parents were early converts to Christianity in my part of Nigeria” (Brooks). He saw the effects of the Christian religion moving through his village, something that Okonkwo couldn’t bear to live through. Religion is a major topic in the novel. Chinua Achebe uses religion to show the reader the God in the Igbo culture, their belief in reincarnation, and the colonization of Christianity.
In western media there is often, as Adichie would say, a ‘single story’ of Nigeria, and it is one which endorses the view that Nigeria and its’ people are rife with savage tumult and violence. Adichie challenges this assumption through her short stories which display elements of both the violence and the unseen stories of peaceful civil relations. Through her portrayal of these facets of Nigeria and its people, of both the intermittently true violence and the personal and pacifistic aspects, Adichie aims to show the reader the ‘real story’ of Nigeria and abolish the assumption that violence is Nigeria’s only story. Adichie’s portrayal of Nigeria in Cell One is one of an apparently heavily violent, corrupt and decayed country which is directly