Progressive Modernism In James Joyce's Ulysses, 1922
The creative expressions of the modern period exhibited an extremely rich understanding of the time. Since the period itself was characterised by opposing traits, the same finds a reflection in the works of art too. These are usually divided into two time periods, one prior to the World Wars and the other after. There seems to be a sense of positivism in the pre-war works, where the notion of progress and an alienation from the conventional and traditional ways, methods and subjects to work with; there was an evident departure from the Victorian morality, the mimetic notions of beauty and of the building up of specific contexts to works of art.
The early, pre-war, literary works of Henry James, Joseph Conrad, look at the then newly urban spaces and the industrialised spaces as attestations of human intellect and the
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Though it is the works of the latter, war and postwar periods, which assumed to hold the true modernist character (The Editors of Encyclopædia Britannica, 2016). Two of the postwar works which quintessentially mark the disillusionment and near rejection of the notion of progressive modernism is T. S. Eliot’s, The Waste Land, 1922 and James Joyce’s Ulysses, 1922. These are examples of not just portraying a sense of disillusionment, and the negative vision of the loss of culture but it also exhibits a departure from the taken for granted formal aspects of writing. In Ulysses, the protagonists are no longer heroic characters but
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