“…The sounds of roaring, clanging and swishing radiates off the barrows walls. Beowulf , wields his shield to protect himself from the grotesque talons of the dragon, as well as the raging fires that singe his facial hair. The dragon writhes around in anger, trying to burn him to a crisp. Beowulf swings his sword with all his strength, but only gives the dragon a simple scratch. This makes the dragon seethe with rage, and it begins to become more aggressive towards Beowulf. In Beowulf’s shame of an unsuccessful strike against the dragon, he decides he has no other choice than to retreat. As he turns to run, the dragon takes one more deep breath and blasts Beowulf with a fire so huge, he was thrown against the barrow wall. The smell of burning
In the last stage of Beowulf’s epic hero journey, fatalism determines his grand finale against the dragon. The warrior king’s long journey is now coming to a close and before going into battle against the dragon, Beowulf realizes that, “After many trials,/ he was destined to face the end of his days/ in this mortal world; as was the dragon,/ for all his long leasehold on the treasure” (Beowulf 2341-2344). After facing Grendel and his mother, fate has lead Beowulf to the crisis of his journey. The dragon is the final monster he must defeat in order to complete his monomyth cycle. He is a symbol of the deadly sin, greed.
Beowulf’s final opponent in Beowulf the Epic is a big angry dragon who had a vessel stolen from his treasure mound. Beowulf, with the help of Wiglaf, slays the dragon, but not before the dragon deals a death blow to his assassin. While bleeding profusely, Beowulf lives just long enough to digress one last time. In the movie, however, Beowulf doesn’t die, as it seems like he sails back to Geatland. There isn’t even a dragon to speak of in the movie.
Through the perils of its lair and its poisonous fangs, “the ground-burner” embodies man’s fear of inevitable death (2713). After finding the man who awoke the beast, the Geats encounter the dragon’s home. Beowulf enters “an underground barrow near the sea-billows” to face his enemy alone as his men wait outside on the crag (2411). The beast’s lair symbolizes
18) The dragon awakens in anger because a greedy man had “[stolen] a gem-studded cup, and fled”(lines 6-7). Knowing his treasure had been stolen, the fire dragon “swept through the darkness, and all Geatland knew its anger… ”(lines 9-10). Beowulf had “accused himself of breaking God’s law, of bringing The Almighty’s anger down on his people”(lines 27-28).
When the dragon felt Beowulf’s presence, it instantly became furious and went straight for Beowulf while breathing fire at him. Beowulf immediately struck his sword on the dragon’s tail, but it cracked, although it cut the monster, it did not do a great damage. His plan failed, and the dragon now furious kept breathing flames at Beowulf. Now Beowulf on the floor, had a ring of flames sorrounding him.
Eventually, a third and last monster appeared. This time the monster was a furious dragon that would attack and burn down the villages of Geatland. Obviously, Beowulf was ready to take on the dragon in a fight, but unfortunately, after defeating it, his wounds were not to fix. Sadly, Beowulf had fought his last fight. Eventually, The Geat’s held a worthy funeral for Beowulf, and they even built an enormous barrow where he could rest in peace.
In Beowulf translated by Seamus Heaney the dragon’s gold represents a close bond. When the man stumbles upon the cave of treasures, when he steals a gold jewel-studded goblet. The dragon wakes up to find his goblet gone “the hoard-guardian scorched the ground as he scoured and hunted for the trespasser” (Heaney 155-157). To most people the treasure will gain them nothing but to the dragon he is the hoard guardian meaning he cares about his possessions enough to hunt for the trespasser. The dragon uses his “pent-up fury at the loss of the vessel made him long to hit back and lash out in flames” (Heaney 157).
In lines 725-729, “he raised his sword and struck at the dragon’s scaly hide. The ancient blade broke, bit into the monster’s skin, drew blood, but cracked and failed him before it went deep enough”. Beowulf’s strength was very weak that he couldn’t cut the dragon with his sword. Beowulf tried to defeat the dragon. In lines 682-685, “No one else could do what I mean to, here, no man but me could hope to defeat this monster.
Beowulf is a king who distributes his wealth and at the same time protect his people. However, the dragon hoards all the wealth that it cannot use, nor did the tribe who had accumulated it long ago. The dragon could also represent death itself as the last man of the tribe who accumulated the gold awaited death to join his brethren all the while protecting the hoard. In the end, Beowulf dies by the dragon, but the dragon also perishes by the hands of Beowulf’s kinsman,
Questions of Honor: Beowulf Beowulf’s honor and integrity can be questioned throughout the entirety of the epic poem, Beowulf. Whether or not his actions are inspired by his own pompous arrogance or confidence, one can argue that he is a hero nonetheless. Evidence and experience prove that Beowulf is more of a fearless hero than an excessively prideful man, and his hubris is more than justified due to the formidable duties he is able to execute. Throughout the poem, Beowulf expresses his intense strength and courage to the fearful people in the poem. His daring sense of self-assurance is backed by his victories against all three monsters, (even though he suffers a tragic death after facing the dragon, it is a defeat nonetheless).
Despite Beowulf's age, he remains honorable and will fight the dragon equally meaning, with no weapons because the dragon does not use weapons. Although Beowulf enters the battle sensing that he may not make
Mythological or Archetypal philosophy has been around for centuries and is used across numerous cultures. Carl Jung, a close colleague of Sigmund Freud, defined the word archetype as “a figure...that repeats itself in the course of history wherever creative fantasy is fully manifested.” Archetypes can come in various forms: characters, images, and situations. Though many different forms of archetypes appear in the tale of Beowulf, specifically, the archetypal character roles of the hero and the outcast are major aspects of the story. The role of the hero is a popularly recognizable element of many stories.
The fight went back and forth. They were punching, kicking, and yelling as they went. The monster said “you are never going to win. I am going to win!” This made Beowulf angry.
Beowulf: Epic Hero or Proud Fool? So what exactly is a hero? A hero to most is a person idealized for their courage and their outstanding achievements and qualities. Some may even consider Beowulf a hero due his never backing down and risking his own life for the safety of his people.
"Beowulf, the oldest of the great long poems written in English, may have been composed more than twelve hundred years ago, in the first half of the eighth century, although some scholars would place it as late as the tenth century. " The story of Beowulf shows his progressions from the young warrior hero into the mature king hero. The literary and historical background of Beowulf is incorporated into this text. Beowulf, because his story is so old can be argued to be the father of many heroes throughout time.