Our film, Psyche, is about a teenage girl, Deirdre, who is being physically and emotionally abused by a family friend, a man named Channing. Channing has been sexually assaulting Deirdre as well as causing her to have bruises on her body. Deirdre’s family does not help her in her situation, thus she feels that she has no way of escaping her trauma. This is made worse when she discovers that she is pregnant with Channing’s baby, and this drives her to believe suicide is her only option to be free of her pain. The editing theories that I am going to be using in my editing of the short film Psyche are as follows: From Ken Dancyger’s The Technique Of Film Video Editing: History, Theory and Practice: Vsevolod I. Pudovkin’s experiment where subjects were shown an image of an actor, and the each subject was shown a different image in the …show more content…
My primary focus is to ensure that the audience understands what is happening in terms of narrative, as there is little dialogue in the film. The first scene of the film is of Deirdre and Channing seated in a car in an empty parking lot. Emotionally intense dialogue occurs between our two characters before Deirdre attempts to climb out of the car and slams the car door. Discomfort and fear needs to be created in the conversation between our characters, as our main character, Deirdre, is feeling fear and discomfort during that conversation. We originally see a shot of Deirdre and Channing sitting in a car, then of Channing staring blankly into the rearview mirror. The camera cuts to a shot of Channing’s hand on Deirdre’s thigh, moving upwards, before they start their conversation. This shot of Channing’s hand on Deirdre’s leg immediately tells the viewer that there is a sexual relationship between our
' ' In between events: They had stopped at a bar the first night of their drive. Lawrance sat in a pleather seat hacking on his first cigarette, a man hands him a glass of whiskey to wash it down but only serves Lawrance to hiss as it burns down his throat. Marlene just laughs because when one of the bikers surounding them now pats Lawrance on the back and the poor sucker looks happy and as if he 's acomplished something. It 's Marlene 's job to make him happy in his last days, she had taken Lucy and her mother to disney land and treated them like millionars for a long weekend. Even
Douglas Vermeeren from ReliablePlant states that “roughly 70 percent [of people] fail to achieve [their] goals” due to lack of motivation as well as being incapable of overcoming obstacles (Vermeeren). The high-school play Of Mice and Men directed by Dr. Mike Mikulics presents George and Lennie, the two protagonists, who failed to achieve their goal of purchasing a piece of land because of encountering problems at the ranch they worked at. The director illustrates that some dreams are nearly impossible to conquer, therefore having a plan B would ensure some success. The actors and actress executes the play Of Mice and Men magnificently through their ability to act, maintaining the audience’s interest, and the storyline.
All of the dialogue that the characters throughout the story deliver are undeviating. The diction of these two pieces of work contribute to the common
The short story has expressed the theme through a character’s first exprience of sexuality. “I never knew this would be so embarrassing! I can’t watch them anymore so I turn around to Brad who still is”(page 4). Deidre feels very embarrassed by watching her dad having conversation with Rita.
The novel ‘Jasper Jones’ written by Craig Silvey and the film ‘Dressmaker’ directed by Jocelyn Moorhouse have connected to the audience and use of narratives conventions in very similar ways. The ways that they have succeed doing this is through characteristics, plot and setting. By looking into how they are used by the author/ director widen the knowledge and have deeper in-depth understanding on how authors and directors use them to connect with the audience. The author and director have used characteristics to connect with the audience by using relatable situations like peer pressure, disliked by people, challenges and traumatic experiences.
The speed of the camera adds a restlessness to the discourse through which the crowd discovers that the characters enable their own battles to meddle with their judgment about different
This film also has a great aesthetic way of presenting characteristics of the movie as a whole, for example when filming Brenton Butler, they made sure that almost throughout the movie entirely he did not speak to put more emphasis on the first impression of Lestrade and Poncet’s of Butler as a completely detached individual; showing how Butler’s voice was denied by the injustice of the Florida legal
He wants them to feel eager to go with him while he recaps his “favorite book in all the world.” He continues the intimate storytelling as he allows the audience to see his vulnerability and experience his emotions alongside him. In addition to tone, narrative presence is used to help enhance Goldman’s
In Shepard and Metzler’s experiment the visual stimuli used were assemblages of cubes. Whereas this experiment uses black figures. The difference in visual stimuli may have affected the participant’s processing of the figure. The cubes could be potentially easier to mentally rotate one figure to see whether it could be mapped onto the other, since the cubes could be counted. Whereas, the black figures used in this experiment are more ambiguous in
Raimi juxtapositions the audience to have a dramatic impact, and also uses rhetorical concepts for
In Kiss and Tell, Alain de Botton humorously describes a situation between tactless and socially oblivious parents and their uncomfortable adult daughter, Isabel, who is on a date with her new boyfriend. Using immaturity and a lack of etiquette in the actions of the characters, multiple examples of irony, and the anticipation of Isabel’s father’s actions which all ultimately lead to a comedic effect, de Botton produces a universal experience that brings humor to the audience while commenting on family dynamics. To depict the immaturity and lack of etiquette in the actions of the characters, de Botton uses juxtaposition in the setting, onomatopoeia, and other literary devices. De Botton intentionally sets his story in a theater with an “elegantly
The mood of the movie at this point shifts from dark and solemn to alive and talkative. The active dialogue and intonation used by the actors made the storyline interesting. For example, the news reporters exemplified the very image of a news reporter back in the day: curious, chatty, and amusing. Their somewhat boisterous nature is countered by unconventional lighting, as the audience hears their conversation but sees mostly shadows or just glimpses of their faces.
I have always viewed movies as mood boosters. Whenever I watch a movie, I judge how good it is according to how well I understand the story. This is why I never truly understand how critics rate movies. However, upon reading John Berger’s “Ev’ry Time We Say Goodbye”, I start to understand how paying attention to the different components of a film helps in understanding the essence of a story. As Berger once said, “There is no film that does not partake of dream.
The most apparent themes in this film are loneliness and isolation. Based on the cinematography, it is evident that wide shots of the characters occupy a small space alone or an extremely large space with many people who are completely unaware of their existence. Both of these things work to portray the idea that Murray's character, Bob, and Johansson's character, Charlotte, are lonely, isolated, and missing something. The director also uses the concept of balance to pass the message on the emotional state of the characters.
Lee Hirsch creates pathos through the structure of his film. Starting the movie with Tyler Long’s father describing his late son immediately instills empathy in Hirsch’s audience. The director does this to flood viewers with emotions from the initial