According to Linda Hutcheon, metafiction abuses the fixed notions and conventions of both realism and modernism by turning to itself and to history. Such a narrative is “contextual and self-reflexive, ever aware of its status as discourse, as a human construct” (A Poetics 53). A major feature of metafiction is its critical and renewing reflection of its own devices and practices. It aims “simultaneously to create a fiction and to make a statement about the creation of that fiction,” and this practice brings the traditionally distinct modes of literary creation and criticism together (Waugh 6). It functions implicitly or explicitly as a theory of fiction, usually in a self-conscious way.
Psychologists give theories after their observation and analysis, whereas the literary artists convey their understanding of life through artistic presentation. Applying psychoanalytical theories to the literary work can help in understanding the hidden meaning of the text in a better way. B.J.Paris, a leading exponent of third force psychology himself affirms this notion. The term Third force psychology was first introduced in the year 1962, when Abraham Maslow used it in his seminal text Towards a Psychology of Being. It was a revolt against the behaviorist and the Freudian psychology as they both were concerned with the limited area of study.
There is a literary work that brings us to the world of dreams and takes us away from reality. It has to be contrasted with a literary work that needs our interpretation. Every literary work has their own meaning, both implicit and explicit meaning. Sometimes the writer use implicit meaning with use a word or some word to draw a situation or a condition, so it is called as implicit meaning. Rare for The Writer use explicit meaning, it is the way of convey meaning with use a word or some word that really - really tell and show that condition or situation.
The narrator’s emotional mindset reflects both the time of the incident and the moment of composition, when the original emotions go through the process of recollection and reflection. Also, it’s interesting to note that “Love” is a short story, not a poem. However, by recognizing that short stories can also be an outcome of the author’s calm recollection of an outburst of emotions, we have gained a deeper insight into the author’s inner operations for the composition
However, poetry in its form can also be a mystery in how to interpret what the poem’s involvement is or what the connotation behind or the subject of the poem. The construction, as well as the heart and soul that goes into the construction process of the poem, is what drives the poems to be as exclusive as the poet anticipates them to be. Two examples of this are Terrence Hayes and Harryette Mullen, who are both remarkable at their occupation as poets as well as producing a ton of great and award-winning poetry collections, which depicted bibliophiles into reading and exasperating to interpret their poems. Terrence Hayes drew his inspiration for his poetry round the genre of Hip Hop. Hayes formulates the encouragement that he has from Hip Hop very vibrant in some of his poems such as emcee by using orientations from certified melodies or preoccupations that everyone articulates or recognizes when they are in a definite location (Hayes 3).
1. Introduction Literature study is learn about poetry, poem, and also a short story. Those things have elements to build a beautiful meaning. When wanting to analysis one of those things, first of all, is have to know their each element. Each story has elements of prose fiction.
Many compare Freud's symbolism in dreams to the symbolism in texts27 and one could argue that many aspects of literature are indeed a representation of the author's unconscious, for according to Freud, authors are not always fully conscious of what they write.28 Nonetheless, the psychoanalytical approach in literature is not only inspired by Freud, but began with him. Freud used his own theories to analyze works of art in The Relation to a Poet in Daydreaming and The Uncanny.29 One is able to approach literature in many ways with the help of psychoanalysis. Ross C. Murfin describes the function of psychoanalytic criticism in his essay “Psychoanalytic Criticism and Jane Eyre” as followed: Psychological criticism [ . . . ]
Mimesis is one of the significant literary terms that are widely used in literary aspects including art, poetry and drama. Certainly being the most fundamental term in artistic theory, mimesis defines our perception on art, literature and influencing generally on the representation of things. Even if we are unaware of the existence of such a word Mimesis, the idea is a strong rooted truth that upholds and beatifies the world of Literature and artistic theory. Mimesis is a distinctive term that allows us to analyze critically, develop insights to evaluate, and expand the ability to communicate with any piece of literature Mimesis, a word that is translated from the Greek as ‘imitation’, mimesis explains the relationship between the reality and
The first step to understanding a poem is knowing what poetry truly is. Poetry is a form of art in which the human language is used for its aesthetic qualities instead of notional and semantic content. It comprises largely of oral or literary works in which language is used in a way which is felt by the user and audience to diverge from ordinary prose. Poems frequently rely for their effect on imagery, word association, and musical qualities. Poetry is often created from the need to escape the logical, as well as expressing feelings and other expressions in a tight, condensed manner.
The Ramsays’ utter dissimilarities contribute to the ability to interpret Woolf’s novel by means of psychoanalysis, as demonstrated by Nussbaum. Additionally, she touches on Sigmund Freud, and his influence on the writing of Woolf, as Freud believed that when behaviour or conscious mental activity is explained to others, we rarely give a true account of our motivation, and this is the issue that Nussbaum deliberates throughout. Indeed, this is predominantly the motivation behind Woolf’s work, the ‘stream of consciousness’, which is evident as almost all of the events take place in the characters’ minds. In the words of Nussbaum herself, “emotions don 't stand still to be inspected like so many stones or bricks. The act of bringing them to consciousness frequently changes them; the act of expressing them to another almost always does so”.