Puppetry In Kheimeh-Shab-Bazi
KHEIMEH-SHAB-BAZI – TRADITIONAL IRANIAN PUPPETRY
One of the most important traditional forms of puppetry in Iran is Kheimeh-Shab-Bazi. It has a history of more than two hundred years. Evidence for it has been reported in seventeenth-century by orientalists and Persian historians. This style of theatre is so popular and is still carried out in Iran. Although some components have changed, the overall structure of performances completely follows Iranian traditions.
Furthermore, there is some evidence in classical poetry that proves the puppetry has existed in Iran since the tenth century. The oldest case in point is the story of Abu Saeed Abulkheyr ابوسعید ابواخیر)) (967-049). Omar Khayam (1028-1122) is the first poet to have used the word (Lobat) meaning puppet in his poetry. And he has touched on related philosophical themes in his Rubiyat. Other poets such as Nezami Ganjavi (1141-1209), Rumi (1207-73), and Hafez (1310-1379) have also mentioned puppetry in their work.
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Stories for performances of Kheimeh Shab Bazi have been developed from social events.
Some of the popular puppets (characters) in Kheimeh–Shab Bazi are; Pahlavan Kachal, Ververe Jado, Aroos, Sultan Salim, Pahlavan Panbeh and Mobarak. He is best known and most popular character, with a dark face and a red costume. People like him for unreserved way of his talking and his special humor. The characters of Kheimeh-Shab Bazi and the techniques used in writing dialogue for the puppet show make it unique and distinguish it from other types of puppetry in
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