During one of Mark’s writing classes, Francisco is clearly frustrated with his situation and says, “That’s what this place is all about. Puttin on masks” (50). Francisco is not referring to the masks that people wear during Halloween or at masquerade parties. He is referring to the masks people wear to conceal who they are or how they feel. Mark Salzman, author of, “True Notebooks,” explains how he allows juvenile offenders to write about any topic, except their court case. Francisco clearly admits to Mark and his classmates that he wears a mask while in custody. In his essay he writes, “I know in here sometimes I have to put a mask on and become somebody that I am really not, but that’s how you survive in here. I might seem like if …show more content…
Kevin puts on a mask to conceal the pain he still feels at losing both his parents in a collision. He also wears a mask of maturity in the presence of hard-core inmate from the penitentiary. He tells Mark, “Since we bein’ tried as adults, we get put in the same holding tanks as the guys from the pen” (73). Kevin has learned at a young age the need to put on a mask so that he’s not seen as weak. In addition to these juvenile inmates, Mark Salzman, their teacher, also wears a mask. Mark, who doesn’t like teenagers and gangsters, is very nervous when he visits Duane’s writing class. He knows the juveniles in this class have all been charged with murder. Mark says, “I didn’t want to challenge anyone, so I struggled to keep my gaze from meeting any of theirs” (18). Mark puts on a mask of courage so that the juvenile inmates don’t become aware that he is nervous and scared like the Cowardly Lion in the Wizard of Oz. InL.A.’s Central Juvenile Hall, inmates like Francisco, Jimmy, and Kevin wear a mask for protection. They don’t want to be perceived as being weak. They have learned that weak prisoners get harassed and assaulted. They will continue puttin’ on masks for their own
Shakespeare once said “All the world’s stage and all women and men merely players” and throughout the tough times, we’ve learned to mask ourselves according to different characters in order to gain society’s approval that we solely forget to seek acceptance from ourselves. In the short story, “Everyone Talked Loudly in Chinatown” by Anne Jew, Lin puts on different masks as she interacts with her family and in school to live up to their expectations. While in the short story “The Kid Nobody Could Handle” by Kurt Vonnegut, Jim had accepted society’s view that he had forgotten about how he views himself, unlike Gene from “I Go Along” by Richard Peck, who had forcibly put on a mask despite knowing his true potential. All of these characters had
The masks make Bill, along with everyone else, completely invisible from their past identities. This sense of invisibility allows the boys to participate in barbaric actions that they would not have done if punishment were involved. For example, after Jack’s clan viciously murders a mother pig, “[Jack] giggled and flicked them while the boys laughed at his reeking palms”(135). They become desensitized to their violent and evil ways. Before they had the masks, the boys were less hostile because they still felt some guilt, but without any trace of identity, their true colors arise.
The Kifwebe Mask was used as the embodiment of a police force for ruling elite. Ten to twenty men would parade with these masks through the streets. In addition to serving as agents of social control, the masked performers extracted contributions from community members. The Kifwebe Mask could be compared to current masks that S.W.A.T Forces wear.
In this world, an individual has two masks: the mask is the way the individual chooses to express and appear to family and close friends and the second mask is the way the individual expresses his or her self to the outside world. In some cases, people have many different masks for the different groups of people he or she interacts with. The masks people wear can hide and reveal aspects of them, in other words, one-mask reveals who the individual truly is and the other is who the individual wishes they were. In Joyce Carol Oates’ short story “Where Are You Going, Where Have You Been?” Connie, the main character, wears two masks, which coincides with the contradictory themes of the story, fantasy versus reality.
Such personification mirrors Dunbar’s use of figurative language, which relates the poems in more ways than one. Dunbar touches on human features such as cheeks and eyes in his poem but also uses a spiritual element to advance his point of view. Furthermore, “We Wear the Mask” was written in 1896; a period in American history that was post-slavery but still had widespread discrimination. The spiritual connotation within Dunbar’s poem can allude to African American churches and/or the hymns slaves sung on plantations. Nevertheless, the struggle of African Americans is a symbol of both presented
He wants people to avoid thinking that developing only one true self identity is healthy. A mask allows an individual to see his or her full potential by not having a true identity. Masks have multiple identities based on the certain situations and environments (circumstances) the person is having(undergoing). I agree with Gergens interpretation (assertion) and his psychological
When people create masks to hide their flaws, it may happen that they outgrow their masks. A simple analogy would be an insecure girl is embarrassed to tell her friends that she is single, so she makes up a fake boyfriend. She then gets over her insecurity and admits that it was a lie. There is always a reason for someone making a false identity, and when that reason no longer exists, people shed their masks. This is evident when Jose Buchmann finds Edmundo Barata dos Reis.
People act differently when they are with certain people than when they are alone. Some will call this act a “mask.” This metaphor is used because people cover up who they truly are or what they really feel with their actions; similar to the way a mask covers up a person’s face. This idea of a mask is explored in Paul Laurence Dunbar’s poem, “We Wear the Mask” and readers can see examples of “masks” in Harper Lee’s novel, To Kill a Mockingbird. People often wear masks to hide something about themselves that they are not proud of or hide their emotions and fears they do not want others to know.
He utilizes the mask when he says that “I was brought up in America but educated at Oxford…” (Fitzgerald ##). He wants everyone including Nick Carraway, the narrator, to know that he is a valuable and worthy person. However, it backfires when Nick Carraway says “I knew why
Hawthorne’s The Scarlet Letter talks about issues many issues of that time which apply to today. To me, one that stood out was the fact that many of the characters put on “masks” or suppressed who they really are. Some of the characters in the book wear masks by choice to be able to do things they could not before and others wear masks to hide themselves. However, even though the mask can sometimes be the more dominant and it raised the question of whether the mask can become what’s inside.
Nobody notices me." Wearing masks shows the reader that Auggie wants to hide. Another example of a mask Auggie wore was his astronaut helmet. "When I was little, I used to wear an astronaut helmet everywhere we went. To the Playground.
A fundamental fear of exposure. The idea of exploiting anonymity is enquired on Derren Brown’s show ‘The Experiment’, where audience members for a game show are asked to wear anonymous masks and dictate the ongoing fate of an unsuspectingly filmed member of the public. The show takes a look at the emergence in the horrors of human cruelty and manipulation, where a mask is used to conceal one's individuality. Like the masks worn by the audience we hide behind our screen placing a barrier between our identity and actions as an individual.
It is, obviously, a symbolic one, that is meant to hide the suffering of people. It hides everything, “our cheeks and […] our eyes”, and “the eyes [being] the mirror of the soul”, the mask hides the inner you. (Dunbar, l. 2) (Paulo Coelho, Manuscript Found in Accra). But, in addition to the hiding, there’s also the lie about the emotion. Indeed, the mask isn’t only meant to hide the emotions, but also to create new ones on the surface, as we can see when the author said “We wear the mask that […] lies” (Dunbar, l. 1).
Critical Statement: In “We Wear the Mask”, Paul Laurence Dunbar employs the shift in the symbol of the mask to elucidate the tribulations imposed upon a isolated community. In the first stanza of the poem, Dunbar emphasizes the mask as a facade which forcefully obscures the authentic sentiments of a segregated community. The stanza introduces the masks’ objective and prowess in deception. Furthermore, it investigates the effects of the mask on its host. The author writes, “We wear the mask that grins and lies, / It hides our cheeks and shades our eyes,— /
John Green writes in wonderful metaphors about death and life. People hiding behind masks and not truly being who they portray themselves to be comes into question. These masks bring about false expectations of people. This is seen with both Quentin and Margo. Quentin discovers that everyone is hiding behind some sort of mask especially those who do not want to appear boring or normal.