Guided Art Tour: Ancient Near East and Egypt
The “Queen of the Night” relief, 1800-1750 B.C.E., Old Babylonian, Baked straw-tempered clay, 49 x 37 x 4.8 cm, Southern Iraq. The “Queen of the Night” relief, also known as “The Burney” relief, is a large plaque that “most likely” originated from Southern Iraq. Although it is difficult to determine the authenticity of an unexcavated object, the thermoluminescence testing that had been carried out; confirmed that this plaque had been created between 1800 to 1750 B.C.E. The relief of this plaque represents a goddess supported by two lions, and wedged between two standing owls. The reason why this nude female figure represents a goddess is due to the ringed rods held on each hand, the horned headdress,
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It is well known that ancient Egypt had an obsession with the afterlife, and apparently, their art was not intended to be seen by the living, but for only those who had passed on into eternity. The statue of King Menkaure and Queen had been found in January of 1910, and when uncovered, was found to be in pristine condition. The statue represented the idealistic masculine and feminine traits of men and women, which King Menkaure and his wife most likely exhibited in their lifetime. The statue had been carved using greywacke, which is a type of sand stone prized for its hardness and dark color. The representation of King Menkaure features a fit and muscular build, while the representation of his wife features a slim and also fit build. The faces of both are symmetrical with almond shaped eyes, well chiseled noses, and perfectly shaped lips, although the wife’s face is by far more smooth and feminine, King Menkaure’s shows more masculine definition around the cheeks. The reason it is known to be King Menkaure is because of the headdress and the chin piece that indicates royalty as well as the location the sculpture was discovered, however, the exact relationship of the female embracing King Menkaure at his left remains unknown. It is speculated to either be his wife, his mother, or
How do these sculptures differ from Akhenaton (Figure 3-30)? Hatshepsut with Offering Jars was a women King and she was famos for making many statues of herself but this one piece atests to the fact that she was too a beliver of being a devote worshiper of hermany gods, Akhenaton was depicted as the son god the only ruler in Egypt i that time to believe in inly one god. 5. Describe and analyze the form and content of Judgment of Hunefer (Figure 3-1).
This artifact was most likely created during 661-332 BCE, which is called the late period of ancient Egypt. During the late period Alexander the Great’s conquest and the establishment of the Ptolemaic Kingdom ended the long reign of various native egyptian rulers and instead allowed foreigners to rule the country. Even though foreigners ruled the country during this time, Egyptian culture was still very prevalent, and traditional conventions were still widely celebrated. Also, most artwork during this time was mostly of animal cults and animal mummies. Ancient Egyptian
At this point Hatshepsut was in her late teens but immediately laid down her future ambitions in her use of titles modelled on previous pharaohs ‘lady of the two lands’. Whilst Thutmose III was young, Hatshepsut slowly reinforced her position by “drawing on kingly iconography, titular and actions” (G. Robins). These future ambitions came into fruition in the red granite statue from Deir-El-Bahri as here Hatshepsut is wearing a ‘nemes’, already showing a change in physical images in her early years of her regency. This transition was required if Hatshepsut aimed to fashion a difference between herself as Queen regent and the Pharaoh she aspired to be. To reinforce to her people that her claim to the kingdom was genuine, Hatshepsut needed to demonstrate to Egypt that she had an association with the Gods, and this was portrayed through the Divine Birth Scene.
The Tomb and Terra Cotta Army of Qin Shihuang is a remarkable discovery in the world of archaeological excavations. It is a collection of over 8,000 magnificently unique clay soldiers. They are protecting their dead leader, Qin Shihuang, even though he has passed on to the afterlife. Nowhere else in the world can one find a structure of this scale and detail. Because of this, it is a masterpiece of the ancient world and it can teach archaeologists about the culture of this time period.
I decorated the tomb the way I did because I believe that Ramesses the second was the best Pharaoh that ancient Egypt ever had. He believed that all of the people were important to him and that he would bring Egypt back to a better state. Ramesses the second ruled from c1279 to 1212. During this time he used diplomacy to build endless temples and tombs for the people of Egypt to use throughout the rest of eternity. He was allowed into the throne because of his family's military skills.
The differing shades of granites suggest that the lid of the sarcophagus did not originally match its body and that workers were employed to manipulate the outer shape to match the Pharaoh’s outline. The incorrect shape signifies that the sarcophagus may have perhaps been intended for somebody else but was commandeered to accommodate for the Pharaoh’s sudden demise. Professor Ralph Mitchell, a research professor from the
There are many items related to Hatshepsut are represented in Metropolitan Museum of Art: Hatshepsut in a Devotional Attitude, Large Kneeling Statue of Hatshepsut and others, but Sphinx of Hatshepsut has special mystery and meaning for me. Head of King Amenmesse Continuing my journey through the Egyptian department, I found that my attention was taken by Head of King Amenmesse. It is only part of the full statue with missing piece of left ear and headdress, but even this is enough to be attracted by ideal work of sculptor. Absolutely natural facial lines give a sense of presence.
Menkauhor Kaiu was an Ancient Egyptian pharaoh of the Old Kingdom period, the seventh ruler of the Fifth Dynasty in the 25th or 24th century BC. He ruled for possibly eight or nine years, following king Nyuserre Ini, and was succeeded by Djedkare Isesi. Although Menkauhor is well attested by historical sources, few artefacts from his reign have survived; less is known about him than about most Fifth Dynasty pharaohs, and no offspring of his have been identified. Khentkaus III may have been Menkauhor 's mother, as indicated by discoveries in her tomb in 2015. Beyond the construction of monuments, the only known activity dated to his reign is an expedition to the copper and turquoise mines in Sinai.
America’s First Immigrants 1.Explain the three theories for how the first Americans arrived in the western hemisphere; list evidence that strengthens and weakens each theory. A.The discovery of a well-preserved historic site in South America alludes to human life over one thousand years earlier than the original theory. •Three human footprints, two pieces of mastodon meat, and small samples of herbal medicine that originate near the Andes were uncovered. These finds are dated at least 1,000 years prior to the earliest clovis sites in North America. B.A radical theory argues that people from the Stone Age originate from Europe around the ice sheets to the western hemisphere.
Introduction This paper will analyze and compare the Egyptian Standing Figure of Osiris with Egyptian Mummy Coffin of Pedusiri, visual elements of Ancient and Medieval Art and Architecture works from the collection of the Milwaukee Art Museum. By comparing and contrasting these two works, we will be able to see the salient parts of each of them more clearly and can better understand the relationship between their periods, cultures, or artists. This comparison will also reveal how these two cultures view the human anatomy and human spirit in different ways.
Menkaure is presented as a very strong and mighty king with a loyal wife. However, Akhenaten is portrayed as a very feminine looking male, with ornate clothing and accessory choices. He does not represent the muscular and fit kings that have been present through earlier pieces of art. Akhenaten is very decorated while Menkaure is extremely
Through this work, he was trying to express to his people with Naram-Sin at the helm of the monarchy that there was no possible way that they could ever be defeated or taken over. This piece was used to convey the trust and hope that the people should’ve had in their ruler, this sculpture expressed the great supremacy of Naram-Sin and the discipline of the Akkadians beneath him. He was resilient enough to conquer these barbaric and chaotic people and this showed his fierceness to the Akkadians. With this defeat, it is believed that he subjected them to life as slaves and placed them beneath society just as they were displayed placed beneath him in the relief
The statues were a magic identity-substitute for the dead. The religion of ancient Egypt aimed against death and thus by preserving the flesh and bone they wanted to defeat death and halt the passage of time, for death was the victory of time. For them survival was the practice of embalming the dead corporeal body and it satisfied
Egyptian Clothes and Religion in Art Brenden Lawson Virginia High School History of Art: Prehistoric to Gothic Lisa Allen April 25, 2023 People can be found expressing themselves everywhere throughout time, no matter the place; art is how they show it. Art can be found in every corner of the earth and shows itself fully through clothing. Throughout history, there have been two prevailing requirements. The desire to wear apparel, and the need for a religion to hold on to.
Although we have only found the mummy of one pharaoh, we have found many tombs and many mummies of other Egyptians. When looking at the Funerary Temple of Hapshetsut and King Tutankhamun’s sarcophagus we are able to really see how important it was in Egypt’s belief systems to honor the dead and give them a proper afterlife (Wolinski). Many tombs were filled with jewels, clothes, and even mummified animals. All of these things were thought to be used by the dead in their afterlife and ensure that their souls would remain happy and bless those who were still alive. We can see the importance of the kings and pharaohs for the Egyptian people through their religion in the ways that they did all that they could to ensure that the dead lived happily.