“One person 's craziness is another person 's reality.”(Tim Burton). Burton is very imaginative, some might say that he is crazy. However, for him it is his everyday life, his reality. When watching his films, people will always be able to notice them, this is because he has a very distinct style. Tim burton is notorious for his grisly twist and fairy tale feel.
And that is exactly the case with Eraserhead. Slowly yet surely, the film builds up to a counterculture sensation, amassing a cult following nation wide. Yet, while it holds many characteristics which might be attributed to cult films as a class, it differs in some significant ways. "The very fact that they were playing at midnight, it was almost a brand name, a genre." John Waters explains in a 2005 interview.
Stereotyping is an unfair way to judge people because you never know their whole story. It is wrong to judge someone just by who they hang out with. In The Outsiders, Cherry, a Soc, and Ponyboy, a greaser, start talking at a Drive-in movie. As they are walking to grab snacks, Cherry is telling Ponyboy that not all Socs are bad; Just like not all greasers are bad. “‘That’s like saying all you greasers are like Dallas Winston.
The techqniue used in order to connect the scenes in Slacker, were done through a circulation of ideas and the conceptions of slacking. The lack of narrative structure made this film expeirmental , and by using the medium to play around. Quentin Tarantino, a director who finds great pleasure in form and motion, music and violence and mixes and matches. Pulp fiction (1994), a four-part film with a montage of bizarre characters which emphasis the focus on the Negativism of an American. This film makes use of its character-based plot, including two mob hit men, a boxer, a gangster’s wife and diner thieves all intertwined into four stories to represent on how the director viewed the world, corrupted with violence and redemption.
He repeatedly calls Caesar’s murderers honorable men, despite his actual feelings toward them. (4) Additionally, on TV, an award winning show the Big Bang Theory uses sarcasm in its script but never acknowledges it. In an episode called The Big Bran Hypothesis, Leonard has to hold up a sign to signal to his roommate Sheldon, who claims to be immune to sarcasm, that Penny used sarcasm, and that he should probably stop talking. (5) Disney’s The Lion King also features sarcasm when Timon jokes “that worked like a dream”. This confuses Pumbaa which leads to Timon asking if sarcasm is foreign to him.
The film of J.K Rowling's Harry Potter and the Goblet of Fire is an uncommon critical movie in the arrangement. Like the book, this film is vital in setting up a perception for the straggling leftovers of the course of action. It is essential that the film supplements the novel however much as could sensibly be normal. Using one of the critical features of a movie; visual imagery, the film change of the fourth novel is a better than average reinforcement to the novel. The visual similarity in this film complements sentiments and reactions that we can't in any capacity, shape or form get from the book.
A non-attentive spectator watching the movie directed by Woody Allen (in 1995) may think it can be reduced to a simple comic narrative with curious solutions for detected problems. But different from this perspective, it is known that Woody Allen works with singular details in his plot, allowing the attentive spectator to analyze its real meaning, exposed through a comic and ironic chosen tone. Therefore, in Mighty Aphrodite each single cinematographic element cares a singular metaphor (scenarios, narrator, music, characters and their actions). Focusing mainly on the last two elements mentioned and trying to relate their meaning with Adorno’s critic of astrology columns, this short analyses aims to construct its reflections. Taking into account the considerations above, the first music chose by the director can be observed: Neo Minore by Vassilis Tsitsanis – a Greek composer who early discovered his talents for music .
‘Violence is one of the most fun things to watch’ Quentin Tarantino once stated. Throughout his career, Mr. Tarantino often refers to this device in order to capture viewers’ attention and to make his films more controversial and more popular at the same time. Films under his direction are usually saturated with violent scenes with blood spilling all around the scene and body parts lying everywhere. This paper will provide the analysis of violence perception in the Reservoir Dogs movie, the first movie directed by Quentin Tarantino through the article Violence is a Many-Splintered Thing. The latter article provides an insight into how different factors may impact our reaction on violence and our ability to deal with it.
Tim Burton shows so many moods and tones in his movies through his cinematic emulation. Some of his movies, such as “Charlie and the Chocolate Factory” Burton shows the effect of a more realistic movie where Charlie wanted to sell the ticket for money and not experience a once in a lifetime experience. However, in “Edward Scissorhands”, he conveys a gothic style and tone through the outsider figure. Tim uses the techniques of lighting, sound, and editing to convey the effects of a more gothic and ominous style. First of all, sound is an important concept in any movie.
You can clearly see things in his films Edward Scissor Hands, Charlie and the Chocolate Factory, and Alice and Wonderland, that these outsiders are scared of change. He uses cinematic techniques such as close up camera movements to show emotion and to display facial expressions of the characters, using non- diegetic sound to make the films seem like everything isn’t as it seems, and lastly, he uses flashback and lighting to establish mood. In many of Tim Burton’s films, he uses close-up shots to display facial expressions of the characters. He mostly used close-up shots in his personal film,