Capote uses other methods, such as quoting a Mrs. Meier talking to her friends about how she feels bad for Perry, he is able to create more sympathy. (308). Using short and simple sentences, Capote gives her a hopeless and heartbroken tone. This social encounter portrays to the readers that even a citizen of the city in which this crime occurred could recognize a redeeming quality in Perry upon hearing his backstory . Earlier in the novel the reader sees Perry as sympathetic and forgiving towards Dick’s parents. Using slow and clear dialogue Perry conveys that he understands why Dick’s parents would not like him (24). Capote used this dialog to show a soft side of Perry and to subtly introduce the concept of undeserved forgiveness. Those
In Cold Blood, by Truman Capote, was a non-fictional novel published in 1965. Written in four parts, Capote meticulously details the brutal 1959 murders of the recognized farmer Herbert Clutter, Bonie Clutter, Nancy Clutter and Kenyon Clutter in the small, once peaceful, city of Holcomb, Kansas. Throughout the book, while Capote sympathetically depicts the murders of the Clutter family, we also realize that the author has a strong sympathy for one of the murders called Perry Edward Smith. Although the novel was intended to be written in a journalistic form, Capote seems to fictionalize much of the information used to write the novel in order to add suspense and certain reactions from the readers. Truman Capote’s new literary form of “the non-fictional novel” leaves the readers feeling conflicting emotions
Lust for Blood By having the ability to control oneself and their particular desires in different situations, it can conflict with their appearance. In the novel Dracula by Bram Stoker, Count Dracula is conflicted between the ability to control himself in his emotions and desires while having to keep his own idea of his abilities, appearances, and personality. As Dracula is put through multiple situations where he can no longer restrain himself is then put to show his true image of himself. Although Dracula tries to limit himself his self-image conflicts with his self control leading to him becoming a bloodthirsty vampire. On the way to Count Dracula’s castle there are noticeable factors that are portrayed.
Capote portrays only one of these two seemingly distinct characters (Perry) in a way that the reader feels the need to relate to and even sympathize with him. One can be taken aback by such an attachment to a murderer. This is not surprising as the author uses his compassionate diction to manipulate the reader’s emotions with a use of pathos, the appeal to emotions. At one point Capote goes as far as to write that “Smith’s life had been no bed of roses,” (Capote 245) attempting to have the readers relate to Perry. On the other hand, Capote has Dick say this about himself: “Deal me out, baby, I’m a normal” (Capote 116).
“He did not smoke, and of course he did not drink; indeed, he had never tasted spirits, and was inclined to avoid people who had—a circumstance that did not shrink his social circle as much as might be supposed, for the center of that circle was supplied by the members of Garden City's First Methodist Church,a congregation totaling seventeen hundred ,most of whom were as abstemious as Mr. Clutter could desire.’’ (10) ( Culture and Community ) Capote used this quote to illustrate the culture of the village of Holcomb, where Mr.Clutter lived and how the social life of a religious family is rooted in their church. This quote represents culture, because is trying to tell us that people in Holcomb should live a life according to their religion ,because their actions affect their social circle and their community.
While Perry is mortified that he and Dick could commit such a gruesome crime, Dick couldn’t care less. All Dick is worried about is how odd Perry is. Because of how quick Perry’s mood could change, Dick thought he was “spooky as hell.” Now, Perry wasn’t your average run of the mill man. He still wets the bed, cries in his sleep, and “could slide into a fury ‘quicker than ten drunk Indians’”.
Truman Capote, the author of In Cold Blood, creates sympathy for almost every character the reader comes across. Through the use of manipulating the reader's emotions and connecting them to each character, Capote successfully pulls it off. There are four main groups that Capote chooses to create sympathy for the murder victims, the murderers, the law officials involved, and the ordinary citizens of Holcomb, Kansas. Truman Capote created the most sympathy for two characters, Perry Smith and Detective Dewey. From the beginning of the novel, Capote showcases Perry Smith a likable character.
In In Cold Blood, the issue over the death penalty is prominent. Did Perry and Dick deserve to die? Should the severity of one’s crime determine one’s fate? Although Truman Capote writes the novel in a straightforward, “from a distance” way, he conveys, through his characters, theme, and plot development, that the death penalty is an issue that should be looked at from all sides and that the legal system itself is the real issue at hand, and that the death penalty is used as a means to suppress the distress and indignation of the citizens surrounding the case, instead of suppressing the victim himself.
In doing so Capote invents a new genre of literature by telling the story through a new perspective. Capote as a writer chooses to put most of the focus of the book on the criminals, Dick Hickock and Perry Smith, particularly Smith. He follows Smith’s life story, and explains that Smith was abused as a child, and the reader is to infer that as a result he seeks approval from others. This approval is what leads him to kill, and invent stories about killing, as he wants Dick to think of him as macho. Capote provides a plethora of evidence to support this reasoning, “He was seven years old, a hated, hating half-breed child living in a California orphanage run by nuns- shrouded disciplinarians who whipped him for wetting his bed,” (93).
He ended up in a series of orphanages where he was severely beat and traumatized for wetting the bed. One nun at the orphanage would “ fill a tub with ice cold water, put me in it, and hold me under until I was blue.” Capote intends to provoke the audience's sympathy for Perry by including his terrible childhood experiences to explain his violent manner as well as provide reasoning to commit the crime he did. Perry has many examples of how his brutal life experiences cause his violent behavior. Perry has many sociopathic characteristics including, lack of moral responsibility or social conscience, erratic behavior, rage and anger, ability form a particular relationship to one person, crimes are usually spontaneous.
Although Perry is responsible for the murder of four innocent people, Perry’s actions do not reflect on who he is as a person because he is easily influenced, therefore; showing how easily people can be pressured into doing something they would not typically do. Dick, a violent, cold-hearted, manipulator, has molded Perry into the person he is today. As Perry is a follower, Dick has taken advantage of that by turning Perry into the cold-blooded killer he is today. Capote displays Dick’s manipulation of Perry through symbolism to make evident that while Perry did pull the trigger on four innocent people, although the fault does not entirely lay on him, as he was taken advantage of by Dick.
While Dick’s attempt to profit from Perry originates from a lie that Perry creates in order to gain Dick’s respect, the language that Capote uses to illustrate Dick’s exploitation does not leave room for excuses or sympathy. The tone indicates Dick has malicious intention in befriending Perry, which gives the readers a cynical impression of him. Furthermore, Dick is seen to be disregarding of the gravity of his crimes, especially as he replies to Perry’s comment, “I think there must be something wrong with us" (Capote 114) to commit the murder like they did, in which Dick replies, “Deal me out, baby, I'm a normal,” and continues to entertain the thought, “ But Perry—there
Perry, on the other hand, is portrayed as more sensitive, artistic, and introspective, with a troubled childhood that left him scarred both physically and emotionally. These inherent personality traits play a crucial role in the events that unfold throughout the novel. For example, Dick's lack of empathy and tendency towards violence led him to commit the brutal murders. Perry's introspective nature and sensitivity make him more vulnerable to feelings of guilt and remorse. By examining the defining traits of these characters, we can gain a deeper understanding of the motivations behind their actions and the impact they have on the
This quote illustrates that Dick, being raised in a well environment, also had some faults. He could not achieve his American Dream due to lack of money that his family did not
Everybody has desires that constantly weigh over their heads, pushing them to be diligent in all their endeavors, but what would you do if you knew that one day you would no longer have the opportunity to fulfill these desires? Everybody lives their lives so focused on the end goal that they are oblivious to the world around them, and the sad part is that in some cases the end goal is unattainable or never reached because the person dies. In In Cold Blood, Truman Capote utilizes symbolism and descriptive diction to tell his readers Perry’s wants and wishes. Throughout this subchapter the reader is able to learn more about how Perry feels in the moments after the Clutter family murder. The reader learns that Perry wishes he was loved by others
[He said] it [didn’t] bother Perry a bit” (Capote 255). Dick is honestly trying to make Perry look very guilty instead of him. Even though Perry killed all four of the Clutters, Capote was still against the death penalty for Perry. Capote was also biased throughout the story because of his “relationship” with Perry. An example of Capote’s bias is when he wrote that “Dewey, a believer in capital punishment, its purported deterrent effects, and its justice, witnessed the hangings” but he could not watch Perry’s hanging.