Theme Of Marginalization In Othello

Mindset and grit are equaled to success. Growth mindset is the belief that people can get smarter by working harder and practicing. Fixed mindset is the thought that talent and skills develop success without putting any effort. Grit is determination to stick to one thing until you have mastered it. There are certain decisions that an individual makes that will impact grit. Throughout reading the play Othello by Shakespeare there are connection between Othello , Desdemona , Iago and Brabantio with grit , growth mindset and fixed mindset.

New Historicism is concerned with the political function of the literature and also the concept of

In William Shakespeare’s Othello, racism is a principal theme that drives the plot of the entire play. An outlier in Venice, Othello the moor or African, is targeted by his ensign Iago because Cassio who seems to be unqualified, was promoted to a lieutenant before he was. Iago is driven by envy and jealousy and creates a confusing and elaborate plan to deprive Cassio of his position. Iago also shares these envious motives with Roderigo, a man lusting over Othello’s wife. These two villains slander Othello to the point of eradicating any pity the audience could have developed towards Othello. The Venetians also have a hidden fascination for Othello and his foreign qualities but, they mask feelings with negative slurs. The audience also affected by the portrayal of Othello, and are persuaded to feel pity for him because of his circumstances; being betrayed by his ensign and being looked down upon because of his Moorish descent. Shakespeare also uses racism as a creative apparatus to generate a metaphor between Desdemona and Othello. The exploitation of Othello’s race leads to the manipulation Roderigo, Cassio, Brabantio, the Venetians, and the audience to see Othello as inferior although, the only difference between him and the Venetians is his lineage.

Plato once said that “We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.” Outsiders, members of illegitimate societies, are shunned because of limitations and restrictions in society. They tend to gravitate towards the light, but very few complete their journey. In Othello, The Great Gatsby, and The Death of a Salesman, heroic ambitions for acceptance and escape from the darkness are combated by societal expectations, shown through the light, which acts as a lure, towards societal norms and goals. Ironically, however, the tragedies that face all the protagonists are because of the darkness, or secret desires that each character makes to overcome their expectations. Need to say how love and American dream are barriers.

unthinkable amount of chaos and devastation. While racism on its own can lead to many societal evils, racism coupled with jealousy can create a truly catastrophic force that can only lead to pure destruction. When someone of a different race and culture is placed in this kind of society, this destruction will only naturally follow. In the play Othello, William Shakespeare focuses on the tragic outcomes of Othello, a Venetian general and black Turkish Moor, and Desdemona, his white Venetian wife. Throughout the play, both covert and overt racism, assimilation, and jealous dispositions all foreshadow the untimely death of Desdemona and Othello.

Thesis Statement: Othello’s generosity and integrity, let the false accusations that Iago told him get to him because he was too focused on one part of the story that was being told.

In the play Othello, William Shakespeare creates an elaborate tragedy with various in depth characters, enhancing the story with powerful characterization. Iago, the main antagonist of Othello, exemplifies Shakespeare’s use of characterization to create in depth and complex characters. Using his manipulative nature, intellectual mind, egotistical attitude, and dishonesty, Iago controls the other characters in order to achieve his goal, leading Othello to succumb to an overwhelming jealousy causing his downfall.

This is an analysis of the lines 260-279 of the third scene of the third act of Shakespeare’s Othello.

Othello is the perfect illustration of the dangers of rhetoric. Iago exemplified the type of rhetoric that made the Greek demagogues threatening. He was able to pervert all of Othello’s positive attributes simply by playing to his insecurities. At the same time, Iago was able to manipulate Roderigo in a similar fashion by baiting him with false

Manipulation is shown in many ways such as politics, the media, misleading information and false advertising. To convey one’s thoughts to your own advantage is seen as crude and unnecessary. However, many people have their reasons in manipulating someone whether they are good or bad. In Shakespeare’s Othello, the concept of taking advantage of someone through manipulation leads to unnecessary, horrible events.

“Othello” written by William Shakespeare revolves around this protagonist who is depicted as strong and powerful. To everyone he is known as Othello or the Moor. Throughout the play, Shakespeare portrays numerous counts of jealousy and manipulation around many of the characters. It is mainly illustrated through Iago, the antagonist of the play, who manipulates other to their downfall. Iago who is known for always being true and honest towards others has easily earned the trust of everyone around him, thus giving himself an advantage on his schemes. Among some of the crucial characters who were targeted by Iago’s manipulative plans are Othello, Cassio, and Rodrigo. Due to everyone trusting in him he is able to know their feebleness and specifically their personalities. Each of these male characters have different personalities and knowing them can be useful to Iago in his hope of completely fooling them in thus ruining their names and making everyone turn on each other.

The following passage is significant to the play ‘Othello’ in retrospect to the plot progression, as it reiterates themes and introduces important facets to the plot development. Through Iago’s cunning manipulation and Shakespeare’s crafting of language, this passage is constructed as a pivotal point of the play, marking the transition of Othello’s personality and revealing his deepest insecurities that eventually lead to his downfall and tragic ending.

In the play Othello, by William Shakespeare, the title character is a valiant hero who is in love with his beautiful bride, Desdemona. The play’s villain, Iago, destroys this love by feeding Othello vicious lies about Desdemona, causing Othello to slowly go mad. By the end of the play, Othello, in a fit of jealous rage, murders his wife. This significant change in Othello’s character is not sudden; rather, it is a gradual transformation that takes place after a series of events that occur throughout the play. Othello’s character undergoes a significant change due to a series of events at the hands of Iago, the play’s antagonist to enhance the fact that even a valiant heroes can become corrupt.

A wise philosopher once stated, “Racism is man’s gravest threat to man — the maximum of hatred for a minimum of reason” (Schwartsz). It is no revelation that racism often manifests hatred towards minorities. This concept has been widespread throughout the world for centuries. Racism has prevailed through several works of literature including “Othello” by William Shakespeare. In this particular play, the character, Othello, is allegedly a black man who experiences several accounts of racism from other characters, which eventually leads to his downfall. According to psychoanalysis studies, “Hate is grounded in some sense of perceived threat. It is an attitude that can give rise to hostility and aggression toward individuals or groups” (Abrams). Racism is arguably one of the strongest forms

Throughout the Canadian theatre canon, stories about what it means to be Canadian and to have a Canadian identity are often explored, but a lot of these stories are often focused on one specific lens of being Canadian, the white Eurocentric lens. Canada often prides itself for being multicultural and an accepting country where people of colour from all over the world can move here and live a prosperous life. However, this is reflected very poorly in Canadian theatre. Harlem Duet written by Djanet Sears in 1997, challenges the white Eurocentric lens by focusing this Canadian story on the relationship of a black couple. This play explores many themes from race, feminism, and what it means to be Canadian or more specifically a black Canadian.