ABOUT RACISM BEYOND UNCOVERING THE TRUTH MOVIES 1
“Uncovering the Truth about Racism beyond Movies”
Joshua A. Paller and Jerome Gandionco
Pamantasan ng Lungsod ng Maynila
UNCOVERING THE TRUTH ABOUT RACISM BEYOND MOVIES 2
Racism is something we 've all witnessed. Many people fail to
believe that race isn’t a biological category, but an artificial classification of people with
no scientifically variable facts. In other words, the distinction we make between races
has nothing to do with genetic characteristics. On the modern means of entertainment,
people tend to ignore that some of what they pay to see are somewhat degrading the
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This is not necessarily a
failing of science fiction, but in fact its function: the reimagining of the universe rather
than the creation of new universes. And so, as it reproduces notions of the other, it does
so from an existing cultural perspective and carries with it the prejudices and
assumptions of its own time and place and, of course, of the race that produces it. The
great Flash Gordon serials (1936-1940) give us Ming the Merciless, the oriental despot,
in keeping with and reinforcing the prejudices that would see, among manifest historical
injustices, America intern its own citizens of Japanese origin.
UNCOVERING THE TRUTH ABOUT RACISM BEYOND MOVIES 10
Meyers (1998, p.34-45) said that when racism becomes the subject matter,
science fiction is frequently cack-handed. Wolfgang Petersen’s 1985 film, Enemy Mine,
is a case in point. This reworking of Robinson Crusoe via Hell in the Pacific (Boorman,
1968) sees Dennis Quaid as Will Davidge, a gung-ho, Han Solo-type fighter pilot
gleefully waging war against the evil Dracs, a humanoid/reptilian alien race.
In his essay, “In Living Color: Race and American Culture,” Michael Omi examines how racism is still a prevalent issue ingrained in American tradition. Omi uses examples of overt racism in sports and jobs to show how racism can be very clear. He also includes examples of inferential racism like stereotypes that appear in pop culture such as books, movies, and television shows. While the overt racism is more obvious, Omi argues that many instances of racism in America are inferential. Omi claims this is not only because racism has become part of “common sense,” but has also been a large part of our history as a nation.
By fostering unfavorable stereotypes and making it more challenging to relate to and comprehend the experiences of individuals who are the targets of racism, this can have an impact on how we respond to situations of racism. Racism as a system: this video illustrates how racism permeates society's institutions and systems, producing disparate outcomes for people of various races. This can have an impact on how we respond to racism by emphasizing the need for systemic change and stressing how crucial it is to address not only specific instances of prejudice but also larger societal institutions that support inequality. Overall, the cultural politics emphasized in the "Crash" clip show how social power dynamics, stereotyping, and structural structures of inequality impact our perceptions of and responses to racism-related
The film “Dear White People” written and produced by Justin Simien is based on a campus culture war at an ivy league University. The University mainly consisting of white students causes mayhem when a Halloween party occurs and actions take things too far. Justin focused on four black students, their encounters and interactions with their peers. One character in particular brings me to my topic of race. Samantha White, a biracial student who is set on fixing things on campus between white and black students.
Although race relations in the United States between whites and African Americans have significantly improved since the abolishment of Jim Crow laws, director Spike Lee’s socially conscious satire, Bamboozled shows that discrimination has only evolved. Released in 2000, the film sought to edify the African American population about the racist and stereotypical treatments blacks endured during the Jim Crow era when they were used to entertain the white masses. Moreover, it also shows how that culture is still propagated today, with African American film makers just as guilty. From the time the first African set foot in the North American colony of Jamestown, Virginia, in 1619, race relations have always been whites’ superiority over blacks.
When we think of heroes we often think of a masked vigilanty or a cape crusader swooping down from the heavens and saving the day. Although heroes come in many shapes and sizes, they also tend to come from different backgrounds. The people of the United States pride themselves with freedom and equality. However, still to this day there is a struggle with discrimination. Matt Zoller Seitz’s article “The Offensive Movie Cliché That Won’t Die” definitely sparked some interest and was definitely right when it came to the offensive issue most people do not see.
In Marlon Riggs’ 1992 documentary film titled Color Adjustment, Riggs, the Emmy winning producer of Ethnic Notions, continues his studies of prejudice in television. The documentary film looks at the years between 1948 and 1988 to analyze how over a 40 year period, race relations are viewed through the lens of prime time entertainment. The film examined many of television’s stereotypes and mythes and how they changed over the years. The one hour and twenty-two minute documentary is narrated by Ruby Dee, the American actress, poet, playwright, screenwriter, journalist, and civil rights activist.
Dolores del Rio was frequently casted for movie roles that embodied the “exotic” and “foreign” appeal popular in the 1920s. In the silent drama film The Loves of Carmen directed by Raoul Walsh in 1927, del Rio is depicted as a Spanish gypsy, Carmen, who has the power to seduce any man. She has her heart set on Don Jose, played by Don Alvarado, and plans to win him over. Their relationship begins to take a downfall, and Carmen falls for another man--a bullfighter named Escamillo. Saddened but determined, Don Jose embarks on a journey to make Carmen his true love again.
The disturbing truth emerges that our history is so filled with racism, that it has caused Disney to have a lack of emphasis on racial issues in films such as
Today in class, we discussed a topic that is deeply engraved in American history yet widely avoided by many: race. More specifically, terms like “racist,” “All Lives Matter,” and “white privilege,” which may make some people uncomfortable but more than ever, need to be confronted and examined. We watched several videos containing a variety of people discussing their own personal thoughts and feelings on such terms to spark our own conversations on the same topics. After viewing the first video on the word “racist,” I began to reflect on my own actions towards other people.
Ethnicity and Hollywood Racism is always issues which take a huge part of American history. Until the twenty-first century, although people tried to make the country becomes the freedom and equality nation, these issues are still happening everywhere. According to "In Living Color: Race and American Culture," Stuart Hall argues that racism is still widespread in the society and "it is widely invisible even to those who formulate the world in its terms" (qtd. in Omi 683). Indeed, situations about race quietly exist in the movie industry, which "has led to the perpetuation of racial caricatures" to the majority audiences and even minority audiences (Omi 629).
Dear White People, “a satire about being a black face in a white place”. Fiery characters, budding romance, race relations, and loads of conflict fill this 2014 film. This 2014 independent film is filled with fiery characters, budding romance, race relations, and loads of conflict. The movie focuses on four strong black college students who are struggling with their racial identity in vastly different ways. At the prestigious and fictional Winchester University we are introduced to a half black half white collage student name Samantha White (Tessa Thompson) who appears to have created this Afrocentric image of herself.
There has been little investigation of the influence society has on science fiction as a genre. However, previous research, using various methodologies, has indicated a significant relationship between science fiction and society, but much of the research focuses on the inverse of my research question: how science fiction has influenced society, instead of how society influences science fiction. Within that relationship, several different aspects of science fiction have been studied, so they are included here for context. Previous Research: Because most of the current research in the field discusses the inverse relationship, I will briefly describe it here. Science fiction has long been known as a genre of prophecy.
Casual Racism, An Aspect Of Society: Rhetorical Strategies In Get Out Although blatant acts of racism have diminished since the 1900’s, acts of casual racism are now predominant in America. In the film, Get Out, written and directed by Jordan Peele, Peele claims that acts of casual racism are aimed at ethnic minorities. Peele begins to build his credibility by addressing issues of casual racism in the text, targeting the White liberals as his audience, using constraints to encourage empathy for his character Chris, and by covering the controversial issue of America being a “post-racial” society as the exigence in Get Out. Peele, a comedy writer, actor, and ethnic minority, has been praised for his portrayal on his hit comedy show
Racial stereotypes in films has occurred among people of color through characters, especially black. This has made challenges in opportunities, leading to a prevalence of stereotypes and lack of diversity on-screen, and they have also come a long way with many perspectives in the movie industry. The motion industry have had long history and criticism for its racially casting options since it has a significant role in a mass dissemination across the globe to audiences in every generation and have affected people’s belief systems. However, since a development in technologies and people’s perception, several modern filmmakers have already started to change the old stereotypes to be diverse and more positive. Furthermore,x black actors
Evil Dead is a science fiction film and it was written and directed by Sam Raimi and Bruce Campbell. It was release in 1981. The movie opens with five youngsters going on a road trip following a map. They are heading to an old abandoned cabin. The tension starts to build when they cross the weak bridge leading to the cabin because they almost had the car fall under the bridge.